29 A Female Perspective from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (34 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

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Transcript:

So we have three women always involved in the original A’Star Is Born”. See anything missing in the current version? Isn’t that interesting and one of the critiques of this current version is that they spend too much time on Bradley Cooper’s character. It becomes the story of the star who is dying not the story of the star who is being born. That’s probably one of the reasons –while it’s making tons of money because Lady Gagas wonderful and they’re good in the film — — critically it didn’t quite work. That, to me is the juice that was missing right? We needed the female perspective.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


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