From The “When Women Wrote Hollywood Archives 42: Interpretations, a book of first poems (1912) by Zoë Akins

Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.

From The


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When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry

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Presentation: Write. Reach. Represent: How Having a Female and an(Other) ‘New’ Voice in the Writer’s Room has Always Been Paramount (even at Universal) with Rosanne Welch, PhD – August 25, 2020

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ScriptDC

I am happy to have been invited to kick off a slate of talks for ScriptDC, the premier conference for Mid-Atlantic filmmakers including writers, directors, producers, editors, and talent to connect with accomplished teachers, consultants and industry professionals. My presentation — “Write. Reach. Represent:  How Having a Female and an(Other) ‘New’ Voice in the Writer’s Room has Always Been Paramount (even at Universal)” will introduce attendees to the names of the many, many women who gave birth to the Hollywood movie industry but who have largely been left out of the history books.  Their input mattered to bringing more realistic female characters to the screen. Come learn about them so the world of women won’t be left behind any longer. — Rosanne

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A Female Voice in the Room  Rosanne Welch  TEDxCPP 1

Write. Reach. Represent: How Having a Female and an(Other) ‘New’ Voice in the Writer’s Room has Always Been Paramount (even at Universal) with Rosanne Welch, PhD.

Whenever modern day studio executives wonder if women can handle ‘big budget pictures’ we need to educate them on the many, many female screenwriters, directors and producers who gave birth to the film industry from the turn of the twentieth century through today. This talk will introduce listeners to several prominent female screenwriters from Anita Loos (Gentlemen Prefer Blondes) to Dorothy Parker (A Star is Born) to Frances Goodrich (The Diary of Anne Frank) to Harriet Frank, Jr. (Norma Rae) to Joan Didion (A Star is Born). In all of their personal writing about writing screenplays, they mention the importance of (often) being the lone woman in the room during pitches and during the development of a screenplay. Goodrich was quoted as saying, “I’m always the only woman working on the picture and I hold the fate of the women [characters] in my hand… I’ll fight for what the gal will or will not do, and I can be completely unfeminine about it.” Joan Didion told the story of how her writing partner/husband John Gregory Dunne would often feign illness so she would attend script meetings alone after they noticed male executives ignoring her at earlier meetings. Come learn about them and many, many other powerful women of earlier Hollywood so you can school the next executive who dares to wonder if women can ‘hack it’ in the movies.

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