21 You Can’t Keep Up With TV Shows from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

21 You Can't Keep Up With TV Shows from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Host: Was it called the little things?

Rosanne: Yeah it just came out on me on Netflix or HBO sorry.

Host: Yeah HBO Max.

Rosanne: Brand new so, again, you can’t keep up with 420 TV shows

Host: No, you can’t yeah.

Roanne: That’s that’s why buzz and word of mouth is now one of the most important things. It kind of always was but when there were only three or four channels or even 50 cable channels, you found things that people gelled around, and then it became a big event like Mad Men or something like that or Breaking Bad. Now it really becomes your little circle of friends. You recommend a show. I watch it. I tell somebody else I know outside of that circle. They might tell their group. That has become such an important sort of Venn diagram. Who’s seen this and who’s seen that and if you like this you’ll like that and we — that’s where we get our information from. So it’s a really important conversation for people to have for the benefit of the programs to get their audiences.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

08 A Star Is Born (1937) from “Female Creatives & A Star Is Born” [Video]

08 A Star Is Born (1937) from

Transcript:

In a nutshell, what do we see in the first version of A Star Is Born?” We have this ambitious actress. We have a drunken actor, not a director. They do marry and he is jealous of her despite how bad that makes him feel. We have this classic scene where she wins an Academy Award and he shows up drunk and destroys and humiliates the evening right? We have this classic line “Can I have one more look at you”, right before I kill myself but you don’t know that’s what I’m about to do right? We have the husband committing suicide off-screen. We’re going to see him walk off into the ocean. We’re not going to see him dead on our screen and of course, we’re going to have this ending where she defends him to the society that destroyed him — to Hollywood — by saying “I am Mrs. Norman Maine” and there’s a lot — we’ll talk about this a little if we have some time — there’s some argument. My undergrad students nowadays will say they hate that line and they’re seeing it as her stepping back and losing her identity and I don’t think that’s how it was intended. I think if we think again about the time period, this was her asserting this man meant something and you people ruined him and I will not forget him right? So it’s an interesting line to see. Everything changes as we move through society and we bring our own baggage to what we watch. So we have to think about that. It was intended to be a monument to him and not a detriment to her at this point.

Watch this entire presentation

Connections at conferences matter! Through the most recent SCMS, I met Vicki Callahan, whose film history focus right now is on Mabel Normand. When she learned I could put together a lecture on the importance of the female voice in the A Star is Born franchise she asked me to give that lecture to her master students.

It made for a great opportunity for me to hone the ideas I’m working on for a chapter on that franchise that I’m writing for a new book from Bloomsbury: The Bloomsbury Handbook Of International Screenplay Theory. It’s always nice when one piece of research can be purposed in other ways – and it’s always fun revisiting such a female-centric film franchise – one that drew the talents of such powerful performers as Janet Gaynor, Judy Garland, Barbara Streisand, and Lady Gaga.

Find out why in this lecture!

RMW Rosanne Signature for Web



20 Screenwriting: Television Vs. Film from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

20 Screenwriting: Television Vs. Film from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

You know, the difference between TV, obviously, and movies — movies you are going to tell me the most interesting 2 hours in someone’s life. What are the most crazy, interesting 2 hours and we’re done. Maybe there’ll be sequels, of course, blah, blah, blah — but, in general, that’s what you’re going for. In a TV show — especially a pilot — you need to give me enough fodder to understand that there are at least 20 hours — nowadays with streaming, 40 — used to be 100 — in order to get to syndication — but that there’s that much interesting embedded conflict among this group of people that I’m going to be constantly interested in watching them overcome whatever their problem might be. Whatever their issue might be. So, every show has what we would call an overarching dramatic question that is trying to be answered. It’s like — and it can be — it should be — the bigger it is, the more universal. So, for me, an easy example is Bones, right, which some people realize what was — she’s uber-smart and autistic and he’s uber-Catholic and, you know, goes for the emotion. Which, of course, is a flip to what we think gender-wise. It should be the dude being super-logical and the girl being super-emotional, but they flipped it so that’s interesting. But really it’s a show about science versus religion and the 2 characters represent those 2 points of view and there’s never going to be an answer to that question. Except if you accept that the answer is you need them both and that’s how they solve their crimes is the 2 of them together are better than each separately. So, you’re overarching question every week is being addressed. The individual question each week is simply who committed this murder. That’s always going to be solved but the overarching dramatic question can never be solved or your show’s over.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

07 More On Dorothy Parker from “Female Creatives & A Star Is Born” [Video]

07 More On Dorothy Parker from

Transcript:

Also has been said about her, her stories feature female characters trying to square exhilarating new choices with the enduring bold constraints of social expectation. The social expectation in A Star Is Born is that a man should be more successful than his wife. That is something that happened in any particular level of the society at the time. Also, her heroines are lovelorn and there are always suicidal alcoholics in so many of her pieces and this appears in other films she wrote without Alan. They did effect eventually split up and get divorced. So she wrote for Hitchcock. He specifically sought her out. He wanted a writer as famous as she and she got an Oscar nomination both for A Star Is Born and for Smash-Up, the story of a woman which was about a female alcoholic. So clearly these are all pieces of her little ingredient book that she threw together into A Star Is Born.

Watch this entire presentation

Connections at conferences matter! Through the most recent SCMS, I met Vicki Callahan, whose film history focus right now is on Mabel Normand. When she learned I could put together a lecture on the importance of the female voice in the A Star is Born franchise she asked me to give that lecture to her master students.

It made for a great opportunity for me to hone the ideas I’m working on for a chapter on that franchise that I’m writing for a new book from Bloomsbury: The Bloomsbury Handbook Of International Screenplay Theory. It’s always nice when one piece of research can be purposed in other ways – and it’s always fun revisiting such a female-centric film franchise – one that drew the talents of such powerful performers as Janet Gaynor, Judy Garland, Barbara Streisand, and Lady Gaga.

Find out why in this lecture!

RMW Rosanne Signature for Web



19 Bingability from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

19 Bingability rom Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

HOST: They do a really good job of holding the tension for you to keep watching on to the next episode and I think that’s really well done yeah so.

Rosanne: We used to think when streaming came along that wouldn’t be as important because the idea of leaving a show with a bit of a cliffhanger was so you’d wait a week and you’d remember to come back the next Thursday at nine o’clock or whatever that was and then we’re like oh streaming. You just binge right through it you don’t need it but of course, Netflix will say no no now we need what they’ll call the binge-ability factor. Oh yeah, we need you to see the thing that says next episode and click that right away. We want you to watch five in a row. That’s just as important as coming back next week and I think that’s really a funny — we thought there was a change there and it’s not necessary at all.

HOST: Yeah just because it’s on this platform where you can binge it doesn’t mean that people will automatically just go to the next episode if you don’t make it enticing for them to do so. I mean I’ve watched a lot. I’ve started a lot of shows on Netflix and I didn’t move on to the next episode like you didn’t

Rosanne: It didn’t catch you.

HOST: — I don’t see the reason.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

06 Dorothy Parker from “Female Creatives & A Star Is Born” [Video]

06 Dorothy Parker from

Transcript:

So that’s the writing credits but I will say that it was her voice that did it and this in fact is one of the quotes that makes me — gives me evidence for that. Somerset Maugham, a very, very famous writer in his own time. A novelist so much better than a movie writer. Much more literate and important and he recognized right away she had this gift for finding something to laugh at in the bitterest tragedies of the human animal and that is exactly what this story is — the bitterest tragedy of life that someone you love cannot deal with the fact that you are having more success or luck in life than they are and that is the saddest thing or one of the saddest experiences that they could imagine. So I think that’s important for us to keep in mind when we think about her voice and how it appears in this particular piece. I love her. As we said, her wittiness is there. She was talking about a time when the Motion Picture Academy was trying to create a union for writers and this is what she had to say about having them watch “…was like trying to get laid in your mother’s house. Somebody was always in the parlor watching.” They couldn’t trust them obviously. So this wit and this sadness I think very interestingly connects inside this story..

Watch this entire presentation

Connections at conferences matter! Through the most recent SCMS, I met Vicki Callahan, whose film history focus right now is on Mabel Normand. When she learned I could put together a lecture on the importance of the female voice in the A Star is Born franchise she asked me to give that lecture to her master students.

It made for a great opportunity for me to hone the ideas I’m working on for a chapter on that franchise that I’m writing for a new book from Bloomsbury: The Bloomsbury Handbook Of International Screenplay Theory. It’s always nice when one piece of research can be purposed in other ways – and it’s always fun revisiting such a female-centric film franchise – one that drew the talents of such powerful performers as Janet Gaynor, Judy Garland, Barbara Streisand, and Lady Gaga.

Find out why in this lecture!

RMW Rosanne Signature for Web



18 Murdoch Mysteries from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

18 Murdoch Mysteries from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Rosanne: The Murdoch Mysteries? The one about the cops…

Host: I think so yeah.

Rosanne: Canada’s got some interesting tv. Interesting business there too. It’s called Murdoch Mysteries. It’s on Netflix for a few seasons. It’s run for ten seasons. It’s about a constable. It is what they call their police in Canada in the turn of the century 1900. So you’re getting a period piece and his girlfriend, who becomes his wife later on, is the coroner because she was a rich woman who learned to be a doctor but nobody will trust you to be a doctor. So she basically cuts up cadavers and helps solve crimes and what they did beautifully is they’re very interesting little you know detective stories but they have a lovely cast of surrounding characters and eventually they married these two people and in the States if you marry characters the show’s over right? Bones they got married shows done. Castle they got married shows done. We don’t understand that the day after you get married like that’s when the story starts.

Host: Yeah there’s this trope that marriage and then that’s the end game. Like the end game was getting married but there’s nothing after that yet yeah.

Rosanne: Whereas they’ve been I think married for four or five seasons now and you know they’re perfectly interesting and fun and work together.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

05 More Credits for A Star Is Born (1937) from “Female Creatives & A Star Is Born” [Video]

05 More Credits for A Star Is Born (1937) from

Transcript:

I like this. It’s hard for you to read but it’s literally in an archive — the front cover of the first script and I do love to remember that it all started on the page. It is something that was written first and so amazing these folks touched this and we can go look at it at the Herrick Library. These are the credits on this 1937 A Star Is Born that you just watched. So you notice that the major screenplay credits are up here. Then we have from a story by so Wellman and Carson wrote the basic story. These guys translated it into a screenplay right and then because IMDb tries to resurrect people who worked on things but weren’t credited at the time, you see all these names in here. It is in Ben Hecht’s autobiography. He claims to have written the final line — ” I am Mrs. Norman Maine.” Did he? Did he not? There’s no paper trail for that right and he was known to be kind of an arrogant guy and he like to take credit for a lot of things but he’s on the list. We should pay attention.

Watch this entire presentation

Connections at conferences matter! Through the most recent SCMS, I met Vicki Callahan, whose film history focus right now is on Mabel Normand. When she learned I could put together a lecture on the importance of the female voice in the A Star is Born franchise she asked me to give that lecture to her master students.

It made for a great opportunity for me to hone the ideas I’m working on for a chapter on that franchise that I’m writing for a new book from Bloomsbury: The Bloomsbury Handbook Of International Screenplay Theory. It’s always nice when one piece of research can be purposed in other ways – and it’s always fun revisiting such a female-centric film franchise – one that drew the talents of such powerful performers as Janet Gaynor, Judy Garland, Barbara Streisand, and Lady Gaga.

Find out why in this lecture!

RMW Rosanne Signature for Web



04 The Writers of A Star Is Born (1937) from “Female Creatives & A Star Is Born” [Video]

04 The Writers of A Star Is Born (1937) from

Transcript:

So when we come along and redo it, it’s going to be this team that is assigned — can you do this differently? Can you do this better? Dorothy Parker, who I adore. Her husband, Alan Campbell who no one has probably ever heard of and that’s maybe fair. Maybe not. he was an actor on Broadway when he met her and they got married. He was her second husband. He wanted to come to Hollywood and be a writer. She did not. She was, as we mentioned earlier, a member of the Algonquin Round Table. She wrote witty things for the New Yorker, She did not want to live in Hollywood, but she did what her husband wanted because she wanted him to be happy, These other gentlemen — Carson and William — came along. They’d done some polishes, some pieces, but I’m going to maintain that the voice of A Star is Born — and that carries across almost all four of the iterations — is Dorothy Parker’s voice and to me, that’s what’s interesting — a screenwriter’s voice.

Watch this entire presentation

Connections at conferences matter! Through the most recent SCMS, I met Vicki Callahan, whose film history focus right now is on Mabel Normand. When she learned I could put together a lecture on the importance of the female voice in the A Star is Born franchise she asked me to give that lecture to her master students.

It made for a great opportunity for me to hone the ideas I’m working on for a chapter on that franchise that I’m writing for a new book from Bloomsbury: The Bloomsbury Handbook Of International Screenplay Theory. It’s always nice when one piece of research can be purposed in other ways – and it’s always fun revisiting such a female-centric film franchise – one that drew the talents of such powerful performers as Janet Gaynor, Judy Garland, Barbara Streisand, and Lady Gaga.

Find out why in this lecture!

RMW Rosanne Signature for Web



17 More On Wynonna Earp from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

17 More On Wynonna Earp from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Well, many things worked about the show. One of which was her sister was a lesbian and she and the female sheriff in town had a relationship and Emily Andreas, who produced the show in Canada knew the trope of killing your gays and she made a promise upfront that neither of these women would ever die and, sure enough, as you get to the end of the 4th season, the last episode is their wedding which is really quite beautiful after you’ve watched the characters across 4 years. but the fact that she did that to counter this negative thing that had been happening in tv and because you knew that. the fun was in always getting one of those 2 women in a terrible situation that they should have died and you knew they were going to have to work their way out of it and so often you would say “Oh, don’t tell me how something’s going to end because I need the tension of worrying.” I didn’t have to worry about them dying but I had to wonder — so it’s worry and wonder, are the 2 most important things for an audience that pulls them through a show — I had to wonder how’d they get out of it. So it still worked and I thought that was brilliant. So I think that’s a really good show and people probably think it’s an American show because it was on American TV as well.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.