11 The War and The Monkees from How The Monkees Changed Television [Video] (0:53)

What this entire presentation — How The Monkees Changed Television with Rosanne Welch, PhD (Complete Presentation and Q&A) [Video] (45:06)

11 The War and The Monkees from How The Monkees Changed Television [Video] (0:53)

Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.

In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.

 

Transcript

This is a great shot. I love from the Associated Press. All four of the men — three of the men — were drafted while they were on the show because they were all like 18, 19 and 20 years old. Michael Nesmith had already been in the Air Force so he was not but the other 3 guys were and they had to find a way around it. Even Davy Jones who was from England was drafted because he was living and making money in the United States. Thee girls took to the streets and said “If Davy goes, we go too!” The protests against losing them were very huge, but in general they were talking about how this is a bad war.. So if you look at this line I love from one of the episodes…

“They want to put the blame on teenagers. Take the war. Whose fault is it? We’re not fighting. it must be those crazy kids. They’re the ones doing all the fighting.”

Again, if that’s not an anti-war message wrapped up in a funny show. I have not idea how they got away with that, but they did.


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

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About Rosanne Welch, PhD

Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.

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