A Woman Wrote That – 4 in a series – Thelma and Louise by Callie Khouri (1991)

This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director.  The difference here being that we will be posting lines from films written by female screenwriters.  Feel free to share! — Rosanne

A Woman Wrote That - 4 in a series - Thelma and Louise by Callie Khouri (1991)

Louise: “You get what you settle for.”

Thelma and Louise Script (PDF)

 

A Woman Wrote That – 3 in a series – E.T. the Extra-Terrestrial

This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director.  The difference here being that we will be posting lines from films written by female screenwriters.  Feel free to share! — Rosanne

A Woman Wrote That - 2 in a series - E.T. the Extra-Terrestrial

“ET Phone Home”

E.T. the Extra-Terrestrial Shooting Script (PDF)

E.T. the Extra-Terrestrial on IMDB

Where’s Her Movie? Aviator, Jackie Cochran

“Where’s HER Movie” posts will highlight interesting and accomplished women from a variety of professional backgrounds who deserve to have movies written about them as much as all the male scientists, authors, performers, and geniuses have had written about them across the over 100 years of film.  This is our attempt to help write these women back into mainstream history.  — Rosanne

Where's Her Movie?  Aviator, Jackie Cochran

As one of the most prominent racing pilots of her generation Jackie Cochran pioneered women’s aviation. The head of the Women Airforce Service Pilots (WASP) during WWII she oversaw over 1000 civilian female pilots who ferried planes from factories to port cities and later became the first woman to break the sound barrier on 18 May 1953. She originally learned to fly in order to expand her sales area.

Read more about Jackie Cochran

from Wikipedia…

Mercury 13

In the 1960s, Cochran was a sponsor of the Mercury 13 program, an early effort to test the ability of women to be astronauts. Thirteen women pilots passed the same preliminary tests as the male astronauts of the Mercury program before the program was cancelled.[40][41][42][N 2] It was never a NASA initiative, though it was spearheaded by two members of the NASA Life Sciences Committee, one of whom, William Randolph Lovelace II, was a close friend of Cochran and her husband. Though Cochran initially supported the program, she was later responsible for delaying further phases of testing, and letters from her to members of the Navy and NASA expressing concern over whether the program was to be run properly and in accordance with NASA goals may have significantly contributed to the eventual cancellation of the program. It is generally accepted that Cochran turned against the program out of concern that she would no longer be the most prominent female aviator.[43]

On 17 and 18 July 1962, Representative Victor Anfuso (D-NY) convened public hearings before a special Subcommittee of the House Committee on Science and Astronautics[44] to determine whether or not the exclusion of women from the astronaut program was discriminatory, during which John Glenn and Scott Carpenter testified against admitting women to the astronaut program. Cochran herself argued against bringing women into the space program, saying that time was of the essence, and moving forward as planned was the only way to beat the Soviets in the Space Race. (None of the women who had passed the tests were military jet test pilots, nor did they have engineering degrees, which were the two basic experiential qualifications for potential astronauts. Women were not allowed to be military jet test pilots at that time. On average, however, they all had more flight experience than the male astronauts.) “NASA required all astronauts to be graduates of military jet test piloting programs and have engineering degrees. In 1962, no women could meet these requirements.” This ended the Mercury 13 program.[45] However, John Glenn and Scott Carpenter, who were part of the Mercury 7, also did not have engineering degrees when they were selected. Both of them were granted a degree after their flights for NASA. [46] [47]

Significantly, the hearings investigated the possibility of gender discrimination a two full years before the Civil Rights Act of 1964 made that illegal, making these hearings a marker of how ideas about women’s rights permeated political discourse even before they were enshrined in law.[45]

A Woman Wrote That – 2 in a series – Lady Sings The Blues, Screenplay by Suzanne De Passe, Chris Clark, and Terence McCloy

This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director.  The difference here being that we will be posting lines from films written by female screenwriters.  Feel free to share! — Rosanne

A Woman Wrote That - 2 in a series - Lady Sings The Blues, Screenplay by Suzanne De Passe, Chris Clark, and Terence McCloy

“Lady Sings The Blues” on IMDB

A Woman Wrote That: “It’s A Wonderful Life”, Written by Frances Goodrich and Albert Hackett – 1 in a series

This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director.  The difference here being that we will be posting lines from films written by female screenwriters.  Feel free to share! — Rosanne

A Woman Wrote That:

Read more about “It’s A Wonderful Life” on IMDB

Where’s Her Movie? Entertainer and Nurse, Martha Raye

“Where’s HER Movie” posts will highlight interesting and accomplished women from a variety of professional backgrounds who deserve to have movies written about them as much as all the male scientists, authors, performers, and geniuses have had written about them across the over 100 years of film.  This is our attempt to help write these women back into mainstream history.  — Rosanne

Where's Her Movie? Entertainer and Nurse, Martha Raye

Read more about Martha Raye

from Mike Zimmerle via Facebook…

“It was well recognized that Martha Raye endured less comfort and more danger than any other Vietnam entertainer. Don’t let the sun go down without reading this about Martha Raye.

The most unforgivable oversight of TV is that her shows were not taped. I was unaware of her credentials or where she is buried. Somehow I just can’t see Brittany Spears, Paris Hilton, or Jessica Simpson doing what this woman (and the other USO women, including Ann Margaret & Joey Heatherton) did for our troops in past wars. Most of the old time entertainers were made of a lot sterner stuff than today’s crop of activists bland whiners.

The following is from an Army Aviator who takes a trip down memory lane:

“It was just before Thanksgiving ’67 and we were ferrying dead and wounded from a large GRF west of Pleiku. We had run out of body bags by noon, so the Hook (CH-47 CHINOOK) was pretty rough in the back. All of a sudden, we heard a ‘take-charge’ woman’s voice in the rear. There was the singer and actress, Martha Raye, with a SF (Special Forces) beret and jungle fatigues, with subdued markings, helping the wounded into the Chinook, and carrying the dead aboard. ‘Maggie’ had been visiting her SF ‘heroes’ out ‘west’. We took off, short of fuel, and headed to the USAF hospital pad at Pleiku. As we all started unloading our sad pax’s, a ‘Smart Mouth’ USAF Captain said to Martha…. “Ms Ray, with all these dead and wounded to process, there would not be time for your show!” To all of our surprise, she pulled on her right collar and said ……”Captain, see this eagle? I am a full ‘Bird’ in the US Army Reserve, and on this is a ‘Caduceus’ which means I am a Nurse, with a surgical specialty….now, take me to your wounded!” He said, “Yes ma’am…. follow me.” Several times at the Army Field Hospital in Pleiku, she would ‘cover’ a surgical shift, giving a nurse a well-deserved break. Martha is the only woman buried in the SF (Special Forces) cemetery at Ft Bragg. Hand Salute! A great lady.. I did not know this about Martha Ray…. thought you might like it.”

Panel Discussion: More Than A Period: Writing Girls Coming of Age Stories For TV [Video] (1 hour 27 minutes)

Panel Discussion: More Than A Period: Writing Girls Coming of Age Stories For TV

Recently, I had the honor (and the fun) of moderating another panel for the Writers Guild Foundation with a conversation centered around how we write “Girls Coming of Age” stories for television. 

Our panelists included Rheeqrheeq Chainey (The Baby Sitters Club), Sonia Kharkar (On My Block, Never Have I Ever), Ilana Peña (Creator, Diary of a Future President) and Christina Nieves (Generation), an alumna of the Stephens College MFA in TV and Screenwriting, which was the greatest pleasure of the whole event!

Panel Discussion: More Than A Period: Writing Girls Coming of Age Stories For TV [Video] (1 hour 27 minutes)Stephens College MFA. in TV and Screenwriting

For each Workshop the Stephens College MFA in TV and Screenwriting hosts a panel with the Writers Guild Foundation which takes place at the Guild offices in Los Angeles. For this August it will be on Zoom which means many more attendees can RSVP to join us – and we hope you will because this panel is extra-special. 

It’s the second year in a row we’ve been able to invite an MFA alumna to be a panelist because they have become a working writer. Last year it was Class of 2019’s Sahar Jahani (who has written for Ramy and 13 Reasons Why) and on this panel we’ll be welcoming Class of 2020’s Christina Nieves to discuss Writing Girls Coming of Age Stories thanks to her new position as a staff writer on Generation.

We hope you can join me, Dr. Rosanne Welch, Executive Director of Stephens College MFA in TV and Screenwriting as I moderate the discussion.

Panel Discussion: More Than A Period: Writing Girls Coming of Age Stories For TV - Wed, August 12, 2020, 430pm PDT

Photo by Kyle Gregory Devaras on Unsplash

More Than A Period: Writing Girls Coming of Age Stories For TV

Wednesday, August 12, 2020
4:30 PM  6:00 PM

Beyond The Book Panel - Writers Guild Foundation

We at the WGF may have hit a pause on our live events, but thanks to technology, we’re aiming to provide more access to advice and knowledge from film and TV writers while we’re all social distancing. Over the last few months, we’ve been hosting free Zoom panels about craft and all things relevant to writers.

For this session, we team up with Stephens College MFA in TV and Screenwriting for a discussion about crafting girls’ coming-of-age stories. The panel of writers will share how their shows address this formative period for its characters, how their own experiences informed their writing, and why coming-of-age stories are an endless source of stories.

Panelists:

Sonia Kharkar – Executive Story Editor, On My Block, Never Have I Ever
Christina Nieves – Staff Writer, Generation
Ilana Peña – Creator, Diary of a Future President
Moderated by Dr. Rosanne Welch, Director of Stephens College MFA in TV and Screenwriting.

Panel Discussion: More Than A Period: Writing Girls Coming of Age Stories For TV – Wed, August 12, 2020, 430pm PDT

Stephens College MFA. in TV and Screenwriting

For each Workshop the Stephens College MFA in TV and Screenwriting hosts a panel with the Writers Guild Foundation which takes place at the Guild offices in Los Angeles. For this August it will be on Zoom which means many more attendees can RSVP to join us – and we hope you will because this panel is extra-special. 

It’s the second year in a row we’ve been able to invite an MFA alumna to be a panelist because they have become a working writer. Last year it was Class of 2019’s Sahar Jahani (who has written for Ramy and 13 Reasons Why) and on this panel we’ll be welcoming Class of 2020’s Christina Nieves to discuss Writing Girls Coming of Age Stories thanks to her new position as a staff writer on Generation.

We hope you can join me, Dr. Rosanne Welch, Executive Director of Stephens College MFA in TV and Screenwriting as I moderate the discussion.

Panel Discussion: More Than A Period: Writing Girls Coming of Age Stories For TV - Wed, August 12, 2020, 430pm PDT

Photo by Kyle Gregory Devaras on Unsplash

More Than A Period: Writing Girls Coming of Age Stories For TV

Wednesday, August 12, 2020
4:30 PM  6:00 PM

Beyond The Book Panel - Writers Guild Foundation

We at the WGF may have hit a pause on our live events, but thanks to technology, we’re aiming to provide more access to advice and knowledge from film and TV writers while we’re all social distancing. Over the last few months, we’ve been hosting free Zoom panels about craft and all things relevant to writers.

For this session, we team up with Stephens College MFA in TV and Screenwriting for a discussion about crafting girls’ coming-of-age stories. The panel of writers will share how their shows address this formative period for its characters, how their own experiences informed their writing, and why coming-of-age stories are an endless source of stories.

Panelists:

Sonia Kharkar – Executive Story Editor, On My Block, Never Have I Ever
Christina Nieves – Staff Writer, Generation
Ilana Peña – Creator, Diary of a Future President
Moderated by Dr. Rosanne Welch, Director of Stephens College MFA in TV and Screenwriting.

Panel starts at 4:30pm Pacific time.

Space is limited so RSVP now. After signing up, you’ll receive information on how to access the Zoom panel.

If you have any questions, please feel free to reach out to us at events@wgfoundation.org.

For anyone who was unable to RSVP for the panel, we will record and post it at a later date

In Conversation With Cari Beauchamp, author of Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood via Instagram

In Conversation With Cari Beauchamp, author of Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood via Instagram

In Conversation With Cari Beauchamp, author of Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood

My Stephens College MFA in Screenwriting students are in town for the next 20 days and we are diving into our work.

This is a low-residency program where most of the work is done online but each cohort (1st year and 2nd year) comes to LA twice each year and meets for 10 days of intense workshops and research at the Jim Henson Studio (originally the Chaplin Studio) in the heart of Hollywood.

This week is the first workshop for our new class of 2020. 

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It’s Time For History of Screenwriting 101! via Instagram

It’s Time For History of Screenwriting 101! via Instagram

It’s Time For History of Screenwriting 101!

My Stephens College MFA in Screenwriting students are in town for the next 20 days and we are diving into our work.

This is a low-residency program where most of the work is done online but each cohort (1st year and 2nd year) comes to LA twice each year and meets for 10 days of intense workshops and research at the Jim Henson Studio (originally the Chaplin Studio) in the heart of Hollywood.

This week is the first workshop for our new class of 2020. 

Follow Me On Instagram