Video: Jimi Hendrix and The Monkees from “Why Monkees Matter” with Dr. Rosanne Welch

A Clip from this longer presentation: Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers



Dr. Rosanne Welch presents Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers at the 2014 Cal Poly Pomona Provost’s Symposium on Faculty Scholarship (http://www.cpp.edu/~research/)

Transcript:

The Monkees are also famous for introducing Jimi Hendrix to the mainstream. He was their opening act when they went on a concert tour around the country. Jimi Hendrix opened for The Monkees. Nobody believes me. (Laughter) I’m not making that up. He really truly did. So, again, Micky Dolenz as a character and as a performer is bringing Black music to the mainstream, white, teenage, audience. That’s a huge thing their parents might not have allowed. but the program was their gateway into that new world.

View photos from this presentation 

Dr. Rosanne Welch presents on "Why Monkees Matter" at Cal Poly Pomona - 21

Description:

Based on a chapter in my upcoming book The Metatextual Menagerie that was The Monkees, which includes a series of interviews conducted with surviving writers and performers of the 1960s television program, The Monkees I will discuss how the writers and actors used the show as a platform for their own emerging counter culture/anti-war messages.

Worth studying for its craft and place in television history (the show won an Emmy as Best Comedy Of 1967) the program’s true importance may come from its impact on the politics and culture of the era. Considered innocuous by the network, thepress and the parents of the era, the storylines and jokes created by the writers and the actor’s ad-libs brought the emerging counter-culture to the attention of young teens whose parents might not have appreciated the message. Cultural icons such as Timothy Leary recognized the subversive nature of the program, seen through the writing and in choices made about costuming, hair length, musical guests (Frank Zappa, Tim Buckley, Charlie Smalls) and songs performed by the band brought issues of Vietnam, voting and civil rights to the ‘young generation’ for whom the show clearly had ‘somethin’to say.

Subscribe to Dr. Welch’s YouTube Channel

About the Symposium:

The 2014 Provost’s Symposium is a forum to learn about each other’s scholarly work, make new friends, renew old acquaintances, and enhance our appreciation of the rich and diverse array of professional endeavors pursued by the faculty at Cal Poly Pomona.

Video: Micky As Cultural Substitute from “Why Monkees Matter” with Dr. Rosanne Welch

A Clip from this longer presentation: Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers

Monkees 16 cultural substitute anim

Book mentioned in this clip:

Feeling Italian: The Art of Ethnicity in America (Nation of Nations) by Thomas Ferraro

 


Dr. Rosanne Welch presents Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers at the 2014 Cal Poly Pomona Provost’s Symposium on Faculty Scholarship (http://www.cpp.edu/~research/)

Transcript:

So, I learned as a child — think, or that’s what I posit — that if I wanted to marry a Monkee, I didn’t want to be popular. I wanted to be substantial. I wanted to be a woman of some meaning and that’s what would attract them. And I think that’s a really important message to give little girls. Not that I need to be gorgeous and have the perfect little outfit, right? So feminism is all through this thing. 

View photos from this presentation 

Dr. Rosanne Welch presents on "Why Monkees Matter" at Cal Poly Pomona - 21

Description:

Based on a chapter in my upcoming book The Metatextual Menagerie that was The Monkees, which includes a series of interviews conducted with surviving writers and performers of the 1960s television program, The Monkees I will discuss how the writers and actors used the show as a platform for their own emerging counter culture/anti-war messages.

Worth studying for its craft and place in television history (the show won an Emmy as Best Comedy Of 1967) the program’s true importance may come from its impact on the politics and culture of the era. Considered innocuous by the network, thepress and the parents of the era, the storylines and jokes created by the writers and the actor’s ad-libs brought the emerging counter-culture to the attention of young teens whose parents might not have appreciated the message. Cultural icons such as Timothy Leary recognized the subversive nature of the program, seen through the writing and in choices made about costuming, hair length, musical guests (Frank Zappa, Tim Buckley, Charlie Smalls) and songs performed by the band brought issues of Vietnam, voting and civil rights to the ‘young generation’ for whom the show clearly had ‘somethin’to say.

Subscribe to Dr. Welch’s YouTube Channel

 

About the Symposium:

The 2014 Provost’s Symposium is a forum to learn about each other’s scholarly work, make new friends, renew old acquaintances, and enhance our appreciation of the rich and diverse array of professional endeavors pursued by the faculty at Cal Poly Pomona.

Video: Substantial Women from “Why Monkees Matter” with Dr. Rosanne Welch

A Clip from this longer presentation: Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers

Monkees 15 substantial women anim

 


Dr. Rosanne Welch presents Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers at the 2014 Cal Poly Pomona Provost’s Symposium on Faculty Scholarship (http://www.cpp.edu/~research/)

Transcript:

So, I learned as a child — think, or that’s what I posit — that if I wanted to marry a Monkee, I didn’t want to be popular. I wanted to be substantial. I wanted to be a woman of some meaning and that’s what would attract them. And I think that’s a really important message to give little girls. Not that I need to be gorgeous and have the perfect little outfit, right? So feminism is all through this thing. 

View photos from this presentation 

Dr. Rosanne Welch presents on "Why Monkees Matter" at Cal Poly Pomona - 21

Description:

Based on a chapter in my upcoming book The Metatextual Menagerie that was The Monkees, which includes a series of interviews conducted with surviving writers and performers of the 1960s television program, The Monkees I will discuss how the writers and actors used the show as a platform for their own emerging counter culture/anti-war messages.

Worth studying for its craft and place in television history (the show won an Emmy as Best Comedy Of 1967) the program’s true importance may come from its impact on the politics and culture of the era. Considered innocuous by the network, thepress and the parents of the era, the storylines and jokes created by the writers and the actor’s ad-libs brought the emerging counter-culture to the attention of young teens whose parents might not have appreciated the message. Cultural icons such as Timothy Leary recognized the subversive nature of the program, seen through the writing and in choices made about costuming, hair length, musical guests (Frank Zappa, Tim Buckley, Charlie Smalls) and songs performed by the band brought issues of Vietnam, voting and civil rights to the ‘young generation’ for whom the show clearly had ‘somethin’to say.

Subscribe to Dr. Welch’s YouTube Channel

 

About the Symposium:

The 2014 Provost’s Symposium is a forum to learn about each other’s scholarly work, make new friends, renew old acquaintances, and enhance our appreciation of the rich and diverse array of professional endeavors pursued by the faculty at Cal Poly Pomona.

Video: Feminist Characters from “Why Monkees Matter” with Dr. Rosanne Welch

A Clip from this longer presentation: Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers

Monkees 14 feminist characters

 


Dr. Rosanne Welch presents Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers at the 2014 Cal Poly Pomona Provost’s Symposium on Faculty Scholarship (http://www.cpp.edu/~research/)

Transcript:

The very first woman that we met was the Princess of the Duchy of Harmonica. So, we’re being funny, but she was a princess who had the opportunity to marry Davy Jones — every girl’s dream in that period. She turned it down because she had a duty to her country to go home and be its ruler. If that’s not an empowered young woman — what a cool thing, right? And then just very imply Julie Newmar who you know as the Catwoman from Batman she guests on an episode where they all wanted her to fall in love with them and the line was, “The fastest way to a woman’s heart is through her mind.” Through her mind! And so each boy tries to do the things she claims to enjoy. Poetry, classical music, ballet, all these high end things, not some silly nonsense.  

View photos from this presentation 

Dr. Rosanne Welch presents on "Why Monkees Matter" at Cal Poly Pomona - 21

Description:

Based on a chapter in my upcoming book The Metatextual Menagerie that was The Monkees, which includes a series of interviews conducted with surviving writers and performers of the 1960s television program, The Monkees I will discuss how the writers and actors used the show as a platform for their own emerging counter culture/anti-war messages.

Worth studying for its craft and place in television history (the show won an Emmy as Best Comedy Of 1967) the program’s true importance may come from its impact on the politics and culture of the era. Considered innocuous by the network, thepress and the parents of the era, the storylines and jokes created by the writers and the actor’s ad-libs brought the emerging counter-culture to the attention of young teens whose parents might not have appreciated the message. Cultural icons such as Timothy Leary recognized the subversive nature of the program, seen through the writing and in choices made about costuming, hair length, musical guests (Frank Zappa, Tim Buckley, Charlie Smalls) and songs performed by the band brought issues of Vietnam, voting and civil rights to the ‘young generation’ for whom the show clearly had ‘somethin’to say.

Subscribe to Dr. Welch’s YouTube Channel

 

About the Symposium:

The 2014 Provost’s Symposium is a forum to learn about each other’s scholarly work, make new friends, renew old acquaintances, and enhance our appreciation of the rich and diverse array of professional endeavors pursued by the faculty at Cal Poly Pomona.

Video: Feminism from “Why Monkees Matter” with Dr. Rosanne Welch

A Clip from this longer presentation: Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers

 


Dr. Rosanne Welch presents Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers at the 2014 Cal Poly Pomona Provost’s Symposium on Faculty Scholarship (http://www.cpp.edu/~research/)

Transcript:

Feminism is what struck me, because we’re all little girls watching this program and because of the way TV today. something that I — I do enjoy The Big Bang Theory, but really it’s a show about who’s going to have sex with which girl this week and that’s kind of what happens to females on TV sometimes these days. Because we had rules back in the day. Four musicians should be about that, too, and yet they weren’t. Every girl that they met on this program in 58 episodes had her own job, took care of herself, was going to school, cared about the culture, and the world, was involved insocial justice issues. Nobody was a cheerleader. Nobody was “Rah, Rah, Look at me! I’ma ditzy blonde and I have no brain.” They were all intelligent, interesting, young women. 

View photos from this presentation 

Dr. Rosanne Welch presents on "Why Monkees Matter" at Cal Poly Pomona - 21

Description:

Based on a chapter in my upcoming book The Metatextual Menagerie that was The Monkees, which includes a series of interviews conducted with surviving writers and performers of the 1960s television program, The Monkees I will discuss how the writers and actors used the show as a platform for their own emerging counter culture/anti-war messages.

Worth studying for its craft and place in television history (the show won an Emmy as Best Comedy Of 1967) the program’s true importance may come from its impact on the politics and culture of the era. Considered innocuous by the network, thepress and the parents of the era, the storylines and jokes created by the writers and the actor’s ad-libs brought the emerging counter-culture to the attention of young teens whose parents might not have appreciated the message. Cultural icons such as Timothy Leary recognized the subversive nature of the program, seen through the writing and in choices made about costuming, hair length, musical guests (Frank Zappa, Tim Buckley, Charlie Smalls) and songs performed by the band brought issues of Vietnam, voting and civil rights to the ‘young generation’ for whom the show clearly had ‘somethin’to say.

Subscribe to Dr. Welch’s YouTube Channel

 

About the Symposium:

The 2014 Provost’s Symposium is a forum to learn about each other’s scholarly work, make new friends, renew old acquaintances, and enhance our appreciation of the rich and diverse array of professional endeavors pursued by the faculty at Cal Poly Pomona.

Video: Androgynous Clothing from “Why Monkees Matter” with Dr. Rosanne Welch

A Clip from this longer presentation: Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers



Dr. Rosanne Welch presents Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers at the 2014 Cal Poly Pomona Provost’s Symposium on Faculty Scholarship (http://www.cpp.edu/~research/)

Transcript:

This is my androgynous clothing slide, just to cover that for a moment. The poncho. The colors. I mean how could you do that? This is in their second season. In their first season they appeared like that. Much more 50’s-ish verging on  early 60’s. A little Frankie Valli thing going on. So look at the change that was brought to their viewers in just one season where you could see truly the Hippie Culture in its clothing.

View photos from this presentation 

Dr. Rosanne Welch presents on "Why Monkees Matter" at Cal Poly Pomona - 21

Description:

Based on a chapter in my upcoming book The Metatextual Menagerie that was The Monkees, which includes a series of interviews conducted with surviving writers and performers of the 1960s television program, The Monkees I will discuss how the writers and actors used the show as a platform for their own emerging counter culture/anti-war messages.

Worth studying for its craft and place in television history (the show won an Emmy as Best Comedy Of 1967) the program’s true importance may come from its impact on the politics and culture of the era. Considered innocuous by the network, thepress and the parents of the era, the storylines and jokes created by the writers and the actor’s ad-libs brought the emerging counter-culture to the attention of young teens whose parents might not have appreciated the message. Cultural icons such as Timothy Leary recognized the subversive nature of the program, seen through the writing and in choices made about costuming, hair length, musical guests (Frank Zappa, Tim Buckley, Charlie Smalls) and songs performed by the band brought issues of Vietnam, voting and civil rights to the ‘young generation’ for whom the show clearly had ‘somethin’to say.

Subscribe to Dr. Welch’s YouTube Channel

About the Symposium:

The 2014 Provost’s Symposium is a forum to learn about each other’s scholarly work, make new friends, renew old acquaintances, and enhance our appreciation of the rich and diverse array of professional endeavors pursued by the faculty at Cal Poly Pomona.

My thoughts on attending the recent “Othering and Belonging” Conference sponsored by the Haas Institute for a Fair and Inclusive Society at UC Berkeley

Othering and Belonging Conference Logo

I wanted to tell you all about the first (hopefully annual) Othering and Belonging Conference sponsored by the Haas Institute for a Fair and Inclusive Society at UC Berkeley that I attended recently in Oakland, California where I had the great pleasure of listening to a panel discussion between feminist film scholar and all around philosopher, bell hooks (all in small letters like my poetic icon e.e. cummings) and john a. powell (who admitted copying his small lettered name from bell), as well as hearing from author Andrew Solomon and columnist Charles Blow and Judith Smith, Artistic Director and Founding Member of AXIS, a physically integrated dance company of abled and disabled dancers.

From my split persona as a Writer-Producer/Writer-Professor I see the issue of othering in the prism of media and how it can help or hinder the way viewers ‘other’. 

Othering and Belonging Conference Speakers

I can only hope there will be more of these conferences scattered across the country in the coming years as it was insightful and inspirational – even if sometimes I was saddened by the idea that they were preaching to the choir. But the speakers were clear that it was my job as a choir member (read: professor and writer) to go back out into the community and speak to others – about othering, which is a concept I learned of while teaching a thematically based history course.

Othering was a word I had rarely (if ever) heard in the course of my own higher education and one that invariably brings the question “What is Othering?” — even from other academics — when I mention it. I believe my colleague, Dr. Peg Lamphier (who attended the conference with me) put it best when mentoring me into teaching the thematic history course. She said the recipe for othering was to take two groups with a difference and allow one group to feel superior due to that difference (like the way European explorers who believed in a religion based on one God felt superior to the Native Americans and tribal Africans they colonized in the Age of Discovery because those groups believed in a religion based on the worship of many gods) — and so the Europeans thereby used that supposed superiority to oppress the (often darker-skinned) other. That makes some people think othering and racism are one and the same, but in fact racism is only one way in which to other someone. You can other people who look just like you as long as one minor detail about them (maybe their sexual orientation) lets you say they are “not like me” enough.

I also appreciate this description of Othering “any action by which an individual or group becomes mentally classified in somebody’s mind as “not one of us”. Rather than always remembering that every person is a complex bundle of emotions, ideas, motivations, reflexes, priorities, and many other subtle aspects, it’s sometimes easier to dismiss them as being in some way less human, and less worthy of respect and dignity, than we are.” Thanks to the website “There are No Others: A Catalogue Of ‘Othering” which I ran across while writing this piece. It’s a website that mentioned things like the reaction to Rae in Hunger Games being just ‘some black girl’ and some viewers admission that that caused them to cry less when she was gone.

Link: Othering 101: What Is “Othering”? from There Are No Others blog

We can spend hours finding ways in which the human race has othered each other over millennia and we can spend hours defending their need to do that for survival (as in sometimes men who follow women into dark alleys might have nefarious plans so women should assume the worst and NOT walk into dark alleys alone at night). But the question of the conference, which was printed on the reusable bags they gave, was the real question worth spending hours on:

“How can we think about, talk about, and give birth to a society in which everyone belongs?”

So how DID the conference planners think about giving birth to a society in which everyone belongs – they began with a discussion of mothering – or more generically parenting – with the opening night Keynote speaker Andrew Solomon (author of Far From the Tree). Solomon began his extremely well-written, well-performed and deeply honest talk with a medical definition of homosexuality from the 1960s – the decade of his birth. By that definition, Solomon was immediately othered, which brought him an interest in how the other others in society are treated – and because of the way his mother handled things, he wondered how other parents deal with children who are othered – whether from physical or mental disabilities. The stories he told of families embracing children with dwarfism or autism or many other ‘differences’ made us cry – and laugh – and made me order the book immediately. Solomon ended his talk with the news that he himself now had children – something unimaginable in his childhood where homosexuality was marked as a crime.

Solomon used a quote from his mother to bookend the lecture: “The love you have for your children is like no other love in the world and until you have children, you don’t know what it’s like.” It was a phrase he said he took as the greatest compliment when he was young but later came to anger him once he had come out of the closet and believed he would never be legally allowed to have children — But after he had his own children, he realized his mother was right. Solomon studied several families to learn how they managed children with identities that didn’t match the parents’ identity. He wanted to study how parents and children accepted each other and he found that love and acceptance were two different things. The beauty of his – and everyone else’s presentation across the weekend – was the focus on how learning to love and working on the skill of loving – really loving each other – is the only solution to acceptance.

Andrew Solomon TED Talk  – Love No Matter What

What worked about the conference was that it wasn’t a purely academic exchange of professors reading from papers about deeply detailed concepts about obscure old films (not that all academic conferences are like that, but some are…). This one involved community activists like Alana Banks and Alicia Garza of #BlackLivesMatter and organizers and writers and middle school teachers AND professors – and the presenters were polished speakers sharing insights on this much larger issue of life for all of us — How can we give birth to a society in which everyone belongs? As I said earlier, from I see this issue in the prism of media and how it can help/hinder othering. We are what we see. Many sociologists believe the existence of Will and Grace as a top ten tv show helped move America forward on the issue of gay rights/same-sex marriage faster than any other social movement in our history – that includes slavery, which took 200 years to fix and African American civil rights, which took a hundred years to fix. While I know Will and Grace can’t take all the credit, I do believe the weekly exposure to an openly gay character who was the first one to come into their homes helped – much the same way people purchasing Frank Sinatra records opened up their acceptance of Italians into mainstream American life (yep, when my grandfather first came here the signs read “No Dogs of Dagos allowed”) and the same way Cagney and Lacey brought the idea of females in the police force and in the military into our living rooms. Or in the more recent media world, how the paraplegic characters Jason Street on Friday Night Lights and Artie Abrams on Glee brought the experience of a disabled person who was not looking to be cured into our homes. (that’s in opposition to the cult-famous return of the Brady Bunch TV movies where Bobby began in a wheelchair but was then ‘cured’). This form of ‘other’ was discussed by Judith Smith the Artistic Director and Founding Member of AXIS, a physically integrated dance company of abled and disabled dancers, who had become disabled in a car accident when she was 17. She represented one of the ways a person can begin life belonging but then be thrust into the role of ‘other’ and have to adjust quite immediately.

And finally there was the conversation between bell hooks and john a. powell during which their genuine friendship was evident and which imbued their discussion with the love they both advocated as the only solution – taking the time to know others so that we can come to love others.

One thought that kept recurring to me was that this message of love – of motherly and parental love – is often dismissed and considered ‘sappy’ when delivered by women – the mothers of our world whether they be famous leaders or local neighbors – but when men like professor powell organize an entire weekend around the idea, love suddenly becomes masculine and academic and strong – which it always was. So why does it take men to make this concept strong – don’t get me wrong, I want this message to be disseminated to everyone everywhere, and I’m glad they are stepping up to the conversation in order to address this issue of othering – but I’m saddened that the very othering of women kept anyone from listening to us earlier — say when we were all being told these things by our own mothers…

We can and will talk about how the media influences society as the weeks go by – if you have any comments or ideas to share, let me know via the comments, email at rosanne@welchwrite.com or via Twitter at @RosanneWelch and we’ll develop your ideas as we go – in much the same way the conference planners hoped the conversation would continue. As to the conference, I’ll wrap up this wrap up by returning to Andrew Solomon for the theme that came from the entire conference: We must all work toward sending the message that it is our differences and our negotiation of difference that unite us. That is how we can give birth to a society in which everyone belongs.

***

Video: Eastern Philosophies from “Why Monkees Matter” with Dr. Rosanne Welch

Amazon Pre-Orders Now Available!

A Clip from this longer presentation: Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers



Dr. Rosanne Welch presents Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers at the 2014 Cal Poly Pomona Provost’s Symposium on Faculty Scholarship (http://www.cpp.edu/~research/)

Transcript:

Now, we’re going to come to Eastern Philosophies. No, if you know anything about Buddhism, they use this chant to get out of a situation. Obviously, they’re all tied up. The bag guys have taken over for a moment and Micky remembers a chant Nam-myoho-renge-kyo and they chant it. When I was a kid I had no what that meant, but I thought to myself — and studying them now — I bet it means something besides gibberish language. As a matter of fact — ooh, how’d that happen? The picture got laid over that — it’s the Lotus Sutra. It’s basically the teaching of The Buddha that all people have the ability to reach enlightenment. In the middle of a TV show with about a bunch of — I mean, come on!

View photos from this presentation 

Dr. Rosanne Welch presents on "Why Monkees Matter" at Cal Poly Pomona - 21

Description:

Based on a chapter in my upcoming book The Metatextual Menagerie that was The Monkees, which includes a series of interviews conducted with surviving writers and performers of the 1960s television program, The Monkees I will discuss how the writers and actors used the show as a platform for their own emerging counter culture/anti-war messages.

Worth studying for its craft and place in television history (the show won an Emmy as Best Comedy Of 1967) the program’s true importance may come from its impact on the politics and culture of the era. Considered innocuous by the network, thepress and the parents of the era, the storylines and jokes created by the writers and the actor’s ad-libs brought the emerging counter-culture to the attention of young teens whose parents might not have appreciated the message. Cultural icons such as Timothy Leary recognized the subversive nature of the program, seen through the writing and in choices made about costuming, hair length, musical guests (Frank Zappa, Tim Buckley, Charlie Smalls) and songs performed by the band brought issues of Vietnam, voting and civil rights to the ‘young generation’ for whom the show clearly had ‘somethin’to say.

Subscribe to Dr. Welch’s YouTube Channel

About the Symposium:

The 2014 Provost’s Symposium is a forum to learn about each other’s scholarly work, make new friends, renew old acquaintances, and enhance our appreciation of the rich and diverse array of professional endeavors pursued by the faculty at Cal Poly Pomona.

Video: Anti-Materialism from “Why Monkees Matter” with Dr. Rosanne Welch

A Clip from this longer presentation: Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers

 


Dr. Rosanne Welch presents Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers at the 2014 Cal Poly Pomona Provost’s Symposium on Faculty Scholarship (http://www.cpp.edu/~research/)

Transcript:

Very briefly, anti-materialism. This sign was is their room — their apartment — money is the root of all evil. That’s not what were about at all in this program. In fact, they have this marvelous episode called “The Devil and Peter Tork” which has to with Peter selling his soul to the Devil for the talent of playing a harp which he fell in love with at a pawn shop and in the end, they prove to the Devil — they take the Devil to Court to get his soul back and they say, “You never gave him anything. He had the talent within him all the time. He didn’t want fame and fortune. He just wanted his music.” Right, and I love that. “If you love music, you can play it. All it takes is love.” Here’s the Hippy phrase of the period. “Baby in the final analysis, love is power. That’s where the power is at.” It’s “Make Love, Not War!” I mean, it’s all right there built into the storyline. Of course, and old piece of literature right? We’ve got the Devil.

View photos from this presentation 

Dr. Rosanne Welch presents on "Why Monkees Matter" at Cal Poly Pomona - 21

Description:

Based on a chapter in my upcoming book The Metatextual Menagerie that was The Monkees, which includes a series of interviews conducted with surviving writers and performers of the 1960s television program, The Monkees I will discuss how the writers and actors used the show as a platform for their own emerging counter culture/anti-war messages.

Worth studying for its craft and place in television history (the show won an Emmy as Best Comedy Of 1967) the program’s true importance may come from its impact on the politics and culture of the era. Considered innocuous by the network, thepress and the parents of the era, the storylines and jokes created by the writers and the actor’s ad-libs brought the emerging counter-culture to the attention of young teens whose parents might not have appreciated the message. Cultural icons such as Timothy Leary recognized the subversive nature of the program, seen through the writing and in choices made about costuming, hair length, musical guests (Frank Zappa, Tim Buckley, Charlie Smalls) and songs performed by the band brought issues of Vietnam, voting and civil rights to the ‘young generation’ for whom the show clearly had ‘somethin’to say.

Subscribe to Dr. Welch’s YouTube Channel

 

About the Symposium:

The 2014 Provost’s Symposium is a forum to learn about each other’s scholarly work, make new friends, renew old acquaintances, and enhance our appreciation of the rich and diverse array of professional endeavors pursued by the faculty at Cal Poly Pomona.

Video: …lay down on the grass and be cool. from “Why Monkees Matter” with Dr. Rosanne Welch

A Clip from this longer presentation: Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers

 


Dr. Rosanne Welch presents Why Monkees Matter: How The Writing Staff of The Monkees Brought the 1960s Counter Culture to Mainstream Pre-Teen Viewers at the 2014 Cal Poly Pomona Provost’s Symposium on Faculty Scholarship (http://www.cpp.edu/~research/)

Transcript:

…Also then, they save the plant before the bad human, you know, of course, our boys are the heros. They save the plant and the, the smoke that the plant creates? If you ingest it make you not want to fight anymore — just lay down in the grass and be cool. I mean, if that’s not an anti-authority, let’s all go smoke pot message, I’m no sure… and yet here it is on mainstream television for pre-teens — for 12 to 13-year-olds. 

View photos from this presentation 

Dr. Rosanne Welch presents on "Why Monkees Matter" at Cal Poly Pomona - 21

Description:

Based on a chapter in my upcoming book The Metatextual Menagerie that was The Monkees, which includes a series of interviews conducted with surviving writers and performers of the 1960s television program, The Monkees I will discuss how the writers and actors used the show as a platform for their own emerging counter culture/anti-war messages.

Worth studying for its craft and place in television history (the show won an Emmy as Best Comedy Of 1967) the program’s true importance may come from its impact on the politics and culture of the era. Considered innocuous by the network, thepress and the parents of the era, the storylines and jokes created by the writers and the actor’s ad-libs brought the emerging counter-culture to the attention of young teens whose parents might not have appreciated the message. Cultural icons such as Timothy Leary recognized the subversive nature of the program, seen through the writing and in choices made about costuming, hair length, musical guests (Frank Zappa, Tim Buckley, Charlie Smalls) and songs performed by the band brought issues of Vietnam, voting and civil rights to the ‘young generation’ for whom the show clearly had ‘somethin’to say.

Subscribe to Dr. Welch’s YouTube Channel

 

About the Symposium:

The 2014 Provost’s Symposium is a forum to learn about each other’s scholarly work, make new friends, renew old acquaintances, and enhance our appreciation of the rich and diverse array of professional endeavors pursued by the faculty at Cal Poly Pomona.