Rosanne moderates “Beyond the Book: Writing Adaptations” at the Writers Guild Foundation

During all of our Stephens College Residency Workshops, my favorite job as Executive Director is when I moderate a panel at the Writers Guild.

Last August, we hosted “Beyond the Book” which covered writing adaptations and spin-offs. The panelists shared ideas about how to manage IP; we discussed how creative decisions are made when one deviates from the source material and how thematic material, characters, and plot points are emphasized or expanded upon in TV series and features.

I always like to cover shows that focus on female-driven stories (no matter the writer) so while Olivia Newman, writer-director of Extremely Bright Creatures was out of town we were happy to hear from John Whittington, who wrote the first drafts of the script – and Lego Batman, which provided a completely different challenge. The rest of the panelists were a great set of writers across mediums including MFA Mentor Valerie Woods (The Crossover, The Big Cigar, Sweet Magnolias), Jessica O’Toole (XO, Kitty; The Summer I Turned Pretty); and Rhiana Yazzie (Dark Winds).

It’s already time to start planning and booking our WGA panel for January – stay tuned for that topic – and that recording, which we’ll post in early March.

Wgf adaptations.

The Writers Guild Foundation teams up with Stephens College MFA in TV and Screenwriting for a conversation about writing adaptations and spin-offs for the screen. This conversation covered how writers approach adapting IP to the screen, how creative decisions are made to deviate from the source material, and how thematic material, characters, and plot points are emphasized or expanded upon in TV series and features.

Panelists include:

  • Jessica O’Toole – XO, Kitty; The Summer I Turned Pretty
  • John Whittington – Remarkably Bright Creatures
  • Valerie Woods – The Crossover, The Big Cigar, Sweet Magnolias
  • Rhiana Yazzie – Dark Winds
  • Moderated by Dr. Rosanne Welch, Executive Director, Stephens College MFA in TV and Screenwriting.

Eleanore Griffin’s Gentle Americana Style Earned the Oscar for ‘Boys Town’– Dr. Rosanne Welch, Script Magazine, October 2025

 

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Focused on Sin and Redemption Before the Hays Code: The Screenwriting Career of Alice D.G. Miller – Dr. Rosanne Welch, Script Magazine, September 2025

Scriptmag 202509.

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From Paris to Columbus to California: Screenwriter Grace Cunard Was the Ultimate Hyphen as an Actress-Writer-Director (And Sometimes Editor) – Dr. Rosanne Welch, Script Magazine, August 2025

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Daughter, Wife, Widow, Screenwriter: The Heroines’ Journey of Dorothy Davenport – Dr. Rosanne Welch, Script Magazine, June 2025

Daughter, Wife, Widow, Screenwriter: The Heroines’ Journey of Dorothy Davenport – Dr. Rosanne Welch, Script Magazine, June 2025

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Lois Weber: More than a Writer-Director She’s the Auteur Activist of Early Cinema – Dr. Rosanne Welch, Script Magazine, April 2025

 

Lois Weber: More than a Writer-Director She’s the Auteur Activist of Early Cinema

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Her Career Outlasted the Hays Code: Kathryn Scola – Dr. Rosanne Welch, Script Magazine, March 2025

Her Career Outlasted the Hays Code: Kathryn Scola – Dr. Rosanne Welch, Script Magazine, March 2025

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Julia Crawford Ivers: From Rich Widow to Writer-Director – Dr. Rosanne Welch, Script Magazine, February 2025

Julia Crawford Ivers: From Rich Widow to Writer-Director – Dr. Rosanne Welch, Script Magazine, February 2025

 

 

Born just 4 years after the end of the Civil War in Boonville, Missouri, the scripts Julia Crawford Ivers wrote (and sometimes directed) often tackled issues of prejudice. After the war, her family emigrated to Los Angeles. As with many female creatives in this era, Ivers used her screenplays to highlight women’s issues from forced marriage to domestic abuse to prejudice.

 

 

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Meet Beulah Marie Dix: Award-Winning Scholar and Anti-War Novelist Turned Screenwriter – Dr. Rosanne Welch, Script Magazine, January 2025

Meet Beulah Marie Dix: Award-Winning Scholar and Anti-War Novelist Turned Screenwriter – Dr. Rosanne Welch, Script Magazine, January 2025

Born on Christmas Day in 1876 in Massachusetts, Dix and her family lived in various cities around the historic state until she moved to Cambridge, Massachusetts to study English and History at Radcliffe College. There she became the first female to be granted the Sohier Literary Prize, for the best thesis of a Harvard or Radcliffe student. From there it seemed a quick move into the world of writing.

Dix began with books about her favorite subject – the history that surrounded her in Massachusetts. In 1899, at the age of 23, she published Soldier Rigdale: How He Sailed in the Mayflower and How He Served Miles Standish. Her first play, A Rose of Plymouth Town ran for a month in 1902, followed by The Road to Yesterday, which ran for 8 months in 1907. Altogether Dix wrote 18 books and 5 plays before moving into the new world of film.

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Writer, Producer, Agent and Mentor (And Mom to the DeMille Boys) – Dr. Rosanne Welch, Script Magazine, December 2024

 

Writer, Producer, Agent and Mentor (And Mom to the DeMille Boys)

The surname DeMille (or de Mille) brings up thoughts of the famous line from Billy Wilder and Raymond Chandler’s Sunset Boulevard “Mr. de Mille, I’m ready for my close up” which references silent screen director Cecil. Perhaps people remember his brother, William, who started as a playwright and became a Hollywood director and joined 3rd wife Clara Beranger in founding the film school at the University of Southern California. And sometimes the surname conjures of memories of Tony Award-winning choreographer Agnes de Mille (daughter of William/granddaughter of Beatrice). From now on it should bring up the writer, producer and mentor who worked frequently in both Broadway and Hollywood – Beatrice DeMille. (From here on out we will call her Beatrice to avoid confusion).

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