Video: Stephan Moffat and Fables from Doctor Who Regenerated with Dr. Rosanne Welch

A short clip from the longer presentation, “Doctor Who Regenerated”

Dr. Rosanne Welch, Cal Poly Pomona Faculty from the Department of Interdisciplinary General Education is back by popular demand with a new lecture on Doctor Who and Television!

This time, the Doctor will focus on a deeper look of the themes of the writers behind “Doctor Who.” Above and beyond race and gender, they include social justice and the power of childhood.

View the entire presentation

Stephan Moffat and Fables from Doctor Who Regenerated with Dr. Rosanne Welch

Subscribe to Dr. Welch’s YouTube Channel

 

Transcript:

When we get around to thinking about Stephen Moffat, I think that one of Stephan Moffat’s major themes is he sees the world as a fable — as a story being told in which we are portraying characters that may or may not have control over where our story goes. I have Dickens up here because his quote was “In a utilitarian age, of all other times, it is a matter of grave importance that fairy tales should be respected. Everyone who has considered the subject knows full well that a nation without fancy, without some romance, never did, never can, never will hold a great place under the sun.” So, fairy tales and stories have been very important to civilization across time. And in Moffat’s reign, I believe he shows that. He gives that to us often, often, often.

“Natalie Lopez at the CalPoly University Library invited me to do a presentation for National Libraries Week on Doctor Who and Culture so that’s why a group of Whovians from both CalPoly and CSUF gathered in the Special Events room on April 16th.  It was wonderful to look out over a sea of t-shirts and other Doctor paraphernalia present among the crowd as I pontificated about what makes Who great – mostly giving me a chance to present a case for the fact that writers make Doctor Who and therefore writers make culture.”

Video: Russell T Davies and Feminism from Doctor Who Regenerated with Dr. Rosanne Welch

A short clip from the longer presentation, “Doctor Who Regenerated”

Dr. Rosanne Welch, Cal Poly Pomona Faculty from the Department of Interdisciplinary General Education is back by popular demand with a new lecture on Doctor Who and Television!

This time, the Doctor will focus on a deeper look of the themes of the writers behind “Doctor Who.” Above and beyond race and gender, they include social justice and the power of childhood.

View the entire presentation

Video: Russell T Davies and Feminism from Doctor Who Regenerated with Dr. Rosanne Welch

Subscribe to Dr. Welch’s YouTube Channel

 

Transcript:

Now the other thing that we talk about, and we are going to show a few more examples, Davies is very big on feminism. Again, whether that was because as a gay man he didn’t feel that he was included. He certainly knew from his female friends that they didn’t feel that their strengths were being portrayed on television. When he invented Torchwood, he invented Gwen for us and I mentioned this before, Gwen and her husbands, Rhys, Rhys is the guy who stays home and waits for his cop wife to come back from work and worries about whether she’ll end up dead. That is supposed to go the other way around, right? The girl stays home and wonders about her cop husband. That’s not what’s going to happen in Torchwood and it makes Gwen a very powerful character, but this again wasn’t a one time deal for Russell. All through the course of Doctor Who he gave us female starship captains. Much better ones than Star Trek gave us. Star Trek gave us Captain Janeway with her flopping hair. Every time she had something to do she took that ponytail off and did a little flippy thing. That’s not what a — Captain Kirk never flipped his hair. So, even though they made her a female captain, she had these ridiculous attributes. Here, the women we are going to meet Kathleen McConnell is fro “43” the episode “42” and my my particular favorite Adelaide Brooks who is the captain in “Waters of Mars”. Very, very important women. Very powerful women. women in charge of making decisions and saving people’s lives and sacrificing their own sometime in order to do that. These are captains the way we expected to see captains as men and Russell wrote them as female  characters. I think that is so feminism is a huge theme that wanders through Russell Davies work and again, I think that draws a newer, younger audience to him, because we are ready for that. We’re ready to understand that with women in the military all around the world, we don’t need to see, “Oh I’m so worried — please save me!”

“Natalie Lopez at the CalPoly University Library invited me to do a presentation for National Libraries Week on Doctor Who and Culture so that’s why a group of Whovians from both CalPoly and CSUF gathered in the Special Events room on April 16th.  It was wonderful to look out over a sea of t-shirts and other Doctor paraphernalia present among the crowd as I pontificated about what makes Who great – mostly giving me a chance to present a case for the fact that writers make Doctor Who and therefore writers make culture.”

Video: Interracial relationships on Doctor Who from Doctor Who Regenerated with Dr. Rosanne Welch

A short clip from the longer presentation, “Doctor Who Regenerated”

Dr. Rosanne Welch, Cal Poly Pomona Faculty from the Department of Interdisciplinary General Education is back by popular demand with a new lecture on Doctor Who and Television!

This time, the Doctor will focus on a deeper look of the themes of the writers behind “Doctor Who.” Above and beyond race and gender, they include social justice and the power of childhood.

View the entire presentation

Video: Interracial relationship on Doctor Who from Doctor Who Regenerated with Dr. Rosanne Welch

Subscribe to Dr. Welch’s YouTube Channel

 

Transcript:

The other thing that Russell T Davies is known for that has bled into American television better and makes everybody happy is colorblind casting. This business, again of inclusion. In America as I said, sadly, when you have a black and a shote person together in a relationship, the problem in their life is that one of them us white and one of them is black, but, after a while, that’s not your problem anymore or the relationship wouldn’t work. So, in his case, he gave us Mickey and Rose in the very first episode and through that first couple of seasons, we’re going to watch their relationship. Sadly, she eventually falls out of love with Mickey and in love with The Doctor. All right, well, it’s David Tennant. Who wouldn’t fall in love with him. What can I tell you? But, he gives us not one time. It’s recurring thing in Davies’ work. We get to the Next Doctor episode and we see Jackson Lake and his “partner” who, once the episode is over we understand they’re falling in love and are probably going to get marred even though they live in Victorian England and that is going to be taken in a particular way. Although, Belle, that new movie coming out now, is dealing with a multi-racial, a bi-racial woman, in this era. And its based on a true story. So I am very excited to see how that’s going to work out. But he also did this in little moments in episodes. Again, I’m back to Blink, which was written by Steven Moffat, but under the executive producer-ship of Russell T Davies, who made sure that Detective Inspector Billy Shipton, who gets to say the really great line, “Life is short and you are hot!” He’s hot! But they put him together with Cary Mulligan. That’s who he gets to be in love with and she in love with him in a tortuously sad romance that happens way to fast. It’s a gorgeous, gorgeous episode and that is a beautiful moment for that actor. His name is Michael Obiora. He’s an English actor. Again, the English are doing things better than us. It is part of the BBC’s policy, but writers have to remember to do it and in America it is really Grey’s Anatomy where you have to go to to see that happen. So, I think that’s a pretty important thing. Now at the end of Blink, she doesn’t end up with Billy Shipton. She ends up with this dude. Larry. He’s a perfectly nice dude. All right. Whatever. But Billy Shipton was much hotter.

“Natalie Lopez at the CalPoly University Library invited me to do a presentation for National Libraries Week on Doctor Who and Culture so that’s why a group of Whovians from both CalPoly and CSUF gathered in the Special Events room on April 16th.  It was wonderful to look out over a sea of t-shirts and other Doctor paraphernalia present among the crowd as I pontificated about what makes Who great – mostly giving me a chance to present a case for the fact that writers make Doctor Who and therefore writers make culture.”

Rosanne’s Reasons Why Writing is Easier than Parenting

Rosanne’s Reasons Why Writing is Easier than Parenting

I’ve noticed several correlations between writing and parenting since I started doing both simultaneously about 12 years ago. In fact, there are several correlations between writing and life as well. This comes to mind as I contemplate my second guest blog entry for Dawn because I’m faced with the toughest of all those correlations – choice. I can write about whatever I want, but I only have this one space and time to present that piece of writing, therefore how do I choose which story, which topic to tell before I go? That’s exactly the conflict created in parenting. I don’t like football so when my son asks to play on this year’s team do I choose to say ‘No’ simply because that’s my choice for his life and as his parent I get to make that choice? Or do I choose to say ‘Yes’ precisely because it is his life and therefore his choice? Whichever choice I make will have a definite effect on the story of his life. He’s either a jock or a geek, potentially a buff dude or a slightly pudgy brainiac, possibly a popular-with-the-girls guy who gets his girlfriend pregnant or a mama’s boy. Talk about too many choices!

With characters on paper the only real consequence to a writer’s choice is how marketable the characters with those chosen personalities will be to producers and potential audiences. With my son, the consequence is his life, his happiness, his future. So what’s a mother to do?

Break time?

When I talk to folks who profess a desire to be writers, many times they’ll tell me the plethora of stories they intend to write, as soon as they can choose which one to do first. Consequently, those types of folks rarely write anything – why – because they can’t even make that first, critical choice. How would they ever make the myriad choices required to finish the script and then choose what types of studios to market the piece? Writing then is merely choosing – parenting is choosing well with little chance for rewriting and/or re-choosing. See, here’s the deal. Last year, in 6th grade, all the boys but two were on the B Boys Football team. Guess who one of the two was? Yep, cause I have had a definite dislike of most sports, but mostly football (and it’s not just based on being turned down for the Sadie Hawkins Dance by a guy on the football team – Augie Markuzic was his name, see how choosing to ask him effects me 30 years later?).

So I steered my son to baseball – the gentleman’s sport (or at least it used to be). I even heard baseball described by one of the coaches as ‘the chess of organized sports’. You want me to choose your sport for my son, compare it to chess — or anything else I imagine they play in the hallowed halls of Harvard. Heck, I even chose to let him have a go at hockey for a couple of seasons because that’s the sport Ryan O’Neal played when he played Harvard student Oliver Barrett IV in Love Story all those rerun years ago. But football? Please. Interestingly enough, though I’ve chosen geeky pursuits for my son (chess club, robot club, Lego First League) and he has enjoyed them, he hasn’t become the class geek. Some part of him inherently has jock inside and that part of him keeps wanting to join the other jocks on that football field. Funny thing is, I like the dad who volunteers to coach and I like the idea of daily exercise and practice and lots of the things that go with sports like discipline and strategy. But I don’t like the aggression, the possible injury, the potential for arrogance, …

In my generation we grew up with the ad line “Choosy Mothers Choose Jiff”. What keeps running through my mind right now is, do Choosy Mothers Choose Football? Or do they hold their ground and say, “We’re just not a football family.” That’s a fair choice. I read where astronaut Shannon Lucid took each of her three kids up in an airplane within a week of their births because they were a flying family and she wanted to let her kids know, “You joined our family, we didn’t join your family.” I’m good with that. Then again, parenting forces me to face the (very frightening fact) that at some point I stop being the one who makes the choices in the story of his life. Is this the time?

If dying is easy and comedy is hard, parenting is (sometimes) impossible!

***

Read more parenting thoughts and advice in Three-Ring Circus: How Real Couples Balance Marriage, Work, and Family 

Book: Rosanne’s Reasons Why “Eat, Pray, Love” Ought to be in the Parenting Section

I’m going to begin by honestly confessing that I read Eat, Pray, Love by Elizabeth Gilbert this week on the excuse that I needed to in order to discuss adaptations in my writing classes. Then I have to confess that I loved it. Sure, the author wallows a bit much in her lousy divorce during the Italy section rather than giving me more Italy, and yes the ending is a bit fairytale princess-y for me. But it also stayed true to a theme I first read in the 1970s in a piece of teen girl lit that had been published back in 1946 – Going on Sixteen by Betty Cavanna. The theme of both pieces is: You have to be yourself before anyone else can love you. ‘Cause if you perfect the art of being someone else and then someone falls in love with that fabrication, it will end badly for both of you.

That’s a long lead in to this week’s guest posting for Dawn while she’s enjoying a couple weeks on what I like to teasingly call her ‘Family Estate’ on Martha’s Vineyard. I’m pleased to be asked to fill in for her as we so enjoy working together (though, of course, this doesn’t involve us even being in the same room, which is the only bummer).

So what does Eat, Pray, Love have to do with parenting? That question takes us right back to my love of the theme. It’s my sincere belief that this may be the greatest lesson we teach our children in their time with us – to love who they are and not try to be anything else, certainly not merely to attract someone to them. Funny how humans need to keep being told the same thing over and over again before it finally sinks in. But it is not funny to realize how many adults I’ve met over my career who were never taught this. And ya’ know what that means? Massive amounts of insecure grown-ups leading lives of not-so-quiet desperation as our trouble-making, diva-bad-behaving bosses, neighbors and friends. Who wants to raise their kid to be those people? And yet, somehow, so many people do. I imagine it’s not the kind of thing we often realize, especially if we had no self-esteem given to us in our own childhoods. But that means we have to work on our own security issues so we don’t pass that on down to our kids, which in the end is true to our entire career as parents – it’s our job not to continue negative cycles.

What is does NOT mean is that we compliment them every time they do something as basic as taking dishes to the kitchen or emptying the dishwasher. Or that we give them participation ribbons for merely being on a team or taking part in some practically mandatory event such as a school fundraising Jogathon. That kind of behavior creates the silliness we read about now where the current generation of overly-complimented kids need to be thanked for showing up to work on time in the ‘real’ world. I fervently doubt it teaches them they are special as it is clear everyone is getting the same participation ribbon, trophy or medal.

Face it folks, we’ve raised a particularly smart bunch of kids in the last generation or so and they catch on quick when an award means nothing. My favorite story on that count comes from the First Grade Science Fair my son’s school ran to give them a taste for choosing a topic, doing age-appropriate research and filling out those 3-part foam core boards. Our school even had judges come in and interview all the children about their projects. Because one of the parents before the event vociferously insisted that awarding place ribbons (first, second and third) would cause crying among the children who didn’t win, the whole class full of parents decided not to award any place ribbons. When the judges were through and the students all streamed back into the auditorium I watched my son grab the ribbon off his project and shout to the kid next to him, “I won a ribbon!” But then that other kid said, “So did I.” They proceeded to compare their ribbons and found that they were identical participation ribbons. Then they proceeded to toss the ribbons on the ground and go back to checking out each other’s displays, wondering who received the ‘real’ ribbons.

I take that lesson into the orientation classes I teach at local colleges. In the last class it is recommended that we get the students in groups and have them come up with award titles for the kids in the other groups so that everyone is acknowledged for having taken part in the class. You already know how I feel about that philosophy so what do you think I do? I explain that idea to the students, then I tell them the story about the First Grade Science Fair ribbons, and then I hand out large chocolate bars to the top 5 or 7 or 9 kids (no need to round out to an even 10 if an even 10 didn’t stand out in my mind) with silly awards written on the wrapper such as “Contributing in Class King” or “Most Attentive” or “Best Reader”. Heck, I even do “Most Likely to Succeed in College” ‘cause it’s such an American icon.

Anyway, I highly recommend Eat, Pray, Love (and Going on Sixteen) and any other reading that reminds us of this all important lesson that we must love ourselves as we are.

AND if any of you are writers out there and need my adaptation-studying excuse for reading Gilbert’s book, then I also recommend the Written By Magazine article about adapting Eat, Pray, Love into a movie which you can read online. See Page 27 for the article.

Video: Russell T Davies Anti-War Themes from Doctor Who Regenerated with Dr. Rosanne Welch

A short clip from the longer presentation, “Doctor Who Regenerated”

Dr. Rosanne Welch, Cal Poly Pomona Faculty from the Department of Interdisciplinary General Education is back by popular demand with a new lecture on Doctor Who and Television!

This time, the Doctor will focus on a deeper look of the themes of the writers behind “Doctor Who.” Above and beyond race and gender, they include social justice and the power of childhood.

View the entire presentation

Video: Russell T Davies Anti-War Themes from Doctor Who Regenerated with Dr. Rosanne Welch

Subscribe to Dr. Welch’s YouTube Channel

 

Transcript:

I think the deepest theme you find in Russell T Davies work is his anti-war theme. I think that if you look at the first episodes, especially with Eccleston, and as they are later repeated with David Tennant, and we are going to see a little clip from each of those, you find an amazingly deep anti-war strain, because of what war does to human beings — what it turns them into. And that is something that an artist, a writer, dislikes. Because an artist wants to see someone succeed through their creativity and through bringing something important and positive into the world. One of the things I said last time was that I do believe the reason I do believe Who succeeds now at such a level is because its a positive view of our future. As much as y’all like to see zombies eating people and getting shot in barns and all that sort of thing, those are very depressing looks at our potential future. In Doctor Who, the Doctor generally wins and his goal is generally to save humanity. I like that. I would rather live in a future where I get saved than where I turn into a zombie.

“Natalie Lopez at the CalPoly University Library invited me to do a presentation for National Libraries Week on Doctor Who and Culture so that’s why a group of Whovians from both CalPoly and CSUF gathered in the Special Events room on April 16th.  It was wonderful to look out over a sea of t-shirts and other Doctor paraphernalia present among the crowd as I pontificated about what makes Who great – mostly giving me a chance to present a case for the fact that writers make Doctor Who and therefore writers make culture.”

Video: Moffat’s Fear of Everyday Things from Doctor Who Regenerated with Dr. Rosanne Welch

A short clip from the longer presentation, “Doctor Who Regenerated”

Dr. Rosanne Welch, Cal Poly Pomona Faculty from the Department of Interdisciplinary General Education is back by popular demand with a new lecture on Doctor Who and Television!

This time, the Doctor will focus on a deeper look of the themes of the writers behind “Doctor Who.” Above and beyond race and gender, they include social justice and the power of childhood.

View the entire presentation

Moffat's Fear of Everyday Things from Doctor Who Regenerated with Dr. Rosanne Welch

Subscribe to Dr. Welch’s YouTube Channel

 

Transcript:

What’s interesting to me is Steven we most know from Blink, which is an episode he created won his first BAFTA for and it’s quite the scary thing. What Steven likes to do, if you think about recurring themes, is Steven likes to find the fearful things in everyday life. He doesn’t want to invent cheesy fish monsters. He’s not worried about Godzilla — who I hope isn’t so bad in this current creation, but we can’t be sure. We can’t say anything until we see it. He wants to invent fear in everyday life. So, this was a perfect example of it, because, of course, what’s the rule of Blink? Don’t Blink. Blink and you die! Oh my god, how do you not blink. so, that’s right away makes you crazy. That tension and that really makes you scared of something so normal. It’s fascinating. So, Steven is quite and interesting writer when it comes to that.

“Natalie Lopez at the CalPoly University Library invited me to do a presentation for National Libraries Week on Doctor Who and Culture so that’s why a group of Whovians from both CalPoly and CSUF gathered in the Special Events room on April 16th.  It was wonderful to look out over a sea of t-shirts and other Doctor paraphernalia present among the crowd as I pontificated about what makes Who great – mostly giving me a chance to present a case for the fact that writers make Doctor Who and therefore writers make culture.”

Q&A on Television with Dr. Rosanne Welch from PolyTrends Magazine – Summer 2014 Issue

Q&A with Dr. Rosanne Welch from PolyTrends Magazine - Summer 2014

Download the PDF version of PolyTrends Summer 1014


Campus Perspective Q&A with Dr. Rosanne Welch By Esther Chou Tanaka

Rosanne Welch is a professor, television writer and producer, and a longtime fan of “Doctor Who.” She’s given numerous presentations and written articles about the show. Welch sat down with PolyTrends to talk about TV, storytelling and the importance of diversity in the entertainment industry.

Why is “Doctor Who” a good show to discuss race and culture?

It’s an excellent example to talk about race because the Doctor travels through time and space. He meets an assortment of people, sometimes on other planets but largely on Earth. Science fiction works best when it highlights to human beings what they’re doing wrong in their humanity. That’s what “Doctor Who” does very well.

For example, there was an episode in which we discover an alien race that once owned Earth, and they all cryogenically froze themselves. When they come back to life, they realize that humans have taken over. Now there’s this clash of how these two creatures can inhabit the same place. Of course they’re talking about the Palestinian and Israeli conflict. But you can do it with fish creatures and humans.

Why is it important to show diversity on television?

People who watch TV are living in the real world. The nicest thing I read about TV once was from a kid who was from a racist family in the South. He said that TV was the only time he saw African Americans as human beings. He never would have heard that message if he hadn’t seen African Americans on television shows. The same thing can be said about the show “Will and Grace.” Gay rights has moved forward in our country largely because of that program. TV lets people into your home that perhaps your own culture would not have let enter. And that’s a huge responsibility.

When books or real-life stories are made into movies, the minority characters are often replaced with white actors. Why?

The problem is that films are made on large budgets, and they expect to make a lot of money. So the first thing they want is Tom Cruise or Harrison Ford or someone who is guaranteed to bring in an audience. Because fewer films have been made with minority leads, they don’t have a track record of proving they can do that. To make the movie more profitable, they tend to whitewash the lead characters.

What can viewers do to change this?

We have to support the shows that give us a diverse cast. That’s why the success of “Grey’s Anatomy” is so important. Shonda Rhimes, the writer/producer, does blind casting. That literally means that when you write a character, you never say what their ethnicity
is. You ask casting directors to send any good actor to the audition. When you look at that show, you have African Americans, Asian Americans, Native Americans. They’re all blended together in one place, which is what a real hospital would look like.

It sounds like you have high standards for television. Does television have a responsibility to teach?

TV doesn’t have to teach per se any specific thing. But a good, well-written story, like a good episode of “Doctor Who,” will teach empathy, will teach communications skills, and will teach how people should relate to one another.

My husband and I sit with my son and talk about “Doctor Who,” and we’ve done that since he was 8. He’s met Dickens and Shakespeare through the show. When his high school performed “A Midsummer Night’s Dream,” he already had an understanding of Shakespeare. When we visited England, we went to Stonehenge. My son had a deeper connection to it because of the show. I think you should use television and films as a steppingstone to get into stories they claim to represent. See the movie, then read the book.

Book Review: Chasing Utopia: A Hybrid by Nikki Giovanni

Book Review: Chasing Utopia: A Hybrid by Nikki Giovanni

In a recent Facebook post I mentioned reading more poetry recently (as a preface to quoting Rudyard Kipling’s If).  I’m not sure how Kipling brought me to finally reading some of the work of Nikki Giovanni, but I’ve just finished two of her poetry books back to back and enjoyed each immensely.  First I tasted her newest, Chasing Utopia:  A Hybrid, and then went back to her earlier book, Bicycles, which ends with the poem “We Are Virginia Tech”, a poem she delivered at the memorial for the students who died during the Virginia Tech massacre in 2007 where she taught poetry.

I hated to realize that’s the event that brought her work to my attention, but it is, and if poetry is about truth then so, too, should a review of a poet be about truth. Truth is what I found in her work as well as a truly original and inclusive voice.  I say both original and inclusive because she spoke from her own reality – that of being an African American female who grew up in Ohio, studied history in college and works as a college professor and professional writer – but inclusive because if you take the “African” away from “African American” then every thing I used to describe her, describes me, and her work reminded me so much more of our similarities than of our perceived-by-society differences.  True, her frequent references to African American leaders and culture would catch me off – I knew to whom she referenced (I spent my college years wrapped up in Prince mania) but kept realizing she is one of the few poets I’ve read who uses such references primarily and I knew that some people would find that exclusive.  Yet all her poems about love and loss were universal, especially “Love (And the Meaning of Love)” from Bicycles, which called up memories of teenage angst over the one great question we all had:

I wanted to
But you couldn’t

I hoped 
But you wouldn’t

I understood 
Why we shouldn’t

So you declined
And we didn’t 

But it would
Have been fun

If we would’ve.

What I most like about this poem is her ability to sketch out such deep emotion through the efficient use of such simple wording.  She does that again and again.  I a poem also in Bicycles called “I Provide” she lists all the things one lover provides to the other and ends with:

Everything you need
I provide 

Now tell me
Why
You’re not happy

Giovanni uses word layout similarly to one of my favorite poets – e.e. cummings – without employing his love for radical spelling and grammar.  Her poem “Everything Good is Simple” seems to sum up her writing right there in the title.

In Utopia I found more evidence of her earlier, more political writings, the ones that brought her originally to the public’s attention.   Poems like “Note to the South:  You Lost” (which I intend to send to all my Civil War historian friends as a fun thing to let their students ponder:  why if they lost – and after fighting for such a horrendous cause — do we still admire them so?  

Giovanni also considers her poetry – and by extension all writing – political in her piece “The Significance of Poetry”.  In Utopia she writes about jazz as political fodder and about the blues and even the act of loving as a political choice (who, when, how).  I found her work wonderful to ponder and her words wonderful to wander, probably due to the truth behind the lines in “Werewolf Avoidance”:  

Poets should be strong
In our emotions
And our words that might make us 
difficult to live with but I do believe
easier to love
Poet it garlic
Not for everyone
But those who take it
Never get caught
By werewolves
 

Hear more on Nikki Giovanni in her NPRinterview on Tell Me More (from Tuesday July 29, 1014)

More books by Nikki Giovanni

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Video: How to study television writers from Doctor Who Regenerated with Dr. Rosanne Welch

A short clip from the longer presentation, “Doctor Who Regenerated”

Dr. Rosanne Welch, Cal Poly Pomona Faculty from the Department of Interdisciplinary General Education is back by popular demand with a new lecture on Doctor Who and Television!

This time, the Doctor will focus on a deeper look of the themes of the writers behind “Doctor Who.” Above and beyond race and gender, they include social justice and the power of childhood.

View the entire presentation

How to study television writers from Doctor Who Regenerated with Dr. Rosanne Welch

Subscribe to Dr. Welch’s YouTube Channel

 

 

Transcript:

To begin with Russell T Davies, right? When people talk about television I get them to try and look at what were your favorite episodes of a program. Now, go to IMDB and find out who wrote those episodes and now look at the rest of their career. What else have they written that you might enjoy, because clearly they speak to you. Their voice speaks to you. So, the idea of this particular talk is to look at two major writer, one who I just said is Russell T Davies and the other, who you all know, is Steven Moffat. We’re going to talk about a couple of themes that recur in their work and I think make the show more interesting in this “reboot”, that came to us in 2005. Both of them have different strengths, which I find interesting as a person who studies television writing and there are reasons why we like and dislike certain things that they do. So, I think that is the fun thing about what’s going on.

“Natalie Lopez at the CalPoly University Library invited me to do a presentation for National Libraries Week on Doctor Who and Culture so that’s why a group of Whovians from both CalPoly and CSUF gathered in the Special Events room on April 16th.  It was wonderful to look out over a sea of t-shirts and other Doctor paraphernalia present among the crowd as I pontificated about what makes Who great – mostly giving me a chance to present a case for the fact that writers make Doctor Who and therefore writers make culture.”