21 You Can’t Keep Up With TV Shows from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

21 You Can't Keep Up With TV Shows from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Host: Was it called the little things?

Rosanne: Yeah it just came out on me on Netflix or HBO sorry.

Host: Yeah HBO Max.

Rosanne: Brand new so, again, you can’t keep up with 420 TV shows

Host: No, you can’t yeah.

Roanne: That’s that’s why buzz and word of mouth is now one of the most important things. It kind of always was but when there were only three or four channels or even 50 cable channels, you found things that people gelled around, and then it became a big event like Mad Men or something like that or Breaking Bad. Now it really becomes your little circle of friends. You recommend a show. I watch it. I tell somebody else I know outside of that circle. They might tell their group. That has become such an important sort of Venn diagram. Who’s seen this and who’s seen that and if you like this you’ll like that and we — that’s where we get our information from. So it’s a really important conversation for people to have for the benefit of the programs to get their audiences.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

June Mathis: An Eye for Talent — Dr. Rosanne Welch, Script magazine, October 2021

June Mathis: An Eye for Talent -- Dr. Rosanne Welch, Script magazine, October 2021

Though she wrote over 100 films in the Silent Era and was a founding member of the Academy of Motion Picture Arts and Sciences, June Mathis appears in film history books (when she does) as a writer-producer with an eye for talent in that she gave both Buster Keaton and Rudolph Valentino their debuts on film.

She came to film from an early career as a child in vaudeville, despite suffering from undiagnosed heart issues. Born as June Hughes in 1887 in Leadville, Colorado there was no father listed and the child would later take Mathis, the last name of her stepfather, as her own.

Read June Mathis: An Eye for Talent — Dr. Rosanne Welch, Script magazine, October 2021


Read about more women from early Hollywood


47 Selling Your Nightmares from There And Back Again: Writing and Developing for American TV [Video]

47 Selling Your Nightmares from There And Back Again: Writing and Developing for American TV [Video]

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

What I learned from being in a writer’s room is the things you need to do most are the things you learn in English and Humanities classes. First of all, you’re selling your nightmares. What are the worst things you can imagine happening? Make stories out of that. They’re the what-ifs of your life. That whole Down Syndrome baby thing. I was pregnant when I wrote that. You have no idea when you’re going to have a kid right unless you get all the tests and even if you get all the tests you’re not sure until the day the kid shows up and you imagine all the awful things that might happen right? So I was in the middle of that when I wrote that episode. So that was my true emotion that was happening. I wrote an episode once about what if your husband committed suicide. I’ve got all kinds of episodes. I just thought what are the worst things that could happen to me and bam they became episodes over and over again right? So you’ve got to mine your nightmares and manage them.

Watch this entire presentation

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

13 Fuller and Her Relationships from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

13 Fuller and Her Relationships from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

Rosanne:…and it fascinates me because they’re also having relationships in their lives because Anita had been married to someone else and she ran away with Garibaldi. Her husband was an abuser and a terrible guy and then he eventually died. So they were able to get married but they had a couple kids outside of wedlock.

Tammy: That sounds familiar yeah

Rosanne: Exactly and yeah hello Margaret’s going to show up right with Ossoli who’s a beautiful gorgeous man who’s also fighting for Italy and they’re not married but they do get that little secret marriage in before the baby’s born because that’s very careful.

Tammy: As long as everything’s legal right like that’s that that’s actually what matters yeah.

Rosanne: Well because you know we forget nowadays because it’s not a big deal to us but it was all about inheritance, If you were not the legal child, you would not inherit any of the father’s money or land or title in this case. So you know she definitely wanted to make — I assume she wanted to make sure her child would be given all that he was owed.

20 Screenwriting: Television Vs. Film from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

20 Screenwriting: Television Vs. Film from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

You know, the difference between TV, obviously, and movies — movies you are going to tell me the most interesting 2 hours in someone’s life. What are the most crazy, interesting 2 hours and we’re done. Maybe there’ll be sequels, of course, blah, blah, blah — but, in general, that’s what you’re going for. In a TV show — especially a pilot — you need to give me enough fodder to understand that there are at least 20 hours — nowadays with streaming, 40 — used to be 100 — in order to get to syndication — but that there’s that much interesting embedded conflict among this group of people that I’m going to be constantly interested in watching them overcome whatever their problem might be. Whatever their issue might be. So, every show has what we would call an overarching dramatic question that is trying to be answered. It’s like — and it can be — it should be — the bigger it is, the more universal. So, for me, an easy example is Bones, right, which some people realize what was — she’s uber-smart and autistic and he’s uber-Catholic and, you know, goes for the emotion. Which, of course, is a flip to what we think gender-wise. It should be the dude being super-logical and the girl being super-emotional, but they flipped it so that’s interesting. But really it’s a show about science versus religion and the 2 characters represent those 2 points of view and there’s never going to be an answer to that question. Except if you accept that the answer is you need them both and that’s how they solve their crimes is the 2 of them together are better than each separately. So, you’re overarching question every week is being addressed. The individual question each week is simply who committed this murder. That’s always going to be solved but the overarching dramatic question can never be solved or your show’s over.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

46 The Importance of Pronouns from There And Back Again: Writing and Developing for American TV [Video]

46 The Importance of Pronouns from There And Back Again: Writing and Developing for American TV [Video]

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

So that was fine. Renoly was marvelous and we had a marvelous time working on that. One of the things I learned was remembering the importance of words. The simple act of in one scene, of course, he gets shot, right — because he’s in a gang — they had to go to the hospital and all I had to do was write “The doctor walks in and SHE says…” and they hired a lady as the doctor. If I had not used that pronoun they would have hired a man because that’s what an extra casting director would simply have gone to — his stereotype. Doctors are boys, right? So just because of the word she I got a woman a job and little girls in America the chances to know that doctors are girls. Now y’all, as I said better over here right because that’s very cool but that’s what Shonda Rhimes has built her whole career on right, colorblind casting and gender blind casting. Let’s just get in good actors to do these parts and see where we go from there, which I think is a really brilliant thing and what she’s built her whole thing on.

Watch this entire presentation

Subscribe to Rosanne’s Channel and receive notice of each new video!

 


* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

12 Fuller and Garibaldi from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

12 Fuller and Garibaldi from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

Tammy: So she gets to Italy and like what is her assignment? To like write every week or just whenever she wants or…

Rosanne: Whatever dispatches. So because of course, we don’t have as fast communication as one would love. So you’ve got to get whatever you get when you get it. you have to get to a place where you can transmit that information in the midst of there’s little battles happening everywhere you know. She’s just in Reiti, which is right outside of Rome and that’s where Giuseppe Garibaldi — who is the man who united Italy right — that’s his thing and that’s where I came more modern-day.

Tammy: Ooo look at that.

Rosanne: Yeah I was actually…

Tammy: I feel like during this conversation you should just be like and this is the book I wrote and then this is the book…

Rosanne: Well this one I was asked to do a historical novel based on Garibaldi who is this hero in Italy for organizing and what happened was he and his wife Anita — who’s a Brazilian woman — because he left Italy. He went to Brazil. Tried to get some stuff happening in Brazil. Didn’t work. He failed but he learned so much and there were a ton of Italian people living in brazil and they knew that his goal was to unite Italy, their home country, and so his wife Anita came with him to do that and she’s another fascinating woman and the fact that she and Margaret are going to become friends because they become nurses together taking care of the soldiers who fall in this battle.

Tammy: Wow

Rosanne:…and that fascinates me.

Dr. Rosanne Welch’s Chapter in Doctor Who – New Dawn: Essays on the Jodie Whittaker Era from Manchester University Press Now Available

Dr. Rosanne Welch's Chapter in Doctor Who - New Dawn: Essays on the Jodie Whittaker Era  from Manchester University Press Now Available

I’m happy to announce the publication of Doctor Who New Dawn: Essays on the Jodie Whittaker Era for which I was invited to write a chapter. 

My focus was on the delicate work showrunner/writer Chris Chibnall had to do in realizing this new Doctor so it’s called “She is Wise and Unafraid” Writing the First Female Doctor and a Diverse Universe for her to Protect

I touch on the myriad decisions a showrunner makes in creating a character from costuming to sidekicks (called companions in the Whoniverse) to dialogue.   I was excited to have been invited to contribute to this collection and proud to showcase the way screenwriters work.

I know academic books can be expensive but you can always ask your local or college library to order a copy for you to read!  

 

Doctor Who – new dawn explores the latest cultural moment in this long-running BBC TV series: the casting of a female lead. Analysing showrunner Chris Chibnall and Jodie Whittaker’s era means considering contemporary Doctor Who as an inclusive, regendered brand. Featuring original interview material with cast members, this edited collection also includes an in-depth discussion with Segun Akinola, composer of the iconic theme tune’s current version. The book critically address the series’ representations of diversity, as well as fan responses to the thirteenth Doctor via the likes of memes, cosplay and even translation into Spanish as a grammatically gendered language. In addition, concluding essays look at how this moment of Who has been merchandised, especially via the ‘experience economy’, and how official/unofficial reactions to UK lockdown helped the show to further re-emphasise its public-service potential.

P.S. You can check out the trailer for Jodie’s upcoming 3rd season here:

19 Bingability from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

19 Bingability rom Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

HOST: They do a really good job of holding the tension for you to keep watching on to the next episode and I think that’s really well done yeah so.

Rosanne: We used to think when streaming came along that wouldn’t be as important because the idea of leaving a show with a bit of a cliffhanger was so you’d wait a week and you’d remember to come back the next Thursday at nine o’clock or whatever that was and then we’re like oh streaming. You just binge right through it you don’t need it but of course, Netflix will say no no now we need what they’ll call the binge-ability factor. Oh yeah, we need you to see the thing that says next episode and click that right away. We want you to watch five in a row. That’s just as important as coming back next week and I think that’s really a funny — we thought there was a change there and it’s not necessary at all.

HOST: Yeah just because it’s on this platform where you can binge it doesn’t mean that people will automatically just go to the next episode if you don’t make it enticing for them to do so. I mean I’ve watched a lot. I’ve started a lot of shows on Netflix and I didn’t move on to the next episode like you didn’t

Rosanne: It didn’t catch you.

HOST: — I don’t see the reason.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

45 Casting and Production Issues from There And Back Again: Writing and Developing for American TV [Video]

45 Casting and Production Issues from There And Back Again: Writing and Developing for American TV [Video]

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

But now I had to deal with everybody else and their stereotypes. One of which was oh so the gang should clearly be Black or Hispanic and I was like no no we’ve done that too much. In my neighborhood, they were Armenian gangs at the time. Not that you want to pick on any one group but you know it was a new group that hadn’t been picked on too much on TV. I argued for a good solid two days in that room why it should be an Armenian gang and I kept getting flack about America doesn’t understand that. They only understand these two groups blah blah and I was losing that battle and one of the producers told me to shut up and I kept talking because I didn’t want to lose that battle until finally, the person who usurped me was the casting director who knew that was the storyline we were playing with and he came in the room and he said I don’t have an Armenian actor who could be a guest star but I have this guy Renoly Santiago who had just done Hackers, Conair and oh the Michelle Pfeiffer movie where she’s a teacher and she used to be the military. it’s not Stand and Deliver… Dangerous Minds. He had just started all three of those movies and he was willing to do a television episode. So the casting director came in and said we got him. He’s Hispanic. That’s the gang and I lost the argument based on the popularity of the guest actor they could get.

Watch this entire presentation

Subscribe to Rosanne’s Channel and receive notice of each new video!

 


* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library