Speaking – On Screenwriting and Media with Dr. Rosanne Welch

Dr. Welch Interviewed for New Documentary on Gene Stratton Porter

On Tuesday, April 14th, our backyard became a studio with lights, a camera, and the action being me being interviewed about what work was like for women in early Hollywood.

Emmy award-winning documentarian Todd Gould, whose other PBS documentaries involve Indiana-based stories of people and events that influenced the world, including Ernie Pyle and Gennett Records,

is working on a new documentary covering the life of environmentalist, novelist, and filmmaker Gene Stratton Porter. Gould is hoping to shed light on this early female film pioneer, who was also an extremely successful author of fiction and nonfiction works, nature photographer, environmental activist and feminist who worked with the suffrage movement.

By Gspmemorial – Own work, CC BY-SA 4.0, Link

When he contacted me, it was maddening to learn there was yet another woman from the early 1900s whose name I had never seen in history books, yet she had the prescience to recognize that making movies of her books would increase their value so she built a film studio in Hollywood to do exactly that. At the same time, she was calling for caring for our environment long before Rachel Carson wrote Silent Spring in 1962. Gene was out photographing birds and nature, and drawing attention to our effect on the planet 50 years earlier.

Gould and his local crew set up in our plant-filled backyard as he wanted a natural setting for as many of his interviews as possible. Then we chatted about the many ways women helped found Hollywood, how tough that work was, and how the studio system mitigated women’s progress in the industry, which is one explanation for why so many people don’t know women like Gene Stratton Porter. Thanks to Todd’s documentary, soon they will, and I’m very proud to play a small part in bringing her work – and the work of many other early female screenwriters to greater audiences.

The documentary is slated to premiere in November 2026 (probably sometime around Thanksgiving time)

How Screenwriter Dudley Nichols Adapted Stagecoach – Dr. Rosanne Welch – Stephens College MFA in TV and Screenwriting

I was pleased to be invited to make the Introductory Remarks before a screening of 1939’s Stagecoach, written by Dudley Nichols precisely for the opportunity to highlight the importance of screenwriting.

While director John Ford is often the focus of discussions about the film, it is the work Nichols did in adapting a terse short story by Ernest Haycox that makes the film stand out. Nichols expanded the backgrounds of and connections between all of the characters, thus creating a strong ensemble structure that many films have followed ever since.

Learn more in my short lecture.

Rosanne presents “Creative Play #8: Emotional Monologues Written By A Few Accomplished Female Television Writers” – Screenwriting Research Network [Video]

I was pleased to be asked to host a session of the Creative Play Working Group of the Screenwriting Research Network (SRN), chaired by Professor Chris Neilan of Edinburgh Napier University.

I had the chance to introduce the attendees to some wonderfully emotional monologues written by a few highly accomplished female television writers, from Susan Harris (on SOAP) to Linda Bloodworth Thomason (on Designing Women) to Maxine Alderton, who wrote a great monologue for the Jodie Whitaker Doctor in her episode “The Haunting of Villa Diadoti”. (Doing a bit of history by showing monologues from TV shows from the 1970s and 80s is one of my goals in our MFA – along with celebrating female screenwriters).

Then I introduced an exercise in writing monologues that involves Thornton Wilder’s Our Town as an inspiration. A few of the attendees shared what they wrote so we could all learn more about how the specificity we bring from our own lives makes our work more universal.

Thanks to Leslie Kreiner for inviting me to do a presentation on Monologues to a conference last year, which created the seed of this exercise. Thanks to Chris for the invitation to share it – and to all the attendees for… attending. Special thanks to those who shared what they wrote to help others see if this is an exercise they would like to incorporate into their teaching.

Rosanne Presents on Shaping Global Cultures Through Screenwriting – Stephens College [Video]

Recently, I was asked to make a short presentation to the faculty of Stephens College about the newest book I edited alongside my dear friend and Screenwriting Research colleague Rose Ferrell. Shaping Global Cultures Through Screenwriting: Women Who Write Our Worlds.

I was happy to discuss the inspiration for the book, which came from a conversation Rose and I had during a conference. That’s one of the best things about gathering for conferences – the casual conversations that create new collaborations.

I was also happy to discuss the way we arranged the book in “Worlds” because continents are the easiest classification. I give a quick thumbnail of one chapter in each of those Worlds to highlight what type of social or legal advocacy the screenwriter in discussion addressed. It was lovely to be reminded of all the interesting stories told by the writers of each chapter and to appreciate the cultural diversity of storytelling around the world that Intellect made possible by publishing the book.

Chapters cover a spectrum of storytelling from artists offering a window into how women around the world use the screen to advocate for social or legal change. For example, the Samoan performance artist Angela Tiatia, known for her 2014 work, ‘Walking the Wall.” Tiatia displays her Malu Tatau tattoo, which symbolizes the preservation and documentation of cultural practice and identity in online spaces.

One chapter focuses on a junior Pacific Islander lawyer who created a music video calling on the International Court of Justice to issue an advisory opinion on climate change, a matter of concern as rising sea levels threaten the homes and histories of island communities. Other readings in the book examine the film “Kajillionaire” by Miranda July as a platform for imagining queer utopias, the transformative power of the female gaze in the Italian documentary “Trial for Rape,” and the frequently ignored creative roles and contributions that women make behind the scenes of the beloved children’s television show “Bluey.”

It was a pleasure to make this presentation for my colleagues. I hope you enjoy it, too.

Rosanne Interviewed on “TV We Love” on the CW

This season the CW has been airing a new documentary style series called TV We Love which has covers a popular TV show from each decade from I Love Lucy for the 1960s to Happy Days for the 1970s and Dynasty for the 1980s. The last of 8 episodes covered Touched by an Angel (where I served as a Writer-Producer for 6 years). I show up a few times in the hour, discussing writing for the show and why we think it still resonates.

It felt odd to be on the other side of the camera, considering I had researched, written, and filmed a documentary in 1998 with my friend Dan Forer for ABC NEWS/Nightline called “Boys to Men: Bill Clinton and the Boys Nation Class of 1963,” so being the one answering questions was interesting. It helped me think deeply about my responses – trying to make sure they were in full sentences, that they used emotional verbs, that they were stories unique to me, so no other interviewee could be used for that point. And, of course, I tried not to fill empty spaces with “um” or “like”. A very fascinating experience – and then seeing the final product it was fun to put on my producer hat and recognize what director Megan Harding chose both of the quotes and of the B-roll.

She interviewed me for a couple of hours and distilled that into several appearances. My favorite part was being able to tell the story of how star Roma Downey let my 2-year-old son Joseph join her 4-year-old daughter (and her nanny) to play in her trailer for a while since the kids were both so bored on set. Heck, I was often bored on set, but I was at work, I couldn’t run off to a trailer with coloring books and have goldfish crackers for a snack. But he could – and thanks to Roma’s generosity, we have that memory.

What I’m most proud of is the chance to say things that reflect on my professional goals of creating more female-focused stories about women who make a difference in people’s lives. I used to say the show was Cagney and Lacey without guns, and I was proud of that. For the interview, I kept my focus on how amazing it was to be able to write for two powerful female characters portrayed by two high-quality actresses (heck, Della Reese was already a legend). I’m happy they used this quote: “It was getting to write for female characters who had something important to say. That was a dream job.” That broadens my mission with the Stephens College MFA in TV and Screenwriting. Near the end, they used a quote that I hope defines the themes of most all the episodes I’ve written for this show and others: “All of us need to believe in ourselves and in our community and to understand that all of us have the ability to make change.”

If you don’t have the CW you can see this episode (and any of the others that interest you) on their website at TV We Love.

Book Recommendation: “The Last Secret Agent: My Life as a Spy Behind Nazi Lines” by Pippa Latour with Jude Dobson

Just finished my rainy weekend read and I highly recommend it:

“The Last Secret Agent: My Life as a Spy Behind Nazi Lines”

It’s the story of Pippa Latour, the last surviving female radio operator who was parachuted into occupied France to travel from hidden radio to hidden radio, sending back information to help the Allies land in Normandy on D-Day. She wasn’t going to tell her story until her sons convinced her it would help people understand those times and the ultimate sacrifice many other radio operators made.

As a Doctor Who fan it was cool to see Noor Inayat Khan mentioned as she appeared as a historic figure in the Jodie Whittaker era in “Spyfall, Part 2”, the 2nd episode of series 12. I mention Noor, in a lecture I’ve given about all the feminism show runner Chris Chibnall put into that era, including having the Doctor meet a strong collection of historic females: “She is Wise and Unafraid: Writing the 1st Female Doctor and a Diverse Universe for her to Protect”:

In September 1944 Noor was executed at the Dachau concentration camp along with fellow agents Yolande Beekman, Madeleine Damerment and Eliane Plewman – all women who had volunteered for these deeply dangerous missions. Reading books about female heroes is a great way to spend a rainy day – and find some more amazing stories that ought to be adapted into films or included in our other writing as often as possible!

When Women Write What They Say, They Say So Much More: Powerful Actress-writer-producers Past, Present & Future with Dr. Rosanne Welch, SRN 2025, Adelaide, Australia [Video]

In another example of my love for a good, long, alliterative title, I name this year’s Screenwriting Research Network (SRN) presentation:

“When Women Write What They Say, They Say So Much More: Powerful Actress-writer-producers Past, Present & Future”.

It covers writers like Emma Thompson, who adapted Jane Austen’s Sense and Sensibility, in which she starred as Eleanor, and Gertrude Berg, creator, writer, and star of The Goldbergs, and then everyone from Tina Fey to Issa Rae, to Mindy Kaling to Lena Waithe. This presentation discusses the way women writing their own characters, dialogue, and worlds into existence impacts the audience, the industry, and the way women are seen in society.

WGA Panel on “Writing Bold and Complex Young Women” Now Streaming [Video]

WGA Panel on Writing Bold and Complex Young Women Now Streaming

One of the fun-nest things I get to do during each MFA Workshop is moderate a panel of working writers at the Writers Guild of America, which is recorded and presented on the WGA Foundation YouTube channel.

Now available to stream is our latest panel, “Unapologetically Herself: Writing Bold and Complex Young Women”. I always try to include one of our MFA alums who have gained spots on TV shows so this one has Alexandra Fernandez who has been on the writing staff of Station 19. Other panelists for this event were Karen Joseph Adcock (Yellowjackets), Beth Appel (The Sex Lives of College Girls), and Stephens alum!!, and Autumn Joy Jimerson (Forever).

Several past WGA panels have included such screenwriters as Marta Kauffman (Creator and Executive Producer of Grace and Frankie), Lucia Aniello (Co-Creator, Executive Producer, and Director of Hacks), Meg DeLoatch (Executive Producer of The Neighborhood and Family Reunion),Joan Rater (A Small Light); and Nia Vardalos (My Big Fat Greek Wedding – and sequels). You can check those out here on our Stephens College MFA in TV and Screenwriting website.

“Unapologetically Herself: Writing Bold and Complex Young Women” Panel at the Writers Guild Foundation – Friday, August 8, 2025, 7pm

Unapologetically Herself: Writing Bold and Complex Young Women

During every MFA Residency Workshop I moderate a panel of writers – often proudly including one of our MFA alums – and this August we’re doing it again. Join us on Friday, August 8, 2025 from 7:00 PM 8:30 PM at the Writers Guild Foundation (7000 West 3rd Street Los Angeles, CA, 90048) for:

Unapologetically Herself: Writing Bold and Complex Young Women

We’ll explore how writers develop these strong characters, how to approach sensitive scenes intentionally, and how they navigate nuances of character personalities, behaviors, and motivations.

Panelists include:

Karen Joseph Adcock – Yellowjackets
Beth Appel – The Sex Lives of College Girls
Sahar Jahani – Life and Beth (MFA alum!)
Autumn Joy Jimerson – Forever
Dr. Rosanne Welch – Moderator/Executive Director, Stephens College MFA in TV and Screenwriting

Get tickts for this WGA Panel Discussion

And if you’d like to see some of our previous WGA panels you can find them on our MFA Website

Dr. Rosanne Welch Interview, Screenwriting Research Network Conversations [Video]

I sat down for an interview about my time as Chair of the Screenwriting Research Network during our last conference in Olumouc, Czech Republic, last September.

I had the chance to discuss the conference we held at Stephens College the year before, how we chose the theme, and the benefit of being a smaller group where real connections have been made. This is part of a series of oral histories on past created by the Executive Council which have morphed into these “Conversations”recorded by EC member Lucian Georgescu (with Camera and editing by Marius Donici).

You can see several other members interviewed on the SRN YouTube Channel as well.