08 Playing The Game… from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

08 Playing The Game... from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Transcript:

…and you really need to understand how the business works not just the people management then but now move up to understanding how the network makes their decisions and how do you sell things to them. I mean I’ve had showrunning friends who will tell stories about how there were moments they wanted in a script and they knew the network wouldn’t like those moments. Maybe they’re pushing the envelope on something. So they put in a couple of worse moments knowing that when the network said oh you can’t do that or that or that they’d go I hear what you’re saying. I understand. I won’t do that or that but I’ve got to have this and they’d get the one thing they really wanted. So they were playing a little chess game as well right? So at every level, there’s an understanding of what do people need. How do I give them what I want and still what they need at the same time.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

34 Margaret Nagle and Warm Springs from There And Back Again: Writing and Developing for American TV [Video]

34 Margaret Nagle and Warm Springs from There And Back Again: Writing and Developing for American TV [Video]

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

And Margaret Nagle came off of Boardwalk Empire. She’s a pretty brilliant writer in many ways. She started her career — she was an actress. She moved into writing and she knew she needed to write something powerful and different. You’ve got to find something that hasn’t been done million times before and Warm Springs was the story of Franklin Roosevelt and the time he spent at a spa when he had polio. We’ve seen a million Franklin Roosevelt stories in America because he’s one of our big heroes right? We’ve seen the relationship with Eleanor. We’ve seen the relationship with his mistress. We’ve seen World War II in any different way you can figure it out. Nobody had done the story of how a rich boy dealt with being diagnosed with polio. What did he do and how did he survive and it was in the spa full of other people who weren’t famous or rich and he had to meet people he had never met in his normal life and that’s what formed the man who became the president who created all the programs that helped us survive the depression and the war and so that was a brilliant idea for us and it was just reading history and she stumbled on that thought. Why have i never seen this story? I’ll write it. What a lovely idea. Reading history is a brilliant thing to do.

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† Available from the LA Public Library

21 In The Room Where It Happens from How The Chaos Of Collaboration in the Writers Room Created Golden Age Television [Video]

With the full recording of “How The Chaos Of Collaboration in the Writers Room Created Golden Age Television”

21 In The Room Where It Happens from How The Chaos Of Collaboration in the Writers Room Created Golden Age Television [Video]

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

 

When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.

Transcript:

Tina Fey obviously has run a couple of shows quite well and I like what she has to say about what happens in the room.

Her voice is always so clear. You know that’s her — that humor she can’t keep away from. That’s really kind of interesting and they run the room together — and a married couple — that’s a unique and interesting way to run a room right and that’s true for 30 Rock and Kimmy Schmidt and he did the music for her broadway play on Mean Girls. Now when I was on Touched by Angel, we had a whole lot of other things that we learned. I began in the business as a receptionist and then I became a writer’s assistant on these shows, so I sat in these rooms as these ideas were being broken. I got to watch the evolution of that job which was a new thing letting someone in the room with the writers. They hadn’t done that before but with the advent of computers, they wanted someone to keep a log of who said what. So we always had that information. So that was interesting to me. Then I was I did freelance writing and all the shows before I got on staff.

 

For more information on the Screenwriting Research Network, visit

Screenwriting Research Network Conference, Porto, Portugal, All Sessions


Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal via Instagram

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Concord Days: Dr Rosanne Welch discusses Margaret Fuller in Italy [Video] (53 mins)

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

Concord Days: Dr Rosanne Welch discusses Margaret Fuller in Italy [Video] (53 mins)

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!


 

 

07 It’s Show Business…Not Show Art…from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

07 It's Show Business...Not Show Art...from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Transcript:

Host: This might be a really sad thing to say, but do you think that, sometimes, it’s not always the best writers who get their pitches up but it’s the people who can work the room, by either maneuvering around, can get their stuff into the ears of the right people and then present that?

Rosanne: That is very true. I wouldn’t say — I mean you have to be a good writer to get in the room in the first place or they wouldn’t have hired you across all those stacks — you’ve seen all the things you’ve read for —

Host: Yeah. No. There’s a lot of crap to filter through. Absolutely.

Rosanne: Absolutely. So, generally speaking, you had to be a certain level to get in the room, but, yeah, it’s the people who can work — you have to work both things. A friend of mine is fond of saying, “It’s called show business. not show art.” So business is half of the job.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

33 Terence Winter and Boardwalk Empire from There And Back Again: Writing and Developing for American TV [Video]

33 Terence Winter and Boardwalk Empire from There And Back Again: Writing and Developing for American TV [Video]

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

Terence Winter on Boardwalk Empire. He came off of The Sopranos so he had a very good pedigree and then he moved into Boardwalk Empire and the idea of how you parse out the story and this comes from structure. At what point to do give out what information. How do you string the audience along. I think that’s really interesting. That’s a whole other conversation.

Watch this entire presentation

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

20 A-Not-So Safe Space on Friends from How The Chaos Of Collaboration in the Writers Room Created Golden Age Television [Video]

With the full recording of “How The Chaos Of Collaboration in the Writers Room Created Golden Age Television”

20 A-Not-So Safe Space on Friends from How The Chaos Of Collaboration in the Writers Room Created Golden Age Television [Video]

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

 

When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.

Transcript

Friends provides an interesting case study because they were sued by the writer’s assistant who said that the room was unsafe to her. She didn’t like the kind of sexual conversation that went on. She did not win that lawsuit because it was understood that your presumption going into that job — a show about a bunch of single people in New York — is that we’re going to be discussing these things and you should be comfortable in that — or take a different job on a different show. so that was an interesting — how do we run a room? — Safe but open and I don’t that we’ve found a perfect answer to that yet. I think they got away with what they did because they were all new. It was their first show. Look at how young they were. This is them nowadays, right? So, it — they weren’t sure how to run things, right? They were working the best they could.

For more information on the Screenwriting Research Network, visit

Screenwriting Research Network Conference, Porto, Portugal, All Sessions


Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal via Instagram

Follow me on Instagram



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

06 How To Pitch To A Showrunner…from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

06 How To Pitch To A Showrunner...from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Transcript:

Host: How would you pitch to a showrunner who seemed deflective to your ideas? Or like, I know that’s a loaded question.

Rosanne: Oh no, that’s an excellent question. That can happen because relationships grow and change. People get mad a each other for some reason. Maybe other people poison someone’s attitude about somebody else on the show, simply because they want to get rid of them because they’re competition. I mean, it doesn’t always happen. I’ve worked for some lovely people for whom I had a marvelous time and who were very supportive and wanted to help new writers moving up and they really were — there’s some wonderful people in this town. I really say the problem is we hear more of the bad stories than the good ones. But yes, in case such a thing happens, I think you should take a psychology class frankly. I think everyone should take a psychology class to understand the personalities out there and then you have to find new ways around that. When I felt like there might be someone getting in my way I figured out who my allies were and you made sure to connect with them. At certain points, there were certain things I wanted to change in a script and I knew a person at the table would argue against it. So, I went privately to a different producer on the show, who I knew I actually did get along with well, and explained why I didn’t like something and he was like… He had to agree with me first, right, or he wouldn’t help. He agreed with my point of view and so he knew he could present that in the room because he had a higher title than I did at the time — and so he did and when he presented it, it got accepted. So, I went sideways to get my ideas moved forward. So you know, you find a way.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

19 Make It A Safe Space from How The Chaos Of Collaboration in the Writers Room Created Golden Age Television [Video]

With the full recording of “How The Chaos Of Collaboration in the Writers Room Created Golden Age Television”

19 Make It A Safe Space from How The Chaos Of Collaboration in the Writers Room Created Golden Age Television [Video]

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

 

When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.

Transcript

In terms of Handmaid’s Tale, they talk about how much work ahead of time they have to do and how much he wants the whole staff to contribute. He doesn’t want to be the full runner of the show — Bruce Miller — he wants everyone to be part of what he’s creating because he recognizes he’s a man running a show about women being oppressed in this Margaret Atwood future. So he has a particular take there and of course, we’re back to Vince Gilligan who I love greatly. He’s talking about making people feel comfortable, which I said, and I think comfort is very, very important. It has to be a safe place so that everyone is willing to tell their story. I laugh because my first days on Touched by an Angel the way they got all the writers to know each other was everyone had to tell the story of how they lost their virginity and once you told that to a room full of strangers you were willing to tell anything else. So it was an interesting first day of work to be sure. I’m not sure that qualifies as safe anymore but we’ll see.

For more information on the Screenwriting Research Network, visit

Screenwriting Research Network Conference, Porto, Portugal, All Sessions


Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal via Instagram

Follow me on Instagram



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

32 Writer’s Room As Dinner Party from There And Back Again: Writing and Developing for American TV [Video]

32 Writer's Room As Dinner Party from There And Back Again: Writing and Developing for American TV [Video]

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

Roberto Aguirre-Sacasa is in charge of Riverdale. Was that here yet? Based on The Archie comics which is kind of funny. First season, pretty good. Second season, getting a little sillier. Third season, getting a little sillier. Not very good but the idea that a writer’s room is like a dinner party and you’re just kibitzing with people and having a good conversation and from that people go “Oh wait. i like that and I like what you said. I’m gonna put all these things together and we’re gonna end up with a story which we all like.” Love Tina Fey. Tina Fey is a great example of going from acting because of the strength of her writing becoming the first woman to run the evening report the weekend update on SNL. Then of course she did Mean Girls. She got hired from her comic chops to write Mean Girls. May or may not know that was recently nominated for Tony because she turned it into a Broadway show. Writers own the product throughout all of its lifespans. Directors do not right? The director of the movie Mean Girls was not invited to direct the musical but she was invited to write it. So I think it’s powerful. So her and her husband. Robert Carlock is her husband so they’ve worked the last two tv shows together and that’s their opinion. Again, diversity in the room with lots of things even educational status is an important thing.

Watch this entire presentation

Subscribe to Rosanne’s Channel and receive notice of each new video!

 


* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library