Why The Monkees Matter Cited in Michael Stipe Article via Showbiz Cheatsheet

Always nice to find my book cited in someone else’s writing – and on this post blogger Matthew Trzcinski also embedded a link to “Daydream Believer”… — Rosanne

Beatles: Why Michael Stipe of R.E.M. Called Their Songs ‘Elevator Music’ via Showbiz Cheatsheet

Why The Monkees Matter Cited in Michael Stipe Article via Showbiz Cheatsheet

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Stipe did care about one of the bands inspired by Beatlemania: the Monkees. According to Why The Monkees Matter: Teenagers, Television and American Pop Culture, Stipe said the Monkees mattered much more to him than the Fab Four. He said the Monkees’ “Daydream Believer” was his favorite song as a child and remained a guilty pleasure. Stipe even cited the Monkees as a musical influence. Given that the Fab Four inspired the Monkees, Stipe did take some influence from the Beatles, just not directly.

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Read Beatles: Why Michael Stipe of R.E.M. Called Their Songs ‘Elevator Music’ via Showbiz Cheatsheet


Want to learn more about The Monkees? Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture Why The Monkees Matter 

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A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

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