On Friday, May 5th I had the honor of delivering the commencement speech at the 2023 Stephens College Commencement Ceremony for Graduate & Continuing Studies as part of having received the Distinguished Faculty Award for the year. The full commencement ceremonies for the 2023 Stephens College MFA in TV and Screenwriting include speeches by MFA student commencement speaker Natalie Cash Petersson and Stephens College President Dianne Lynch.
Together we covered the gamut from “How Watching 1970s TV Gave me the Female Role Models to Succeed in Life” through “How to Channel your Knowledge into Action” and “How to be a Lifelong Learner – After a Well-Deserved Break”.
You can listen to the short ceremony here (the audio is a series of slides but the audio is smooth).
Since that other, of course, shows have exploded more. We were talking with some folks the other day about these guys but you start with “Inspector Morse” which again was on PBS in the 70s and then that became the spin-off of “Lewis”. So “Lewis” who is the original assistant now becomes the head guy and there’s a “Doctor Who” connection because the guy who played Hathaway was married to Billy Piper and then, of course, they blended that into doing the prequel the “Endeavor” show which is really Morse as a young man right because his real name was Endeavor but he never liked that as a name so they used it for the new show but now that’s something that Americans know a lot about. I have friends who’d never heard of Morse but they all watch “Endeavor” and so then they’re like oh let’s go backwards and see what this guy you know what happens to him later in life.
In this presentation given at the 2022 San Diego WhoCon I had the chance to trace the many ways Doctor Who changed the TV universe. By focusing on the interesting and innovative things the many writers did with the show across the years we were able to see the Who footprint by becoming the first narrative program to reach 50 years on the air, the first to create a spin-off across the ocean, and a show alongside Star Trek that created the Con-craze that brought the world of cosplay to the mainstream. Perhaps most importantly, a love of Doctor Who lead more Americans to watch programming from other countries – from Korean dramas to Mexican telenovelas – which has so enriched our culture.
We tend to forget that actors are sometimes also writers. The same thing happens when I teach something with Emma Thompson. She wrote Sense and Sensibility and then won the Oscar for that and people don’t realize that. She wrote The Nanny McPhee movies. So she adapted the books into film and also starred in them. So Sherlock has gone Global. Again the books always did but shows done earlier no one had paid attention to in the same way. Of course, our Doctor Who connection to Victoria is that it was the next piece that Jenna Coleman did and that became something that everybody was paying some attention to. So the power of Doctor Who and for all these characters is amazing.
In this presentation given at the 2022 San Diego WhoCon I had the chance to trace the many ways Doctor Who changed the TV universe. By focusing on the interesting and innovative things the many writers did with the show across the years we were able to see the Who footprint by becoming the first narrative program to reach 50 years on the air, the first to create a spin-off across the ocean, and a show alongside Star Trek that created the Con-craze that brought the world of cosplay to the mainstream. Perhaps most importantly, a love of Doctor Who lead more Americans to watch programming from other countries – from Korean dramas to Mexican telenovelas – which has so enriched our culture.
As we know Downton Abbey became this huge explosive again filmed in England is a very culturally English story with an English cast and that has a Doctor Who connection because Hugh Bonneville shows up after that on Doctor Who. That’s how powerful now Doctor Who is this worldwide let me see let me have everyone see me here right? So I think that’s a beautiful connection. Sherlock went Global and it has its Doctor Who connection because we know it was written by both Moffat and Gatis who a lot of people don’t take seriously or don’t realize he’s more than an actor. He’s also a writer. He actually has a wonderful – it’s still on YouTube – It’s a three-part documentary on his love of American horror films and so he goes to the history of early horror films. The classic here and then he does one about the modern and in the middle he does one about English horror films but it’s a three-part really fun piece and I show that the students and they recognize him from Sherlock but they don’t know that he wrote it.
In this presentation given at the 2022 San Diego WhoCon I had the chance to trace the many ways Doctor Who changed the TV universe. By focusing on the interesting and innovative things the many writers did with the show across the years we were able to see the Who footprint by becoming the first narrative program to reach 50 years on the air, the first to create a spin-off across the ocean, and a show alongside Star Trek that created the Con-craze that brought the world of cosplay to the mainstream. Perhaps most importantly, a love of Doctor Who lead more Americans to watch programming from other countries – from Korean dramas to Mexican telenovelas – which has so enriched our culture.
I started out last week bright and early Monday morning (6 am LA time/ 1500 Paris time) giving a Zoom lecture to the Masters students of the Professeure au département Cinéma et Audiovisuel at the Université Sorbonne Nouvelle – yep, the Sorbonne.
Department Directrice Kira Kitsopanidou had a Ph.D. student who was using the book I edited – When Women Wrote Hollywood – so they looked me up online and found all those marvelous lecture clips that Doug posts for me and decided to ask me to deliver a lecture on Early Women Writers and Writers Rooms in the U.S.
They wanted an international focus for their students who already know some of the great French female screenwriters in history so they ask academics from other countries to speak about their industries. It was lovely and will result in having an article I wrote for them translated into French, which will be a new experience for me.
Then I capped the week off as an online guest panelist for one of the Kopenhaver Center Conversations along with my friend, colleague, and MFA mentor Rashaan Dozier-Escalante as we discussed Writing as Activism: Creating for Inclusion on the Screen. Moderated by Dr. Bethanie Irons of Stephens College we discussed the lack of representation for writers of different genders, races, ethnicities, and abilities and how writers can make the needed changes because we all recognize that Representation Matters.
The Sorbonne lecture was a private event but you can find the Kopenhaver Center Conversation here. It will be hard to top a week like that BUT then again this weekend I’ll be at the BEA (Broadcast Education Association) conference in Las Vegas on a panel about Writing as a Career and 2 weeks later I’ll be mentoring new writers at this year’s Cinestory weekend workshop in Idyllwild, California – followed by our MFA commencement at Stephens College and a weekend at the SeriesFest in Denver where I’ll have the honor of introducing this year’s Jan Marino Scholarship recipient at their annual Women Creatives Brunch.
Then the fact that you simulcast the newest Doctor. Simulcast because as we got it we always knew the show aired at this hour and you got it and then you had to wait eight hours to see it here etc. Then they realized no that audience with the internet and the explosion of the internet there’s no possible way we can keep the secret it’s going to disappear before we have the chance to enjoy it. So they literally put in the effort to simulcast that moment of changing the character – changing an actor on a show. How could that become so important because Doctor Who. I think that’s really cool. Now slowly because of Doctor Who it’s that long tail thing now other shows you’re being able to sort of jump on that bandwagon and people are saying oh let me look at that. So for instance of course there’s the new All Creatures Great and Small. What I love is all of a sudden by accident some of the shows I chose as examples they all have connections to Doctor Who right? So, for instance, this is the new All Creatures Great and Small but in the top corner I have the original All Creatures which I watched on PBS originally and that’s connected to Doctor Who because… Peter Davidson came to us from that show and then moved into Doctor Who. So I think that’s fun and actually, the bottom picture is how much fandom gets you. When we happened to be lucky enough to go to an event in Leeds we took a train to Thirsk and that is the home of James Herriot and that is the James Herriot Museum. It’s the smallest and most popular little Museum in the whole of that section of England and it was kind of fun and they had a little area where they showed you the set from the original show because we were here before the new show had started. So I’m kind of interested to know how they’ve expanded their Museum but that’s the power right of now globalizing the story.
In this presentation given at the 2022 San Diego WhoCon I had the chance to trace the many ways Doctor Who changed the TV universe. By focusing on the interesting and innovative things the many writers did with the show across the years we were able to see the Who footprint by becoming the first narrative program to reach 50 years on the air, the first to create a spin-off across the ocean, and a show alongside Star Trek that created the Con-craze that brought the world of cosplay to the mainstream. Perhaps most importantly, a love of Doctor Who lead more Americans to watch programming from other countries – from Korean dramas to Mexican telenovelas – which has so enriched our culture.
Then we rebooted “Doctor Who” and even in the David era it was getting there because David was known from “Harry Potter” so there’s a fandom there that’s bringing it together but it was this moment when they debuted Matt – they were like okay we are gonna make a push in the United States. This is going to be so important. That billboard is on Sunset Boulevard in LA. Where normally it’s just a bunch of upcoming movies right or big albums that we expect. So the idea that you could bring this billboard and expect that the people driving by in Los Angeles knew who he was and what that show was. That was an amazing Step In global television and of course Craig Ferguson down there was a Dalek because he’s from the UK anyway so he knew what it was. He was kind of insinuating his love of “Doctor Who” into – but late late night. Not everybody stayed up for the late late night but everybody drove down Sunset Boulevard.
In this presentation given at the 2022 San Diego WhoCon I had the chance to trace the many ways Doctor Who changed the TV universe. By focusing on the interesting and innovative things the many writers did with the show across the years we were able to see the Who footprint by becoming the first narrative program to reach 50 years on the air, the first to create a spin-off across the ocean, and a show alongside Star Trek that created the Con-craze that brought the world of cosplay to the mainstream. Perhaps most importantly, a love of Doctor Who lead more Americans to watch programming from other countries – from Korean dramas to Mexican telenovelas – which has so enriched our culture.
I’m pleased to have been invited as a guest panelist for a Kopenhaver Center Conversation as I share in their goal to “empower both women and non-binary professionals and academics in all the fields of communication, in order to develop visionaries and leaders who can make a difference in their communities.”
Along with my friend and colleague Rashaan Dozier-Escalante we will be discussing “Writing as Activism: Creating for Inclusion on the Screen”.
Join us for this free online event
Friday, April 7, 2023 (1:00-2:00pm Central/11am-12noon Pacific/2-3pm Eastern).
As a satellite location of the Lillian Lodge Kopenhaver Center for the Advancement of Women in Communication, we share the organization’s primary mission: To empower both women professionals and academics in all the fields of communication, in order to develop visionaries and leaders who can make a difference in their communities and their profession.
So “Baywatch” and “Beverly Hills 90210” were the number one and two exports of television from America to the rest of the world and when I teach students in Los Angeles I always say so that means everybody thinks after you go to class every day you go to the beach and you have a bonfire with your friends and then you grow up to be lifeguards right? That’s a normal LA life which as we all know it’s not at all but that’s the power of Something Going Global. It brings your culture to another country.
In this presentation given at the 2022 San Diego WhoCon I had the chance to trace the many ways Doctor Who changed the TV universe. By focusing on the interesting and innovative things the many writers did with the show across the years we were able to see the Who footprint by becoming the first narrative program to reach 50 years on the air, the first to create a spin-off across the ocean, and a show alongside Star Trek that created the Con-craze that brought the world of cosplay to the mainstream. Perhaps most importantly, a love of Doctor Who lead more Americans to watch programming from other countries – from Korean dramas to Mexican telenovelas – which has so enriched our culture.
Now the other thing about “Doctor Who” that we know is it went Global and this was not something that happened to very many TV shows. When we were younger and we watched it on PBS it was because PBS took the leftover stuff from England and didn’t make a big deal out of it. There wasn’t a big marketing campaign. You landed on it accidentally and went wow this is interesting. What is this and then you got hooked right? Only shows that have gone global in the past were something like Lucille Ball who was already sort of known worldwide from her movie career right or when we get into the 80s “Baywatch” went global to the whole world. The two most exported shows from the United States and we were always the country doing the most exports. Always we went out to 89 different countries. It was much harder for other countries to spread their stuff to us. We had so much on our screens that we didn’t need to buy anything else. We filled our broadcast network time but the other countries had less production so they were buying all our stuff right.
In this presentation given at the 2022 San Diego WhoCon I had the chance to trace the many ways Doctor Who changed the TV universe. By focusing on the interesting and innovative things the many writers did with the show across the years we were able to see the Who footprint by becoming the first narrative program to reach 50 years on the air, the first to create a spin-off across the ocean, and a show alongside Star Trek that created the Con-craze that brought the world of cosplay to the mainstream. Perhaps most importantly, a love of Doctor Who lead more Americans to watch programming from other countries – from Korean dramas to Mexican telenovelas – which has so enriched our culture.
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