A professor’s work is never done via Instagram

A professor’s work is never done via Instagram

I promised to clean my desk before a full semester of online learning began… and I did.  See?  There’s room for my cat Spotted Leaf (named after a character in the Erin Hunter series of books about cats who live in the woods – Warriors).  Spot (as we call her for short) enjoys hearing me talk to students about everything from films to fiction. Maybe in one of her past 9 lives she was a humanities professor, too!

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Presentation: Write. Reach. Represent: How Having a Female and an(Other) ‘New’ Voice in the Writer’s Room has Always Been Paramount (even at Universal) with Rosanne Welch, PhD – August 25, 2020

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ScriptDC

I am happy to have been invited to kick off a slate of talks for ScriptDC, the premier conference for Mid-Atlantic filmmakers including writers, directors, producers, editors, and talent to connect with accomplished teachers, consultants and industry professionals. My presentation — “Write. Reach. Represent:  How Having a Female and an(Other) ‘New’ Voice in the Writer’s Room has Always Been Paramount (even at Universal)” will introduce attendees to the names of the many, many women who gave birth to the Hollywood movie industry but who have largely been left out of the history books.  Their input mattered to bringing more realistic female characters to the screen. Come learn about them so the world of women won’t be left behind any longer. — Rosanne

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A Female Voice in the Room  Rosanne Welch  TEDxCPP 1

Write. Reach. Represent: How Having a Female and an(Other) ‘New’ Voice in the Writer’s Room has Always Been Paramount (even at Universal) with Rosanne Welch, PhD.

Whenever modern day studio executives wonder if women can handle ‘big budget pictures’ we need to educate them on the many, many female screenwriters, directors and producers who gave birth to the film industry from the turn of the twentieth century through today. This talk will introduce listeners to several prominent female screenwriters from Anita Loos (Gentlemen Prefer Blondes) to Dorothy Parker (A Star is Born) to Frances Goodrich (The Diary of Anne Frank) to Harriet Frank, Jr. (Norma Rae) to Joan Didion (A Star is Born). In all of their personal writing about writing screenplays, they mention the importance of (often) being the lone woman in the room during pitches and during the development of a screenplay. Goodrich was quoted as saying, “I’m always the only woman working on the picture and I hold the fate of the women [characters] in my hand… I’ll fight for what the gal will or will not do, and I can be completely unfeminine about it.” Joan Didion told the story of how her writing partner/husband John Gregory Dunne would often feign illness so she would attend script meetings alone after they noticed male executives ignoring her at earlier meetings. Come learn about them and many, many other powerful women of earlier Hollywood so you can school the next executive who dares to wonder if women can ‘hack it’ in the movies.

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From The Journal Of Screenwriting V10 Issue 3: Network television writers and the ‘race problems’ of 1968 by Caryn Murphy

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


 

Network television writers and the ‘race problems’ of 1968 by Caryn Murphy

This article examines the development of television scripts in the crime drama genre within the context of US commercial broadcasting in the network era. In 1968, public discourse around race relations, civil rights and violence reached a height following the assassinations of Martin Luther King, Jr and Robert F. Kennedy, and the release of a government study on urban uprisings by the National Advisory Commission on Civil Disorders. Ironside (1967–75, NBC) and N.Y.P.D. (1967–69, ABC) are two crime dramas that drew on recent events related to black militants and white supremacy in order to appeal to viewers with socially relevant entertainment during this time. The archival records of screenwriters Sy Salkowitz and Lonne Elder make it possible to trace the development of one episode from each series over the course of multiple drafts. This analysis of the script development process explores the relationship between public discourse, industrial context, commercial agendas and creative priorities. Ironside and N.Y.P.D. are both crime dramas, but an examination of both series yields points of divergence which help to illustrate the norms of the network system in terms of act structure, genre tropes, and the oversight of standards and practices.

 


The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!


Screenwriting Research Network Conference 2020

Join me at the Screenwriting Research Network’s Annual Conference in Oxford, UK



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Demonstrating My Usual Exhuberent Presentation Style 😀 via Instagram

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Demonstrating My Usual Exhuberent Presentation Style 😀

Demonstrating My Usual Exhuberent Presentation Style 😀

The 10th Screenwriters´(hi)Stories Seminar was so enjoyable.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Sao Paolo Coffee Makes The Screenwriting Conference Go ‘Round via Instagram

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Sao Paolo Coffee Makes The Screenwriting Conference Go ‘Round

Sao Paolo Coffee Makes The Screenwriting Conference Go ‘Round via Instagram

Nothing like an amazing coffee when you wake up in another country.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Mackenzie Institute In Sao Paolo via Instagram

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Mackenzie Institute In Sao Paolo.

Mackenzie Institute In Sao Paolo via Instagram

My host for the 10th Screenwriters´(hi)Stories Seminar Keynote.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

My New Screenwriting Friends In Sao Paolo via Instagram

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My New Screenwriting Friends In Sao Paolo

My New Screenwriting Friends In Sao Paolo via Instagram

My New Screenwriting Friends In Sao Paolo via Instagram

Many, many thanks to Glaucia Davino for inviting me to Mackenzie Presbyterian Institute in Sao Paolo to speak to her conference, but especially for arranging for me to meet many of her dedicated doctoral students, including Livia, who gave me a wonderful walking tour of the campus before my talk yesterday. There is a deep and genuine interest in analyzing screenwriting among these students and of building the film and television industry here. In the years to come I believe the energy these students bring to their research will achieve that dream.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Sao Paolo Coffee via Instagram

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Sao Paolo Coffee

Sao Paolo Coffee via Instagram

Nothing like an amazing coffee when you wake up in another country.
Today is the day for my keynote address, so I may need another one of these. 😀



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Presenting my talk “How the chaos of collaboration in the writer’s room created the golden age of television” at the Screenwriting Research Conference in Porto, Portugal

Presenting my talk “How the chaos of collaboration in the writer’s room created the golden age of television” at the Screenwriting Research Conference in Porto, Portugal

Presenting my talk “How the chaos of collaboration in the writer’s room created the golden age of television” at the Screenwriting Research Conference in Porto, Portugal

** We have returned from Porto and I am streaming out our photos over the next few weeks.

Opening Reception, Screenwriting Research Network Conference, Porto, Portugal via Instagram

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Chatting with conference attendees before my talk at the Screenwriting Research Conference in Porto, Portugal

Chatting with conference attendees before my talk at the Screenwriting Research Conference in Porto, Portugal

Chatting with conference attendees before my talk at the Screenwriting Research Conference in Porto, Portugal

A great way to encounter these international friends I only see in person once a year at the 2019 Screenwriting Research Conference.

** We have returned from Porto and I am streaming out our photos over the next few weeks.

Opening Reception, Screenwriting Research Network Conference, Porto, Portugal via Instagram

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!