33 Create Your Own Network…from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

33 Create Your Own Network...from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Rosanne: …which is also what I say to students both in internships and within classes. You’re not going to call Steven Spielberg and become his best friend to get a job but somewhere in your group of friends that you’re all connecting with right now one of you is going to go become Steven Spielberg and that you’re all then going to stay connected to each other and help each other move up.

Host: That’s yeah as far as networking goes, I think that’s probably one of the best pieces of advice you can give to someone. It’s like understand that everything — it’s you know, it’s the right thing to be nice to people and cultivate relationships but also it’s almost like you’re moving up with your generation. Like everyone rises up together…

Rosanne:… exactly and you will immediately kick off your you know the end of your boot anybody who you don’t want to be around.

Host: That’s also true.

Rosanne: Yeah because they’ll just get in your way and they’re not going to help you. As long as you’re the kind of person who wants to help other people and with their ideas with you know doing writer’s groups together, reading each other’s scripts out loud, going to Q and A’s in town and then you know talking about the thing you saw afterwards. Running into other people at those events and you know hey let’s all get together and have a meet up two weeks from now at such and such a pizza place or a coffee house or a bar whatever it is. Building those relationships because that’s you know you’re the next generation of assistants who are the next generation of writers or executives or whatever people choose to be.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

25 Filippo Mazzei from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

25 Filippo Mazzei from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

Rosanne: Now, the other thing is we’re a weird country because I also did a book on this guy, Filippo Mazzei. He’s an Italian who comes to the United States in the 1700s and lives on the plantation next door to Thomas Jefferson and Mazzei didn’t use slaves. He brought Italian serfs — who were not treated great — but were not owned to work though. He wanted to grow wine in Virginia. He thought to bring the wine business to Virginia and he’s the guy — this is off topic — but he wrote “All men are created equal” in a pamphlet that he worked with Jefferson and he was invited to the Continental Congress but he couldn’t — he spoke — he wrote English and five other languages but he didn’t think he could keep up with the verbal debate fast enough, so he’s not in the movie 1776 because he didn’t go but when Jefferson wrote the Declaration he cribbed that phrase and I’m not making this up because the Congress in like the 80s or something did actually put that into the Congressional Record. That’s where that first phrase first appeared in America was from this Italian immigrant.

Tammy: I love it. I love it.

Rosanne: I know this is normal as anyone because he owned land and he was just one of the many people living here like the Scots but there wasn’t a flood of Italians. It’s in the early part of the 1900s when we get the flood of poor Italians. It’s the poor immigrants we never want. The rich guys we’re okay with.

32 More On Pitching…from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

32 More On Pitching...from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Yeah. It doesn’t even — they don’t have to like your story. If they like you they can bring you and you know that’s the other thing that happens — if they like you but they don’t buy your story, your pitch, whether, it’s a tv show or a movie whatever it is but they have a book that they have bought their rights to and they want someone to come in with what is your idea and how this book will work. That’s when they’ll go oh I really like working with you. I really feel a connection to you. Go home and think about this and come back in a couple weeks and tell me how you would attack this and maybe you’ll get that gig. So that’s what you’re trying in a meeting if nothing else happens or you know I ended up doing that Picket Fences episode because I had temped on a show that Jeff Melvoin was an executive — that time he’s a supervising producer — and so we met for like two weeks and he read something of mine and he was impressed and we stayed in touch. It was four years before he got the job where he could hire me. One, two-week job gave me a story — a script — four years later. You gotta always think about the future of the relationships that you’re making.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

24 Italians In America from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

24 Italians In America from Concord Days: Margaret Fuller in Italy [Video]1

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

I was just going to say, yes, I wouldn’t exactly use the word parallel because of course Italians were never slaves but actually, some who were shipped here were mistakenly sold into slavery because they could speak the language and nobody understood and they were dark. There are stories of that and of course, the biggest lynching — the most — the largest mass lynching in America happened to a group of Italian men in Louisiana. That’s post-slavery now. Yeah it was and they weren’t considered white because of that now and largely we’re talking about southern Italians, Sicilians, and southern Italians because northern Italians look more swiss. They look more german. They are blonder and blue-eyed. It’s Frank Sinatra versus Dean Martin. So any group that comes into this country, sadly, we sort of do the whole oh you’re at the bottom of the barrel. It would say you know no dogs or dagos allowed you know. No dagos should apply for this job. There was discrimination. I’m two generations away from that so it didn’t happen to me but I understood that it happened to my grandfather and I understood how that got in his way.

31 More On My Worst Pitch Meeting from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

31 More On My Worst Pitch Meeting from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

…and then finally there was a movie that had come out — it’s a while ago now — this is an old meeting — called Indecent Proposal and it was Woody Harrelson, Demi Moore, and Robert Redford. The idea was that Robert Redford was a rich man who gave offered Woody Harrelson and his wife a million dollars for his wife to sleep with him for one night. So the couple would get a million dollars and she’d have sex with the guy one night and that was the question of the movie and my joke when that movie came out had always been well there’s no question. It’s a win-win. I get a million dollars and I have sex with Robert Redford. Where’s the loss in this right? The movie made no sense to me. She brought it up and she wasn’t stupid — she brought it up — I said what I always said about the movie which was that I said it needs to be like a million dollars and Danny Devito and now I have a question right? Even though I love Danny DeVito right? I don’t mean to be insulting to him. She then was happy to let me know she had been an associate producer on that movie. Her name doesn’t appear on the poster. It doesn’t there was no, yeah I could not have known that except my agent should have set me up by giving me some of her background and he didn’t. So that was like three strikes you’re out. Buh-bye like we’re not ever going to be friends. We’re not ever going to go have coffee later and you’re not going to buy anything from me. So I’ll leave, right? At least I should have known her movie background. Maybe an agent wasn’t going to be able to tell me where she grew up but yeah three strikes you’re out. That was not a good meeting. So you need to know you need to know you’re not going to sell that woman Thank You For Not Smoking right? That’s not a piece you’re going to bring into her office. So it is very important who you’re talking to.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

23 Why Return to the US? from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

23 Why Return to the US?  from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

Tammy: So here’s a question that I’m never really sure. Were they were coming for a visit or were they coming to move permanently or was it sort of…

Rosanne: I believe the idea was they were going to move permanently because she could do more work there and she wanted to publish the book and it had to be published in the United States. So even if — yeah maybe not permanent the wrong way to say it — it was going to be a period of time so that piece could be done and the kind of — she knew that the United States needed to come and support what was happening in Italy as well. So I think it’s twofold. Her career is gonna move forward with this and he’s thinking he’s gonna help get the kind of support because Garibaldi lived in the states for a little bit too after one of his failures. So he knew that if you got people there on your side you would have the support you needed. So they had business reasons, as well as I’m sure she kind of wanted to show off her kid to her friends, because as you said earlier, that wasn’t part of her planned life story and when I was a kid I was never going to have kids because I thought that’s not something I want to do and then Ii changed my mind at 32 because a writer friend of mine actually said if you want to be a writer and you want all the experiences that a writer can have, you’re turning down an experience that only half the planet can have and it was it a conversation which again makes me think about Margaret talking to these women. What are the possibilities in your life and what have you told yourself you should or shouldn’t do based on what society will say about you and I did think having a kid would get in the way of having a career and then I realized no because you could do it your way and Margaret did right I think in that moment, in those periods in her life, she was really happy and I think that was you know the other reason she wanted to come back and show everybody, look I did it all.

30 My Worst Pitch Meeting from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

30 My Worst Pitch Meeting from Worry and Wonder | The Courier Thirteen Podcast [Video[

Transcript:

Host: You have if you have a show and you’re going on you’re going to pitch it, do you have that in mind always like okay I’m going to pitch to HBO. These are the people I’m pitching to. How do they react?

Rosanne: Yeah. What do I think they want. What part of this is going to be most interesting to them? Their own personal backgrounds. I mean you need to know as much of that as possible. Also so you don’t step into any landmines, right? I mean you know everyone has a joke about the worst pitch they ever did and the worst pitch I ever did was for a movie idea and I went in to meet with someone and…

Host: What — can you share what the movie idea was by chance?

Rosanne: Yu know what? I honestly can’t even remember anymore. You do so much for this. It’s really — I don’t — I don’t remember. I just remember I had this meeting and first you do a little chit-chatting right — a little chit-chat general stuff. Who are you? To see if you even like each other and maybe if this doesn’t sell they’ll want you to do something else with them. So you’re hoping to make a connection and in the middle of the chit-chatting, I don’t know why but the concept of cheerleading came up and I said something derogatory about cheerleaders because I certainly wasn’t one in high school and you know they’re easy to pick on except the woman I was meeting with had been a cheerleader.

Host: Yes.

Rosanne: So right away, you’re like oh I just insulted her. Okay, fine keep talking — keep — let’s find a thing we have in common right? At some point later, it came up — smoking came up — and it’s generally pretty good to say smoking is stupid. It kills people. Who the hell would waste their money on a pack of cigarettes. She grew up on a tobacco farm in Kentucky.

Host: Oh my god. No. No.

Rosanne: I didn’t know that. I didn’t have the ability to get that kind of information back in the day right? I was like, oh my god, what am I going to say now?

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

29 Executives and Writers from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

29 Executives and Writers from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Host: In your experience has it varied from company to company from executives to executives and just how much self-awareness they have about the fact that they’re not artists in that way.

Rosanne: Well you know if you could be a writer you would be. You can’t. So you’re telling them how to do it what they already do. Now that’s not completely true all the time. There are some executives who’ve become writers which is always very interesting. They finally decided that they couldn’t not do it and they went off and did it themselves which I think is lovely. I would say some however many years ago that was more — there was more difference. A lot of executives now certainly come out of film programs where they studied — one hopes they’ve studied some screenwriting. They don’t have to be screenwriters to study the format and then it’s about how instinctively they understand story and character and what makes something engaging to people and how can they communicate that to someone who has an idea. You know you can shape and mold something and be a real help. It’s almost like people who write novels. We think oh they write them all by themselves. Well no, they have editors at the publishing companies and editors make lots of changes and they make lots of suggestions and then, of course, it’s up to the writer to take them or not but if they don’t they generally don’t get their book published. So there’s a lot of collaboration there too and so the best executives are people who understand story and either don’t want to risk being writers because it’s pretty freelance you know take your chances or they’re truly the nurturing type of people that want to pull forward people with talent and that’s the powerful place to do it more so right? So it’s an interesting mix. It’s always important if you’re going to pitch to an executive to look them up figure out where they came from. You know, where did they study? What is their background? Sometimes they were you know in somehow in production previously or sometimes they came out of Harvard right and they just studied from somebody big or whatever that is. So it’s important to understand where they’re coming from so you can understand the kind of notes that they’re given and the kind of control they want or need to have or their ability to not need it — to trust you to do what they hired you to do.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

28 Art Is Very Subjective from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

28 Art Is Very Subjective from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

So fascinating but you’re right and what’s interesting is you just hit on the fact that here Shonda Rhimes who almost always has a hit but not always because it’s not science right? You can’t even — it’s always a little bit of a this is my gut feeling. This is interesting. Now you go see what the audience thinks about it and not every person who you think should be — same thing right — Steven Spielberg doesn’t always have a hit. Sometimes he misses. It’s not science. It’s art and art is very subjective.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

Screenwriter Eve Unsell, Hitchcock’s Mentor Who Saved Universal’s European Operation — Dr. Rosanne Welch, Script magazine, December 2021

Screenwriter Eve Unsell, Hitchcock’s Mentor Who Saved Universal’s European Operation -- Dr. Rosanne Welch, Script magazine, December 2021

 

Born in Chicago in 1888 (or thereabouts, different sites report different dates), writer-producer Eve Unsell grew up in Caldwell, Kansas. After earning her undergraduate degree and working as a journalist for the Kansas City Post, she attended graduate school at Boston’s Emerson College for a year. There she studied drama and literature before heading to New York. After reading one of her short stories, theatrical agent Beatrice deMille (mother of Cecil and William) hired to work as what was then called a play reader and constructionist. During her career, Unsell accumulated nearly 100 credits as a screenwriter while writing for notable stars including Mary Pickford, Lon Chaney, Clara Bow, Baby Peggy and Jack Benny.

Read Screenwriter Eve Unsell, Hitchcock’s Mentor Who Saved Universal’s European Operation


Read about more women from early Hollywood