On our trip to Milan for the 2019 SRN Conference we had the time to visit the Museum of the Risorgimento so I could do some research on the Italian perspective of Giuseppe Garibaldi, the topic of my second Mentoris novel. It really helped me see him from several sides – and artwork like this highlighted the place he holds in world civilization.
These days it is usually just Rosanne and me at the dining room table or occasionally 2 friends for dinner. Back in December, though, we hosted 6 members of our Sicilian family and the dining room was almost standing room only.
This was their first day in town, so we greeted them with the quintessential LA meal of In-n-Out. 😀
Every other meal at home, though, looked more like our Italian meals when visiting them. They might have experienced the US and LA when we went out, but evenings cocooned them in a sense of normal home life.
“Dorothy Rothschild, however, was not long concerned with embodying society’s ideal for young ladies. Her transformation into Dorothy Parker likely began with her admittance to Miss Dana’s highly exclusive school for girls – both “a finishing school and a college-preparatory one, quite progressive for its time”
The Intimately Unknowable Dorothy Parker A Study of her Life and Art by Elizabeth Dwyer
Another wonderful and well-detailed review of When Women Wrote Hollywood came out today, written by film historian Elaine Lennon and appearing in Offscreen, the longest running monthly online film journal.
This new collection of 24 essays on women screenwriters offers fascinating insights into early Hollywood and beyond. Editor Rosanne Welch (herself a screenwriter) set her Stephens College MFA History of Screenwriting students a task: to outline the achievements of those screenwriters who have been systematically erased from the majority of film studies. The foreword by film historian Cari Beauchamp sets the tone in the first sentence, reminding us that “almost half of all films made before 1925 were written by women” (1). This volume is a sparky assemblage which not only acts as a corrective to conventional screenwriting historiography, it highlights careers which were multi-faceted, wide-ranging and virtually Renaissance in their scope.