A History of Screenwriting – 32 in a series – Long Distance Wireless Photography (George Méliès, France, 1908)

A History of Screenwriting – 32 in a series – Long Distance Wireless Photography (George Méliès, France, 1908)

A History of Screenwriting - 32 in a series - Long Distance Wireless Photography (George Méliès, France, 1905)

Into a photography studio full of large fantastic machines steps an elderly couple. The bearded proprietor explains the equipment and gives them a demonstration and projects a painting of three women onto a large screen; suddenly the women begin to move. The customers are impressed. First the women sits in the special seat: she’s projected onto the screen, and her good nature comes out in the laughing image. Then it’s the man’s turn, but on the screen it projects a painted, apelike Friar Tuck face. The man gets angry and tries to wreck the machine getting an electric jolt in the process. – Silent Film House



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I teach several classes for the Stephens College Low-Residency MFA in Screenwriting, including History of Screenwriting. In fact, I created the curriculum for that course from scratch and customized it to this particular MFA in that it covers ‘Screenwriting’ (not directors) and even more specifically, the class has a female-centric focus.  As part History of Screenwriting I, the first course in the four-class series, we focus on the early women screenwriters of the silent film era  who male historians have, for the most part, quietly forgotten in their books. In this series, I share with you some of the screenwriters and films that should be part of any screenwriters education. I believe that in order  to become a great screenwriter, you need to understand the deep history of screenwriting and the amazing people who created the career. — Dr. Rosanne Welch

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