On Screenwriting and Media with Dr. Rosanne Welch
Writing, Film, Television and More!
Though born in 1894 in Washington, D.C., the family business was theatre, not the politics of President Grover Cleveland’s administration. With an actor for a father – Henry Dupree Sinclair – the future Ruth Sinclair would also begin her career on the stage before turning to film, where she wrote for silent stars such as Lillian Gish, Greta Garbo, and Joan Crawford.
Read about more women from early Hollywood
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I was pleased to be asked to host a session of the Creative Play Working Group of the Screenwriting Research Network (SRN), chaired by Professor Chris Neilan of Edinburgh Napier University.
I had the chance to introduce the attendees to some wonderfully emotional monologues written by a few highly accomplished female television writers, from Susan Harris (on SOAP) to Linda Bloodworth Thomason (on Designing Women) to Maxine Alderton, who wrote a great monologue for the Jodie Whitaker Doctor in her episode “The Haunting of Villa Diadoti”. (Doing a bit of history by showing monologues from TV shows from the 1970s and 80s is one of my goals in our MFA – along with celebrating female screenwriters).
Then I introduced an exercise in writing monologues that involves Thornton Wilder’s Our Town as an inspiration. A few of the attendees shared what they wrote so we could all learn more about how the specificity we bring from our own lives makes our work more universal.
Thanks to Leslie Kreiner for inviting me to do a presentation on Monologues to a conference last year, which created the seed of this exercise. Thanks to Chris for the invitation to share it – and to all the attendees for… attending. Special thanks to those who shared what they wrote to help others see if this is an exercise they would like to incorporate into their teaching.
In the Silent Era, before the existence of the Hays Code (and largely a cause for it), many female screenwriters wrote heroines who flouted the brazen sexual freedom of the new century, a specialty of Josephine “Jo” Lovett. Born in October 1877 in San Francisco Lovett would spend some time as a lead actress on the Broadway stage before moving to Los Angeles to both act and write what were called scenarios for the bulk of her career.
Read Sexual Liberation 1920s Style: The Screenwriting Career of Josephine Lovett
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Born on April 25, 1899 in St. Louis, Missouri to Alice Kern and Robert M. Yost, Dorothy moved to Los Angeles to work in the burgeoning film industry and clearly succeeded in that goal. By the time she died in 1967 Yost had written over 80 films and achieved what many other writers did not – thriving in both Silent Films and into the Sound Era. Interestingly, it was her foray into film that brought her journalist brother Robert Yost into the film industry after she found her footing there. Her first screenwriting credit came in 1920, his in 1935 after some years on the staff of local newspapers, as publicity director for Fox West Coast Studios and finally head of the scenario department for Fox.
Read From Missouri to Musicals: The Screenwriting Career of Dorothy Yost
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Just finished my rainy weekend read and I highly recommend it:
“The Last Secret Agent: My Life as a Spy Behind Nazi Lines”
It’s the story of Pippa Latour, the last surviving female radio operator who was parachuted into occupied France to travel from hidden radio to hidden radio, sending back information to help the Allies land in Normandy on D-Day. She wasn’t going to tell her story until her sons convinced her it would help people understand those times and the ultimate sacrifice many other radio operators made.
As a Doctor Who fan it was cool to see Noor Inayat Khan mentioned as she appeared as a historic figure in the Jodie Whittaker era in “Spyfall, Part 2”, the 2nd episode of series 12. I mention Noor, in a lecture I’ve given about all the feminism show runner Chris Chibnall put into that era, including having the Doctor meet a strong collection of historic females: “She is Wise and Unafraid: Writing the 1st Female Doctor and a Diverse Universe for her to Protect”:
In September 1944 Noor was executed at the Dachau concentration camp along with fellow agents Yolande Beekman, Madeleine Damerment and Eliane Plewman – all women who had volunteered for these deeply dangerous missions. Reading books about female heroes is a great way to spend a rainy day – and find some more amazing stories that ought to be adapted into films or included in our other writing as often as possible!
It’s always exciting when a new box of books arrives on our doorstep. I’m proud to say I’ve been working on so many projects that I sometimes don’t know which book will be in the box during my unboxing.
That was the case this week when a new box arrived and I expected it to be Sally Ride: Breaking Barriers and Defying Gravity, written by Jackie Perez, an alum of our Stephens College MFA in TV and Screenwriting program. That’s because I edited her book as part of the ‘Women Making History’ series by Bloomsbury which I co-edit with my friend and colleague Dr. Peg Lamphier.
So far, we’ve edited and published new biographies of everyone from
Eleanor Roosevelt (by our good friend Keri Dearborn)
AND
Dolores Huerta (by our Mt. San Antonio College colleague April Tellez)
WITH the next in line to publish in April 2026 being:
Sandra Day O’Connor: How an Arizona Cowgirl Became the First Woman Supreme Court Justice By Nancy Hendricks (who we met when she wrote entries in our first encyclopedia Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection
All the biographies come out in hardback first for a higher fee and in 18 months will be released in paperback for lower fees.
So what’s the new book that did arrive? It was Shaping Global Cultures through Screenwriting: Women Who Write Our Worlds which I edited with my friend and Screenwriting Research Network colleague Rose Ferrell.
What’s it about? I think the back of the book says it all:
Shaping Global Cultures through Screenwriting: Women Who Write Our Worlds is a powerful testament to the undeniable impact of an international collection of female screenwriters. Spanning film, television, virtual reality, games, and digital media, these case studies showcase instances when women have used screenwriting to challenge injustice and give voice to communities across the globe. Acknowledging global disparities in wealth and power, the book exposes screenwriting as activism, which shifts attitudes and alters lived experiences. Whether about gender and race or war and colonization, or other serious issues, each chapter reveals the deep connections between storytelling and social change. More than just a study of the craft, this is a celebration of the women writers who use their artistic lens to educate and empower others.
It’s a collection of chapters on how female screenwriters have used writing as activism. We read ‘screenwriting’ as any writing that creates something on a screen so that includes an chapter on a Samoan performance artist who has a Malu tatau/tatoo (we had many discussions about using indigenous language without italicizing it to make it not the norm) and did a video called “Walking the Wall” where she showcased her tatua – and I had the chance to write (and therefore learn about) a lawyer in the Pacific Islands Students Fighting Climate Change who created a music video urging the advocating for the International Court of Justice (ICJ) to create a Resolution asking for an advisory opinion on Climate Change as it’s destroying their Pasifika island homes. Something I knew NOTHING about before. But there are also chapters on Miranda July’s Kajillionaire and queer utopias and Bluey (for children’s TV courses). Anyway, it will be expensive so we can’t use it as a text but I’m hoping enough college libraries buy copies that it’s available to professors and students – and Intellect sells individual chapters suited to particular courses.
If you’re connected to a university or local library, ask them to carry a copy so you – and all others with an interest – can read about everything from myself and my co-writers/co-editors.
Here’s me wishing you a creative weekend!
Unapologetically Herself: Writing Bold and Complex Young Women
During every MFA Residency Workshop I moderate a panel of writers – often proudly including one of our MFA alums – and this August we’re doing it again. Join us on Friday, August 8, 2025 from 7:00 PM 8:30 PM at the Writers Guild Foundation (7000 West 3rd Street Los Angeles, CA, 90048) for:
We’ll explore how writers develop these strong characters, how to approach sensitive scenes intentionally, and how they navigate nuances of character personalities, behaviors, and motivations.
Panelists include:
Get tickts for this WGA Panel Discussion
And if you’d like to see some of our previous WGA panels you can find them on our MFA Website
![Rosanne presents “Creative Play #8: Emotional Monologues Written By A Few Accomplished Female Television Writers” – Screenwriting Research Network [Video]](https://rosannewelch.com/wp-content/uploads/2026/01/rn-conversations-creative-play-8-1-1200x675.png)
