33 Create Your Own Network…from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

33 Create Your Own Network...from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Rosanne: …which is also what I say to students both in internships and within classes. You’re not going to call Steven Spielberg and become his best friend to get a job but somewhere in your group of friends that you’re all connecting with right now one of you is going to go become Steven Spielberg and that you’re all then going to stay connected to each other and help each other move up.

Host: That’s yeah as far as networking goes, I think that’s probably one of the best pieces of advice you can give to someone. It’s like understand that everything — it’s you know, it’s the right thing to be nice to people and cultivate relationships but also it’s almost like you’re moving up with your generation. Like everyone rises up together…

Rosanne:… exactly and you will immediately kick off your you know the end of your boot anybody who you don’t want to be around.

Host: That’s also true.

Rosanne: Yeah because they’ll just get in your way and they’re not going to help you. As long as you’re the kind of person who wants to help other people and with their ideas with you know doing writer’s groups together, reading each other’s scripts out loud, going to Q and A’s in town and then you know talking about the thing you saw afterwards. Running into other people at those events and you know hey let’s all get together and have a meet up two weeks from now at such and such a pizza place or a coffee house or a bar whatever it is. Building those relationships because that’s you know you’re the next generation of assistants who are the next generation of writers or executives or whatever people choose to be.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

25 Filippo Mazzei from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

25 Filippo Mazzei from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

Rosanne: Now, the other thing is we’re a weird country because I also did a book on this guy, Filippo Mazzei. He’s an Italian who comes to the United States in the 1700s and lives on the plantation next door to Thomas Jefferson and Mazzei didn’t use slaves. He brought Italian serfs — who were not treated great — but were not owned to work though. He wanted to grow wine in Virginia. He thought to bring the wine business to Virginia and he’s the guy — this is off topic — but he wrote “All men are created equal” in a pamphlet that he worked with Jefferson and he was invited to the Continental Congress but he couldn’t — he spoke — he wrote English and five other languages but he didn’t think he could keep up with the verbal debate fast enough, so he’s not in the movie 1776 because he didn’t go but when Jefferson wrote the Declaration he cribbed that phrase and I’m not making this up because the Congress in like the 80s or something did actually put that into the Congressional Record. That’s where that first phrase first appeared in America was from this Italian immigrant.

Tammy: I love it. I love it.

Rosanne: I know this is normal as anyone because he owned land and he was just one of the many people living here like the Scots but there wasn’t a flood of Italians. It’s in the early part of the 1900s when we get the flood of poor Italians. It’s the poor immigrants we never want. The rich guys we’re okay with.

21 The 2018 Version…from “Female Creatives & A Star Is Born” [Video]

21 The 2018 Version...from

Transcript:

So the idea lagged for a while and then all of a sudden the Lady Gaga version comes up, which I’m sure most of you have seen. Let’s see — similarities. She’s not a rock star so much as she’s a pop star and that’s because we have the dancers behind her and we’re sort of working in a different world. He more or less though is a rock idol because it’s cooler for boys to do rock than pop right? We giggle at Justin Bieber. We think rock stars are hot. So he maintains the rock business but here’s a change that Bradley Cooper — who’s one of the writers on the movie definitely made — his dude is not jealous of her. He is supportive and happy. His problem is that he’s an addict and he can’t break his addiction. It has nothing to do — he’s an addict before he meets her. Her popularity does nothing has no change to that. So I think that’s an important difference and we’re going to talk about why that difference happens. Same thing they’re going to write a song together –a beautiful song. Again that’s a very sexy thing for them to do. At the Grammy Awards, he’s going to embarrass her but not out of anger that she’s getting attention and I’ve got a little slide I’m gonna show you on that. We’re gonna use the “one more look at you” line, so Dorothy Parker is still hanging out not only in the plot but in these lines. This time her guy — and they call him Jackson Maine because Norman is boring and so is John by the time we get to 2019. What we do is — he doesn’t cheat on her. In the other ones the woman finds the guy cheating because he finds another young girl that you know will make him feel better because his wife is better than he is. He does not do that. Bradley Cooper did not want his character to do that. Like Kris Kristofferson, though, he will commit suicide essentially on screen. We’re gonna know what he’s doing and it’s not off — lose his body and nobody has to see him. She’s gonna see his body when they find him and in the more modern world, if you want to call it that, she is just Ally like Cher is Cher right and Beyonce is Beyonce. She is Ally. So at the end of the movie, she can’t change her name but she does in fact introduce herself as Ally Maine. So she establishes that last name repetition from the previous versions.

Watch this entire presentation

Connections at conferences matter! Through the most recent SCMS, I met Vicki Callahan, whose film history focus right now is on Mabel Normand. When she learned I could put together a lecture on the importance of the female voice in the A Star is Born franchise she asked me to give that lecture to her master students.

It made for a great opportunity for me to hone the ideas I’m working on for a chapter on that franchise that I’m writing for a new book from Bloomsbury: The Bloomsbury Handbook Of International Screenplay Theory. It’s always nice when one piece of research can be purposed in other ways – and it’s always fun revisiting such a female-centric film franchise – one that drew the talents of such powerful performers as Janet Gaynor, Judy Garland, Barbara Streisand, and Lady Gaga.

Find out why in this lecture!

RMW Rosanne Signature for Web



07 Madeline Pugh From Women in Early TV for the American Women Writers National Museum [Video]

07 Madeline Pugh From Women in Early TV for the American Women Writers National Museum [Video]

Many thanks to Janice Law of the American Women Writers National Museum who invited me to give a short talk on The Women of Early TV.

I enjoyed sharing the names and careers of women like Peg Lynch, Gertrude Berg, Selma Diamond, and D.C. Fontana to the members who gathered on Zoom last Wednesday morning. There are so many more I could have talked about whose names don’t appear in mainstream books about the history of television so we have to learn who they are and carry those names forward ourselves.  It’s one of the missions of the Stephens College MFA in TV and Screenwriting – and has been one of my missions all my life.

RMW Rosanne Signature for Web

Transcript:

Madeline Pugh is not a woman who is forgotten in the books because she wrote for, of course, the most iconic woman on television, Lucille Ball and Madeleine Pugh was at the very beginning of Lucille Ball’s television career and stayed with her all the way through each of the three major shows she was ever a star of. You’ll notice here very tiny on her chair. It said Madeline Pugh Girl Writer. Imagine that. She is not a girl at this stage in her career. She is a grown woman who has a good history behind her of writing radio programs and then moving into this world. She co-wrote with this gentleman Bob Carroll whom she never married. They were just writing partners which was marvelous. She had her own personal life. She, in fact, married a man who had three children and eventually left Hollywood for a while and then decided she missed it and they as a whole family moved back and she continued. so Madeline Pugh is a huge, huge person in the history of television. She’s one of the few who might show up in a book because if you talk about The Lucille Ball Show you must talk about Madeline. One of the things madeleine did was as they wrote gags or the particular physical comedy that they would expect Lucy to do, Madeline would perform those tricks first. She would have to see if they were safe and they were doable and in fact, were they really funny when you saw them finished. So she was both sort of a side performer and of course a writer on the show. So I think Madeline Pugh is someone you should never forget as well as of course Lucille Ball.1

Many thanks to Janice Law of the American Women Writers National Museum who invited me to give a short talk on The Women of Early TV.

I enjoyed sharing the names and careers of women like Peg Lynch, Gertrude Berg, Selma Diamond, and D.C. Fontana to the members who gathered on Zoom last Wednesday morning. There are so many more I could have talked about whose names don’t appear in mainstream books about the history of television so we have to learn who they are and carry those names forward ourselves. It’s one of the missions of the Stephens College MFA in TV and Screenwriting – and has been one of my missions all my life.

Watch this entire presentation

 

Women pioneers who created, produced, or shepherded many of America’s most wildly popular, early television programs will be profiled by Dr. Rosanne Welch.

Get your copy today!

32 More On Pitching…from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

32 More On Pitching...from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Yeah. It doesn’t even — they don’t have to like your story. If they like you they can bring you and you know that’s the other thing that happens — if they like you but they don’t buy your story, your pitch, whether, it’s a tv show or a movie whatever it is but they have a book that they have bought their rights to and they want someone to come in with what is your idea and how this book will work. That’s when they’ll go oh I really like working with you. I really feel a connection to you. Go home and think about this and come back in a couple weeks and tell me how you would attack this and maybe you’ll get that gig. So that’s what you’re trying in a meeting if nothing else happens or you know I ended up doing that Picket Fences episode because I had temped on a show that Jeff Melvoin was an executive — that time he’s a supervising producer — and so we met for like two weeks and he read something of mine and he was impressed and we stayed in touch. It was four years before he got the job where he could hire me. One, two-week job gave me a story — a script — four years later. You gotta always think about the future of the relationships that you’re making.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

24 Italians In America from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

24 Italians In America from Concord Days: Margaret Fuller in Italy [Video]1

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

I was just going to say, yes, I wouldn’t exactly use the word parallel because of course Italians were never slaves but actually, some who were shipped here were mistakenly sold into slavery because they could speak the language and nobody understood and they were dark. There are stories of that and of course, the biggest lynching — the most — the largest mass lynching in America happened to a group of Italian men in Louisiana. That’s post-slavery now. Yeah it was and they weren’t considered white because of that now and largely we’re talking about southern Italians, Sicilians, and southern Italians because northern Italians look more swiss. They look more german. They are blonder and blue-eyed. It’s Frank Sinatra versus Dean Martin. So any group that comes into this country, sadly, we sort of do the whole oh you’re at the bottom of the barrel. It would say you know no dogs or dagos allowed you know. No dagos should apply for this job. There was discrimination. I’m two generations away from that so it didn’t happen to me but I understood that it happened to my grandfather and I understood how that got in his way.

20 A 3rd Remake?…from “Female Creatives & A Star Is Born” [Video]

20 A 3rd Remake?...from

Transcript:

Here’s something that fascinates me. I remember reading this in the trades and how cool it would have been when they thought about the third remake. This is obviously some 15 years ago now. It was a natural for Whitney Houston. You want a famous female singer. You want this story and she had just done The Bodyguard with Kevin Costner which had her be a famous singer right and she has as you know — falls in love with her bodyguard, in this case, etc etc — which also became a Broadway musical believe it or not and I’m gonna do a little tangent because I love to talk about writing. Why in the heck is Dolly Parton in my picture? She wrote a song called I Will Always Love You in the 50s when she quit her partnership with a male country singer. When they did the bodyguard, they needed a song that would be the song where Whitney Houston’s character kind of declared that she loved Kevin Costner. He’s a country music fan. He said to her you know I know this song that Dolly Parton wrote like 20 years ago. Could you reuse it and she liked it. Whitney Houston said yeah and they went to Dolly Parton because they have to get rights to it because she wrote the song and they were like you know Dolly once Whitney sings this, this will be in history Whitney Houston’s song and Dolly, being a very smart businesswoman, said yes but the writer gets all royalties for the song and I am perfectly happy for Whitney to own the performance. So it was a pretty brilliant move on her part and I’m sure that you’ve all heard that song as a Whitney Houston song. So that came out of The Bodyguard. They were thinking about getting Denzel to be the actor slash rockstar slash whatever they would need him to be in this version or they were thinking about Eddie Murphy. Sadly Whitney Houston died so this version was never able to be made and I think that’s a big loss because if we’re gonna remake a movie you know let’s do new and different things and she would have been brilliant. It would have been great. It didn’t happen.

Watch this entire presentation

Connections at conferences matter! Through the most recent SCMS, I met Vicki Callahan, whose film history focus right now is on Mabel Normand. When she learned I could put together a lecture on the importance of the female voice in the A Star is Born franchise she asked me to give that lecture to her master students.

It made for a great opportunity for me to hone the ideas I’m working on for a chapter on that franchise that I’m writing for a new book from Bloomsbury: The Bloomsbury Handbook Of International Screenplay Theory. It’s always nice when one piece of research can be purposed in other ways – and it’s always fun revisiting such a female-centric film franchise – one that drew the talents of such powerful performers as Janet Gaynor, Judy Garland, Barbara Streisand, and Lady Gaga.

Find out why in this lecture!

RMW Rosanne Signature for Web



05 The Missing Women Part 2 From Women in Early TV for the American Women Writers National Museum [Video]

05 The Missing Women Part 2 From Women in Early TV for the American Women Writers National Museum [Video]

Many thanks to Janice Law of the American Women Writers National Museum who invited me to give a short talk on The Women of Early TV.

I enjoyed sharing the names and careers of women like Peg Lynch, Gertrude Berg, Selma Diamond, and D.C. Fontana to the members who gathered on Zoom last Wednesday morning. There are so many more I could have talked about whose names don’t appear in mainstream books about the history of television so we have to learn who they are and carry those names forward ourselves.  It’s one of the missions of the Stephens College MFA in TV and Screenwriting – and has been one of my missions all my life.

RMW Rosanne Signature for Web

Transcript:

However, those two ladies were so important to the creation of Rose Marie — this character on the beloved Dick Van Dyke Show. This is one of the most important characters really in television history and many many female tv writers today will tell you that they knew this job was possible because they saw her do it on the fictional Dick Van Dyke Show and The Dick Van Dyke Show was a fictionalization of the staff writing for Sid Caesar right? Carl Reiner’s character is meant to be a personification of that. So these are the typical gentlemen who worked for him and she is a representation of Lucille and Selma Diamond sort of wrapped together. A woman who never got married right? Couldn’t find a guy. This is a very stereotypical vision of a career gal as they would say back in the day but she inspired many many women all the way up through Tina Fey and I think it’s always important to think about the power of television. One of my favorite stories has nothing to do with tv writers but to do with a Supreme Court Justice Sonia Sotomayor, who says she learned that she could be a lawyer someday by watching Perry Mason as a child. She learned that lawyers existed and that it was a job that required college and so she did well in school so that she could move forward and look she’s on the Supreme Court today. So television has a lot of power and the visuals women see on television are very very important to the ideas. You have to see it so that you can be it right? So Rose Marie stands for a lot of things — a representation of the women who truly did come before her and an inspiration to the women who came after.

Many thanks to Janice Law of the American Women Writers National Museum who invited me to give a short talk on The Women of Early TV.

I enjoyed sharing the names and careers of women like Peg Lynch, Gertrude Berg, Selma Diamond, and D.C. Fontana to the members who gathered on Zoom last Wednesday morning. There are so many more I could have talked about whose names don’t appear in mainstream books about the history of television so we have to learn who they are and carry those names forward ourselves. It’s one of the missions of the Stephens College MFA in TV and Screenwriting – and has been one of my missions all my life.

Watch this entire presentation

 

Women pioneers who created, produced, or shepherded many of America’s most wildly popular, early television programs will be profiled by Dr. Rosanne Welch.

Get your copy today!

31 More On My Worst Pitch Meeting from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

31 More On My Worst Pitch Meeting from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

…and then finally there was a movie that had come out — it’s a while ago now — this is an old meeting — called Indecent Proposal and it was Woody Harrelson, Demi Moore, and Robert Redford. The idea was that Robert Redford was a rich man who gave offered Woody Harrelson and his wife a million dollars for his wife to sleep with him for one night. So the couple would get a million dollars and she’d have sex with the guy one night and that was the question of the movie and my joke when that movie came out had always been well there’s no question. It’s a win-win. I get a million dollars and I have sex with Robert Redford. Where’s the loss in this right? The movie made no sense to me. She brought it up and she wasn’t stupid — she brought it up — I said what I always said about the movie which was that I said it needs to be like a million dollars and Danny Devito and now I have a question right? Even though I love Danny DeVito right? I don’t mean to be insulting to him. She then was happy to let me know she had been an associate producer on that movie. Her name doesn’t appear on the poster. It doesn’t there was no, yeah I could not have known that except my agent should have set me up by giving me some of her background and he didn’t. So that was like three strikes you’re out. Buh-bye like we’re not ever going to be friends. We’re not ever going to go have coffee later and you’re not going to buy anything from me. So I’ll leave, right? At least I should have known her movie background. Maybe an agent wasn’t going to be able to tell me where she grew up but yeah three strikes you’re out. That was not a good meeting. So you need to know you need to know you’re not going to sell that woman Thank You For Not Smoking right? That’s not a piece you’re going to bring into her office. So it is very important who you’re talking to.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

23 Why Return to the US? from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

23 Why Return to the US?  from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

Tammy: So here’s a question that I’m never really sure. Were they were coming for a visit or were they coming to move permanently or was it sort of…

Rosanne: I believe the idea was they were going to move permanently because she could do more work there and she wanted to publish the book and it had to be published in the United States. So even if — yeah maybe not permanent the wrong way to say it — it was going to be a period of time so that piece could be done and the kind of — she knew that the United States needed to come and support what was happening in Italy as well. So I think it’s twofold. Her career is gonna move forward with this and he’s thinking he’s gonna help get the kind of support because Garibaldi lived in the states for a little bit too after one of his failures. So he knew that if you got people there on your side you would have the support you needed. So they had business reasons, as well as I’m sure she kind of wanted to show off her kid to her friends, because as you said earlier, that wasn’t part of her planned life story and when I was a kid I was never going to have kids because I thought that’s not something I want to do and then Ii changed my mind at 32 because a writer friend of mine actually said if you want to be a writer and you want all the experiences that a writer can have, you’re turning down an experience that only half the planet can have and it was it a conversation which again makes me think about Margaret talking to these women. What are the possibilities in your life and what have you told yourself you should or shouldn’t do based on what society will say about you and I did think having a kid would get in the way of having a career and then I realized no because you could do it your way and Margaret did right I think in that moment, in those periods in her life, she was really happy and I think that was you know the other reason she wanted to come back and show everybody, look I did it all.