Rosanne’s writing appears in book, Doctor Who and Race

Rosanne’s essay is entitled “When white boys write black: Race and class in the Davies and Moffat eras”.

Available August 15, 2013 – Pre-Order Your Copy Today via Amazon.com

Dw race cover front Dw race cover back

Doctor Who is the longest running science fiction television series in the world and is regularly watched by millions of people across the globe. While its scores of fans adore the show with cult-like devotion, the fan-contributors to this book argue that there is an uncharted dimension to Doctor Who. Bringing together diverse perspectives on race and its representation in Doctor Who, this anthology offers new understandings of the cultural significance of race in the programme – how the show’s representations of racial diversity, colonialism, nationalism and racism affect our daily lives and change the way we relate to each other.

An accessible introduction to critical race theory, postcolonial studies and other race-related academic fields, the 23 contributors deftly combine examples of the popular cultural icon and personal reflections to provide an analysis that is at once approachable but also filled with the intellectual rigor of academic critique.

Lindy Orthia is a lecturer at the Australian National Centre for the Public Awareness of Science, the Australian National University. She has examined intersections between science, ideology and Doctor Who in several publications.

All proceeds for royalties for Dr Who and Race will be donated to Médecins Sans Frontières and AVERT.

Writers:

Emily Asher-Perrin
Alec Charles
Vanessa De Kauwe
Linnea Dodson
Fire Fly
Erica Foss
Stephanie Guerdan
Amit Gupta
Marcus K. Harmes
Mike Hernandez
Quiana Howard
George Ivanoff
Kristine Larsen
Leslie Mcmurtry
Catriona Mills
Rachel Morgain
Kate Orman
Lindy Orthia
Richard Scully
Robert Smith
John Vohlidka
Rosanne Welch
Iona Yeager

Rosanne’s Top 5 Books for Film Buffs

Here are my Top 5 picks for the best books for film buffs.

Dunne, John Gregory. Monster: Living Off the Big Screen. New York: Random House, 1997.

Even though it’s about a film made in 1996 that even die hard Robert Redford fans have not likely seen (Up Close and Personal), this book about writing a blockbuster film by John Gregory Dunne discusses Hollywood honestly – especially as it deals with married screenwriters like he and his wife Joan Didion.

Harmetz, Aljean . The Making of Casablanca: Bogart, Bergman, and World War II. Hyperion, 2002.

You don’t need to love the film to like this book about how a classic came together. I like the way Harmetz gives backgrounds on all the supporting characters and we learn how many were refugees from Nazi regimes.

McGillligan, Patrick. Backstory: Interviews with Screenwriters of Hollywood’s Golden Age. Berkeley: University of California Press, 1986.

McGillligan has 4 more books in this series – each one containing long, interesting interviews with screenwriters from a particular era from the 1920s to the 1990s. And as we all know, writers are highly entertaining conversationalists!

Messenger, Chris. The Godfather and American Culture: How the Corleones Became “Our Gang.” Albany: State University of New York Press, 2002.

What’s to say except this is a great book if you love The Godfather – but even if you don’t it is a good reminder of how certain movies become entrenched in our national culture – and can do things like make us more comfortable with minorities so that they soon become majorities.

Norman, Marc. What Happens Next: A History of American Screenwriting. New York: Harmony Books, 2007.

This is the history of how screenwriters got screwed out of being considered the legal ‘authors’ of the works they write!