A Woman Wrote That – 27 in a series – 10 Things I Hate About You (1999) Written by Karen McCullah & Kirsten Smith

This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director.  The difference here being that we will be posting lines from films written by female screenwriters.  Feel free to share! — Rosanne

A Woman Wrote That - 27 in a series - 10 Things I Hate About You (1999) Written by Karen McCullah & Kirsten Smith

KAT

But mostly I hate the way I don’t hate you. Not even close, not even a little bit, not even at all.

A Woman Wrote That – 26 in a series – Fleabag (2016), Writer, Phoebe Waller-Bridge

This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director.  The difference here being that we will be posting lines from films written by female screenwriters.  Feel free to share! — Rosanne

A Woman Wrote That - 26 in a series - Fleabag (2016), Writer, Phoebe Waller-Bridge

CLAIRE

The only person I’d run through an airport for is you.

Dr. Rosanne Welch Quoted in Bitch Media article on Women Screenwriters

Journalist Alexis Schwartz contacted me a few weeks ago to be interviewed for an article she was writing about female writers in Hollywood on the eve of hoping a woman would win this year’s Oscar for Best Screenplay.

Alexis noted, teenagers entering high school this fall would never have seen a female win in that category since the last win was 13 years ago (Diablo Cody for Juno).  Happily, Emerald Fennell did win – for Promising Young Woman. Then Chloe Zhao won for directing Nomadland.  Yet notice how in the Chloe Zhao descriptions no one calls her the writer-director of Nomadland even though she adapted the book. They only call her the director – though she did both important tasks on that now Academy Award-winning film.  So there is still much work to be done for writers to be recognized on an equal level.

We had so much fun talking and there was so much to say that it’s no surprise something got mixed up.  The initial published version of the story reported that Eve Unsell was Cecil B. deMille’s mother – but that was playwright, Broadway producer Beatrice deMille who had hired Unsell after reading one of her short stories and therefore began Unsell’s career as one of Hollywood’s earliest writer-producer-directors – and as the woman who taught Hitchcock how to direct.  Read the article to learn more.  And then read our book – When Women Wrote Hollywood – to learn more about the important work women have been doing since the founding of the film industry.

As Alexis and I noted during the interview – we really could talk about this all day – and look – how wonderful for both Fennel and Zhao to win that night.

Dr. Rosanne Welch

Emerald Fennell attends the 2020 Sundance Film Festival  Promising Young Woman premiere on January 25 2020 in Park City Utah header

A Woman Hasn’t Won a Writing Oscar in 13 Years. That Could Change on Sunday by Alexis Schwartz

The 2007 Academy Awards’ futuristic stage was adorned with three large pillars—some 25 feet in diameter—superficially holding up the Dolby Theatre. Within the stage’s center, an equally large Oscar statue loomed over the diminutive presenters like a god demanding hecatomb. Throughout the evening, celebrities weaved through the stage, including winners Alan Arkin, Helen Mirren, Forest Whitaker, and Martin Scorsese, the latter of whom’s cop-and-mob film The Departed (2006) would go on to win four statues that evening. But something happened in the middle-pack of the awards—more “popular” than sound editing, less “popular” than original score —an unsuspecting former exotic dancer and first-time screenwriter, Diablo Cody, won Best Original Screenplay for her freshman film, Juno.

[…]

Writers such as Jeanie MacPherson, who wrote most of the profitable films credited to director and Hollywood tycoon Cecil B. deMille, have been all but forgotten. Meanwhile, deMille is described as “a founder of the Hollywood motion-picture industry” and is the namesake for the Cecil B. deMille Award of Excellence presented annually at the Golden Globes. Paradoxically, deMille’s mother, Eve Unsell, who taught Alfred Hitchcock everything he knew was later regarded as an erasable footnote by Hitchock himself. She was left uncredited in his memoir—only to be known as “a middle-aged woman.” Even worse, these titans set a precedent by often discrediting writers’ work during interviews. This became standard practice—if the writer was mentioned at all. “The [director-ownership model] destroyed writers, even great men, like Preston Sturges [the first-ever winner of the Academy Award for Original Screenplay], had to become directors to protect their words and characters,” Rosanne Welch, PhD, screenwriting historian and former Beverly Hills 90210 writer says. “No one was safe.”

[…]

Read the entire article — A Woman Hasn’t Won a Writing Oscar in 13 Years. That Could Change on Sunday by Alexis Schwartz

A Woman Wrote That – 25 in a series – Thelma and Louise (1991), Writer, Callie Khouri

This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director.  The difference here being that we will be posting lines from films written by female screenwriters.  Feel free to share! — Rosanne

A Woman Wrote That - 25 in a series - Thelma and Louise (1991), Writer, Callie Khouri

THELMA

I don’t ever remember feeling this awake..

A Woman Wrote That – 24 in a series – National Treasure (2004), Writer, Marianne Wibberley

This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director.  The difference here being that we will be posting lines from films written by female screenwriters.  Feel free to share! — Rosanne

A Woman Wrote That - 24 in a series - National Treasure (2004), Writer, Marianne Wibberley

RILEY

Anyone crazy enough to believe us isn’t gonna want to help.

Women Prefer Anita Loos: Celebrating the Female Screenwriters Who Came Before Us, Dr. Rosanne Welch, April 2021

Women Prefer Anita Loos: Celebrating the Female Screenwriters Who Came Before Us, Dr. Rosanne Welch, April 2021

I first found Anita Loos in her memoir A Girl Like I which sat on the sparsely covered “Hollywood History” shelf in my local library one summer. Reading her story showed me women had been masterful in the world of screenwriting, which taught me that they could – and would be again – even though it was the late 1970s and I could only name two female screenwriters. Nancy Dowd, who had won the Best Screenplay Oscar for Coming Home and Harriet Frank, Jr., who had been nominated for Norma Rae. (Watch future columns for more on their storied careers.)

Read the entire article, Women Prefer Anita Loos,  on the Script web site


Read about more women from early Hollywood


A Woman Wrote That – 23 in a series – Brave (2012), Writer, Brenda Chapman

This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director.  The difference here being that we will be posting lines from films written by female screenwriters.  Feel free to share! — Rosanne

A Woman Wrote That - 23 in a series - Brave (2012), Writer, Brenda Chapman

MERIDA

I am Merida, firstborn descendant of Clan Dunbroch. And I’ll be shooting for my own hand!

A Woman Wrote That – 22 in a series – Bring It On! (2000), Writer, Jessica Bendinger

This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director.  The difference here being that we will be posting lines from films written by female screenwriters.  Feel free to share! — Rosanne

A Woman Wrote That - 22 in a series - Bring It On! (2000), Writer, Jessica Bendinger

TORRANCE

You’re a great cheerleader, Aaron, and you’re cute as hell, but maybe you’re just not ‘boyfriend’ material.

A Woman Wrote That – 21 in a series – Bewitched (2005), Writer, Nora Ephron

This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director.  The difference here being that we will be posting lines from films written by female screenwriters.  Feel free to share! — Rosanne

A Woman Wrote That - 21 in a series - Bewitched (2005), Writer, Nora Ephron

UNCLE ARTHUR

Do you want the long version or the short version? Keep in mind, the long version is in Aramaic.

Dr. Rosanne Welch Presents “Female Creatives & A Star Is Born” [Video]

Dr. Rosanne Welch Presents

Connections at conferences matter! Through the most recent SCMS, I met Vicki Callahan, whose film history focus right now is on Mabel Normand. When she learned I could put together a lecture on the importance of the female voice in the A Star is Born franchise she asked me to give that lecture to her master students.

It made for a great opportunity for me to hone the ideas I’m working on for a chapter on that franchise that I’m writing for a new book from Bloomsbury: The Bloomsbury Handbook Of International Screenplay Theory. It’s always nice when one piece of research can be purposed in other ways – and it’s always fun revisiting such a female-centric film franchise – one that drew the talents of such powerful performers as Janet Gaynor, Judy Garland, Barbara Streisand, and Lady Gaga.

Find out why in this lecture!

RMW Rosanne Signature for Web