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On Screenwriting and Media with Dr. Rosanne Welch
Writing, Film, Television and More!
One of the benefits of the merger between our first publisher – ABC-Clio – and Bloomsbury Publishing is that Bloomsbury is a larger, more international company with more reach. What that means for my co-writer, Peg Lamphier and me is that our book, The Civil War on Film, will be available in paperback with a $26.95 price tag (much more accessible than the hardback version that is $63) on August 22, 2024.
So if you’ve always wanted to read what Peg and I have to say about which Civil War films are the most honestly historical (spoiler alert – it’s Glory) now’s your time to buy a copy! We were so pleased to include chapters on such great films as Friendly Persuasion (1957); Gettysburg (1993); Gangs of New York (2002); Lincoln (2012); and Free State of Jones (2016)
As they move forward they plan to release American Women’s History on Film in paperback as well so stay tuned!
If you haven’t yet watched Derry Girls you have to – This trailer to the first season shows the brilliance of creator Lisa McGee, who wrote ALL 3 seasons worth of episodes herself (much like Susan Harris wrote many of her early season shows herself to cement the tone and style).
I don’t always agree with the idea of no writers room – writers rooms have a deeply important purpose – but in this case, her story was SOOOO distinctly of Derry, not even merely of Ireland but completely from her own home town and her own time period as a teen in that town, that I understand. In essence, she wrote an 20 hour movie broken up into 3 seasons of 8 half hour episodes apiece.
So like a loooong film, what the trailer can’t yet show is the wonderful arcs of each of these young women who by the Season 3 series finale (not a spoiler alert since I’m not telling you what they decide) must decide how to vote on the Good Friday Agreement.
In 2022 the New Yorker had this great interview with McGee:
The house where Lisa McGee grew up, in Derry, in Northern Ireland, sits on the bank of the River Foyle, near a largely Catholic neighborhood known as the Bogside. In 1969, the Bogside was the site of a three-day conflict. Residents hurled projectiles and petrol bombs; they were met with tear gas and batons. The violence spread to other cities and towns, and ultimately resulted in hundreds of injuries and a number of deaths. British troops were called in to Derry—the beginning of a long-term military operation. The conflict, known as the Battle of the Bogside, marked what many would call the start of the Troubles, which dominated Northern Irish politics for roughly three decades. In 1972, violence flared in the Bogside again. More than a dozen civilians were killed by soldiers in a massacre known as Bloody Sunday.
Tidbits with great points for writers (aspiring and published/produced because writers are always learning) include:
Write what you’re afraid of writing: “ “I had said my whole life, ‘I’ll never write about the Troubles,’ ” she told me. “Everything I saw about the Troubles was either the news, or something quite shit that was going on in my actual life.” In films about the period, she didn’t recognize the people. “There were never any jokes. I don’t know any Northern Irish person that isn’t funny,” she said. Lewin, who had been listening to McGee tell stories about her childhood for years, persuaded her to try. “They’re so joyful,” she said.”
AND
Create writerly habits: “She often carries a notebook. “If somebody says something funny, she’ll write it down,” Mallon said. “She might even ask you again, ‘What was that? What did you say?’ She wants to get it right, word for word.” Mallon told me that McGee once heard his father say something about his car—“It stinks of fish in here!”—and borrowed the line years later in “Derry Girls.”
While the show is comical to anyone who has any experience in a Catholic school –that background isn’t required. We all understand coming-of-age and coming-to-love-our-heritage and teenagers and parents dealing with each other.
But on top of all that viewers outside of Ireland learn about the history of another country and its political turmoil and hear some great discussions about peace and how we’re all a lot more similar than we are different. And that’s what art can do.
I was doing editor rewrites on a chapter titled “Dorothy Parker: The Creative Genius Behind Film Franchise A STAR IS BORN.” To the note asking me to consider a “less hagiographic title,” I said “No”.
A quick check showed me that many, many, many male writers are called geniuses – but few women.
For instance, this article, Genius – still a country for white, middle class, heterosexual men*, notes:
“Try a quick google search of the terms “literary genius”. The same names keep appearing: William Shakespeare, Fyodor Dostoyevsky, Henry James, William Chaucer, Virginia Woolf, Ernest Hemingway, Herman Melville, Walt Whitman, Jane Austen, Mark Twain, J.D. Salinger, and so on.”
But I would object to J.D. Salinger. Catcher in the Rye did not move me at all – but S. E. (Susan Elizabeth) Hinton’s The Outsiders moved me and all the generations from mine through my son’s Millennial group and into the folks watching the musical on Broadway right now – while teaching us all to love the poetry of another male genius – Robert Frost. See, I’m willing to use the adjective on men when they deserve it.
So the lesson of the day is that if any writer deserves to be called genius, it’s Dorothy Parker.
Own your genius. And use it to describe other female creatives. And maybe refrain from using it on less men for once.
* Genius – still a country for white, middle class, heterosexual men, Natalie Kon-yu, The Conversation