Screenwriters have always been important….” via Instagram

Screenwriters have always been important....


Screenwriters have always been important.

During the Hollywood Blacklist 9 out of 10 of those jailed were screenwriters.

Their powerful ideas scared those in power.


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Write the emotions you know… via Instagram

Write the emotions you know... via Instagram

Writers are often told to “write what you know.”

Instead, we should write the emotions we know.

These are universal.

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“If we censor the storytellers…” via Instagram

If we censor the storytellers, we are censoring the stories.

If we censor the stories, we are censoring the culture.

If we censor the culture, we are censoring the people and their struggles.

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My Latest Book Now Available for Pre-Order: A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi – 99¢ Kindle Pre-Order Sale

I’m happy to announce that the historical novel I wrote about the life of Giuseppe Garibaldi is about to be published on October 1st, 2020. 

You can Pre-Order the Kindle edition NOW for only 99¢ until October 1, when the price becomes $9.99. 

My Latest Book Now Available for Pre-Order: A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi


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See More Photos taken during our trip to the Museo del Risorgiomento, Italian Reunification Museum, Milano, Italy

I took on this story because I wanted to learn more about the history of the country of my grandparents’ birth but I gained so much more in researching the man who united the country, which I thought would be a largely white male-centered story.

Guiseppe italiaono
Guiseppe Italiano

I discovered a cast list of other brilliant characters beginning with Garibaldi’s amazing Brazilian bride, Anita. She helped plan military strategy and rode into battle beside him while pregnant.


Photos taken during our trip to the Museo del Risorgiomento, Italian Reunification Museum, Milano, Italy

I discovered Andrea Aguyar, a formerly enslaved man who fought for freedom alongside Giuseppe and Anita so bravely they named him godfather to their children.

1548462431 8234 Andrea Aguyar
Andrea Aguyar

I discovered Cristina Trivulzio, a noblewoman from Milan who had had a child out of wedlock, an act that scandalized her upper-class society who found herself offering battlefield nursing assistance wherever needed.  

Cristina Trivulzio

And I rediscovered my favorite (and the only major female) Transcendentalist, Margaret Fuller, the American journalist sent to Italy by the New York Tribune in 1846 as its first foreign correspondent – male or female – who with Anita and Cristina witnessed the ongoing carnage caused by the siege of Rome in the makeshift hospital they helped create.

Margaret Fuller by Chappel
Margaret Fuller

I deeply enjoyed discovering all these people and writing their story as it’s a story of struggle for a greater good that gives me the chance to wonder why I never learned all this in school…

Guiseppe Garibaldi Statue in MonzaGuisseppe Garibaldo Statue, Milan
We saw Garibaldi everywhere we went in Milan

Get your copy of A Man Of Action Saving Liberty Today!

A professor’s work is never done via Instagram

A professor’s work is never done via Instagram

I promised to clean my desk before a full semester of online learning began… and I did.  See?  There’s room for my cat Spotted Leaf (named after a character in the Erin Hunter series of books about cats who live in the woods – Warriors).  Spot (as we call her for short) enjoys hearing me talk to students about everything from films to fiction. Maybe in one of her past 9 lives she was a humanities professor, too!

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Another Day, Another Video Conference via Instagram

Another Day, Another Video Conference

Another Day, Another Video Conference via Instagram

As a member of the Executive Council of the Screenwriting Research Network (SRN) I have the great pleasure of meeting with colleagues from several continents (Australia, South America, Europe, etc) on a monthly basis to discuss the business of the organization. it continues to amaze me how technology allows us to do this – as it continues to amaze me how lucky I am to have had the chance to meet all of these lovely folks in person at our various conferences. Can’t wait for the next one – in Oxford in 2021!

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In Memoriam: D.C. Fontana and How William Shatner’s Chest Inspired one (or more) Female Television Writers to Succeed in the Boys Club of Hollywood

In fond memory of D.C Fontana, who died yesterday at the age of 80, I am reposting this homage I wrote for the Mindful(l) Media podcast in 2015. She will be greatly missed. – Rosanne

In Memoriam: D.C. Fontana, Star Trek & Women via Mindful(l) Media

How William Shatner’s Chest Inspired one (or more) Female Television Writers to Succeed in the Boys Club of Hollywood

As a child I didn’t come to Star Trek for the fantasy or for the fun futuristic optimism or even for the glory of the gadgetry of the tricorders and communicators. I came for William Shatner’s chest. Glimpsed quickly one day while changing channels, my pre-adolescent hormones screeched to a halt as I sat transfixed. That tight Star Fleet uniform shirt truly rippled across his chest, which seemed to strain to be released. We didn’t ‘flip’ in those pre-remote days. We sat in front of the set and manually spun the dial like the combination lock on our high school lockers, which brought us in to much closer contact with the (sometimes still black and white) pictures flashing upon our (compared to modern day frightfully small) screens. I don’t even remember which episode it was that first placed his pecs in front of me, but this obsession with Shatner’s chest focused me so much so that I never cared for the writers’ propensity for finding ways for his co-star to flaunt his own brand of sexuality. Forcing the unfeeling Mr. Spock to feel never moved me at all, so in second, third and fourth runs I never found “This Side of Paradise” much to my liking. In the epic mash up between Sexy Shatner and Sexy Spock, Shatner always won. But being a budding television writer even as a ten year old, I recognized in the idea the need to offer the actor a way out of the rigid character description enforced upon him by his creator.

Fontana 1970sViewed now from the perspective of a fifty-year old female television writer and scholar, no longer merely a fan, I find the episode fascinating for what it says about the history of women writers — and the female characters they create — in television. In those days of heady chest-worshipping I didn’t know that the D. C. in D. C. Fontana stood for Dorothy Catherine. When I later learned that information from reading The Making of Star Trek, I took her success as a beacon for my own journey, as did many other future female television writers I came to meet throughout my career. While countless books have been written about the influence of the program on science fiction and on television in general, what I came to learn was the influence Star Trek wielded on bringing women into the industry — and how their participation changes the way female characters are portrayed.

Because of Fontana, future writers of future Trek franchises invited other female writers to pitch ideas so that, to my great joy twenty years after I stumbled upon the original Trek, I found myself in the offices of Star Trek: The Next Generation pitching ideas for stories involving what was still largely a boys club of characters. Sure, they had accepted two women into their continuing cast — both in ‘soft’ occupations as ship’s counselor and medical doctor and still under the command of Captain Picard. But the franchise had proved a stepping stone for a variety of female writers I admired (including Jane Espenson and Melinda M. Snodgrass) and I was excited to be among them. I never sold a story to that iteration of the show, but I kept watching — and kept noticing — that written by women, female characters were (and sadly are still) often more developed (in ways other than their chest measurements).

In “Paradise” that is true of what actress Nichelle Nichols is given to do as our cast regular female, Lt. Nyota Uhura (whose first name I never knew until the writing of this essay) and what Jill Ireland is given to do as the guest character, Spock’s former girlfriend, Leila (who in the tradition of sex objects was never provided a last name). Normally confined to dialogue discussing ‘hailing frequencies’ and only seen taking orders from Captain Kirk, in “Paradise” Uhura commits mutiny against her captain. He has to state for the Captain’s log that, “Lt. Uhura has effectively sabotaged all communications.” While all the male starship members also commit mutiny, Uhura is given one-on-one screen time with the lead actor to do so. Likewise, while Leila seems at first to only be demonstrating that the most perfect, porcelain-faced blonde can even be sexy in overalls, she was also spouting Thoreau (as in Henry David) and his brand of 19th century Transcendentalist philosophy to Spock — and to the audience. For a show airing at the height of the hippie movement, Leila served as a mouthpiece for their dream of peaceful co-existence, one not yet shared by other generations. In several online interviews Fontana has chosen Leila as one of her favorite characters, so we know much of what Leila says comes from Fontana’s own philosophies.

Of course, in the end television was then (and still is now) a man’s world so Uhura’s and Leila’s interests are eventually subsumed by Kirk’s desire to prove, “Man stagnates if he has no ambition, no desire to be more than he is.” This philosophy discounts ‘woman’ as part of ‘man’ and makes the female-gendered idea of creating peace and happiness submissive to the more male dominant idea of success defined by changing the world around him. Why is a love of nature, as evidenced in Spock’s line: “I have seen a dragon… but I’ve never stopped to look at clouds before, or rainbows” less of an ambition for man? Even the American Founding Fathers cared more for the land and its beauty than these final frontier founders seem to do as they travel the galaxy. Why is the existence of this previous girlfriend and the chance to hear “I love you” from a formerly feeling-less alien male, less of an ambition of (wo)man?

Fontana 2012Despite her straining to include her voice in this world, the male producer(s) still stamped their voice on the final product that became “This Side of Paradise”. Over the course of my career, I came to learn that Fontana shared that experience with many of the female writers who followed her, each one planting just enough seeds or dropping just enough breadcrumbs of her own opinion onto the fields of male creation for the rest of us ‘chick writers’ to follow. Where as a child I saw “This Side of Paradise” as an epic battle between sexy male leads, as an adult I see it as the continued battle for the hearts and minds of the audience waged by writers of different genders. It is a fight that several other sisters have carried on through the decades and one I’m willing to declare has been won by a relative newcomer to the scene, Shonda Rhimes. Through the creation of her own new frontier in Grey’s Anatomy, Rhimes provides male and female audiences alike with an all-inclusive world entirely conceived in a female mind. What do both the male and female doctors of Seattle Grace Hospital hope to provide their patients everyday? As Rodenberry provided a masculine ‘trek’ for man into the final frontier, the feminine goal Rhimes provides her characters is right there in the title of the hospital, ‘grace’. (And thanks to D. C. Fontana, Shonda chose to use her first name in her credits.)

All this musing makes me wonder how many young female writers are now coming to their careers because of a love of the way Patrick Dempsey’s chest ripples under his uniform shirt?

Worthy Words and Music from The Highwomen

I’ve been a classic country fan for years (since the Oak Ridge Boys) and loved the original Highwaymen (Willie Nelson, Waylon Jennings, Johnny Cash, and Kris Kristofferson) so when I heard this new female 4some, The Highwomen (Brandi Carlile, Natalie Hemby, Maren Morris, and Amanda Shires) with this new version honoring female heroes across the eras, I fell in love all over again. — Rosanne

Worthy Words and Music from The Highwomen

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† Available from the LA Public Library

The Highwomen: Highwomen

[Verse 1: Brandi Carlile]
I was a Highwoman
And a mother from my youth
For my children, I did what I had to do
My family left Honduras when they killed the Sandinistas
We followed a coyote through the dust of Mexico
Every one of them except for me survived
And I am still alive

[Verse 2: Amanda Shires]
I was a healer
I was gifted as a girl
I laid hands upon the world
Someone saw me sleeping naked in the noon sun
I heard “witchcraft” in the whispers and I knew my time had come
The bastards hung me at the Salem gallows hill
But I am living still

[Verse 3: Yola]
I was a freedom rider
When we thought the South had won
Virginia in the spring of ’61
I sat down on the Greyhound that was bound for Mississippi
My mother asked me if that ride was worth my life
And when the shots rang out, I never heard the sound
But I am still around

And I’ll take that ride again
And again, and again, and again, and again

[Verse 4: Natalie Hemby]
I was a preacher
My heart broke for all the world
But teaching was unrighteous for a girl
In the summer, I was baptized in the mighty Colorado
In the winter, I heard the hounds and I knew I had been found
And in my Savior’s name, I laid my weapons down
But I am still around

[Verse 5: All]
We are The Highwomen
Singing stories still untold
We carry the sons you can only hold
We are the daughters of the silent generations
You send our hearts to die alone in foreign nations
And they return to us as tiny drops of rain
But we will still remain

And we’ll come back again
And again, and again, and again, and again
We’ll come back again
And again, and again, and again, and again


Sunset in Porto – beautiful! via Instagram

Sunset in Porto – beautiful!

Sunset in Porto - beautiful! via Instagram

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A New Stephens College MFA in TV And Screenwriting Session Begins Today!

Wow – these pictures show my first lecture with our first Stephens MFA cohort – who all became contributors to our first book!

Wonderful memories and a wonderful foundation on which to build the program as tonight we welcome the 5th cohort – the MFA candidates of the Class of 2021! — Rosanne

A New Stephens College MFA in TV And Screenwriting Session Begins Today!