Dr. Rosanne Welch presents “How Doctor Who Redefined Masculinity: A Study of the Doctors and their Male Companions” at the Cal Poly Pomona University Library. Dr. Welch teaches in the IGE (Interdisciplinary General Education) program.
A clip from this 5th talk on various aspects of Doctor Who presented by Dr. Welch. You can find Dr. Welch’s other Doctor Who talks using the links below.
Then I have a chapter on cultural collateral — how much The Monkees still resonate in American culture. We don’t think so, but my gosh they do — particularly right after the show was cancelled. This is a year-and-a-half later. This is the most — I’m understood from the research I found — and when Davy Jones died in 2012 they announced this on CNN. This is the most re-run episode of television in the history of reruns and it’s this episode of The Brady Bunch, where Marcia Brady has written a letter to her — she’s the head of the Davy Jones Fan Club — and she wants him to sing at their Prom and he didn’t get the letter on time and so he isn’t going to come and her whole life is going to be ruined and when he finds out accidentally, he comes to her and says, “Ok, yes, as a matter of fact I can do that, but I need a date. Do you know anybody who’d like to go with me?” This is the most rerun episode of television ever and it’s all based on love of The Monkees.
View photos from this presentation
Description:
Based on a chapter in my upcoming book The Metatextual Menagerie that was The Monkees, which includes a series of interviews conducted with surviving writers and performers of the 1960s television program, The Monkees I will discuss how the writers and actors used the show as a platform for their own emerging counter culture/anti-war messages.
Worth studying for its craft and place in television history (the show won an Emmy as Best Comedy Of 1967) the program’s true importance may come from its impact on the politics and culture of the era. Considered innocuous by the network, thepress and the parents of the era, the storylines and jokes created by the writers and the actor’s ad-libs brought the emerging counter-culture to the attention of young teens whose parents might not have appreciated the message. Cultural icons such as Timothy Leary recognized the subversive nature of the program, seen through the writing and in choices made about costuming, hair length, musical guests (Frank Zappa, Tim Buckley, Charlie Smalls) and songs performed by the band brought issues of Vietnam, voting and civil rights to the ‘young generation’ for whom the show clearly had ‘somethin’to say.
The 2014 Provost’s Symposium is a forum to learn about each other’s scholarly work, make new friends, renew old acquaintances, and enhance our appreciation of the rich and diverse array of professional endeavors pursued by the faculty at Cal Poly Pomona.
Mindful(l) Media is a new show and podcast from Dr. Rosanne Welch helping the audience to be more Mindfull about the Media we both create and consume as it relates to the portrayal of Gender, Diversity, and Equality.
Today’s show is brought to you by Audible.com. While I watched hours and hours of television in my childhood, I also read tons of books – and as a professor I have found that you can easily tell the readers from the non-readers by their spelling and their level of vocabulary so I always tell students to find time to read. It’s also deeply peaceful to get lost in a story. If you love audio books you can support us here at 3rdPass Media by starting your free 30-day trial with Audible today. Choose from over 100, 000 books.
Then I have a chapter on cultural collateral — how much The Monkees still resonate in American culture. We don’t think so, but my gosh they do — particularly right after the show was cancelled. This is a year-and-a-half later. This is the most — I’m understood from the research I found — and when Davy Jones died in 2012 they announced this on CNN. This is the most re-run episode of television in the history of reruns and it’s this episode of The Brady Bunch, where Marcia Brady has written a letter to her — she’s the head of the Davy Jones Fan Club — and she wants him to sing at their Prom and he didn’t get the letter on time and so he isn’t going to come and her whole life is going to be ruined and when he finds out accidentally, he comes to her and says, “Ok, yes, as a matter of fact I can do that, but I need a date. Do you know anybody who’d like to go with me?” This is the most rerun episode of television ever and it’s all based on love of The Monkees.
View photos from this presentation
Description:
Based on a chapter in my upcoming book The Metatextual Menagerie that was The Monkees, which includes a series of interviews conducted with surviving writers and performers of the 1960s television program, The Monkees I will discuss how the writers and actors used the show as a platform for their own emerging counter culture/anti-war messages.
Worth studying for its craft and place in television history (the show won an Emmy as Best Comedy Of 1967) the program’s true importance may come from its impact on the politics and culture of the era. Considered innocuous by the network, thepress and the parents of the era, the storylines and jokes created by the writers and the actor’s ad-libs brought the emerging counter-culture to the attention of young teens whose parents might not have appreciated the message. Cultural icons such as Timothy Leary recognized the subversive nature of the program, seen through the writing and in choices made about costuming, hair length, musical guests (Frank Zappa, Tim Buckley, Charlie Smalls) and songs performed by the band brought issues of Vietnam, voting and civil rights to the ‘young generation’ for whom the show clearly had ‘somethin’to say.
The 2014 Provost’s Symposium is a forum to learn about each other’s scholarly work, make new friends, renew old acquaintances, and enhance our appreciation of the rich and diverse array of professional endeavors pursued by the faculty at Cal Poly Pomona.
The Monkees are also famous for introducing Jimi Hendrix to the mainstream. He was their opening act when they went on a concert tour around the country. Jimi Hendrix opened for The Monkees. Nobody believes me. (Laughter) I’m not making that up. He really truly did. So, again, Micky Dolenz as a character and as a performer is bringing Black music to the mainstream, white, teenage, audience. That’s a huge thing their parents might not have allowed. but the program was their gateway into that new world.
View photos from this presentation
Description:
Based on a chapter in my upcoming book The Metatextual Menagerie that was The Monkees, which includes a series of interviews conducted with surviving writers and performers of the 1960s television program, The Monkees I will discuss how the writers and actors used the show as a platform for their own emerging counter culture/anti-war messages.
Worth studying for its craft and place in television history (the show won an Emmy as Best Comedy Of 1967) the program’s true importance may come from its impact on the politics and culture of the era. Considered innocuous by the network, thepress and the parents of the era, the storylines and jokes created by the writers and the actor’s ad-libs brought the emerging counter-culture to the attention of young teens whose parents might not have appreciated the message. Cultural icons such as Timothy Leary recognized the subversive nature of the program, seen through the writing and in choices made about costuming, hair length, musical guests (Frank Zappa, Tim Buckley, Charlie Smalls) and songs performed by the band brought issues of Vietnam, voting and civil rights to the ‘young generation’ for whom the show clearly had ‘somethin’to say.
The 2014 Provost’s Symposium is a forum to learn about each other’s scholarly work, make new friends, renew old acquaintances, and enhance our appreciation of the rich and diverse array of professional endeavors pursued by the faculty at Cal Poly Pomona.
Mindful(l) Media is a new show and podcast from Dr. Rosanne Welch helping the audience to be more Mindfull about the Media we both create and consume as it relates to the portrayal of Gender, Diversity, and Equality.
Today’s show is brought to you by Audible.com. While I watched hours and hours of television in my childhood, I also read tons of books – and as a professor I have found that you can easily tell the readers from the non-readers by their spelling and their level of vocabulary so I always tell students to find time to read. It’s also deeply peaceful to get lost in a story. If you love audio books you can support us here at 3rdPass Media by starting your free 30-day trial with Audible today. Choose from over 100, 000 books.
So, I learned as a child — think, or that’s what I posit — that if I wanted to marry a Monkee, I didn’t want to be popular. I wanted to be substantial. I wanted to be a woman of some meaning and that’s what would attract them. And I think that’s a really important message to give little girls. Not that I need to be gorgeous and have the perfect little outfit, right? So feminism is all through this thing.
View photos from this presentation
Description:
Based on a chapter in my upcoming book The Metatextual Menagerie that was The Monkees, which includes a series of interviews conducted with surviving writers and performers of the 1960s television program, The Monkees I will discuss how the writers and actors used the show as a platform for their own emerging counter culture/anti-war messages.
Worth studying for its craft and place in television history (the show won an Emmy as Best Comedy Of 1967) the program’s true importance may come from its impact on the politics and culture of the era. Considered innocuous by the network, thepress and the parents of the era, the storylines and jokes created by the writers and the actor’s ad-libs brought the emerging counter-culture to the attention of young teens whose parents might not have appreciated the message. Cultural icons such as Timothy Leary recognized the subversive nature of the program, seen through the writing and in choices made about costuming, hair length, musical guests (Frank Zappa, Tim Buckley, Charlie Smalls) and songs performed by the band brought issues of Vietnam, voting and civil rights to the ‘young generation’ for whom the show clearly had ‘somethin’to say.
The 2014 Provost’s Symposium is a forum to learn about each other’s scholarly work, make new friends, renew old acquaintances, and enhance our appreciation of the rich and diverse array of professional endeavors pursued by the faculty at Cal Poly Pomona.
So, I learned as a child — think, or that’s what I posit — that if I wanted to marry a Monkee, I didn’t want to be popular. I wanted to be substantial. I wanted to be a woman of some meaning and that’s what would attract them. And I think that’s a really important message to give little girls. Not that I need to be gorgeous and have the perfect little outfit, right? So feminism is all through this thing.
View photos from this presentation
Description:
Based on a chapter in my upcoming book The Metatextual Menagerie that was The Monkees, which includes a series of interviews conducted with surviving writers and performers of the 1960s television program, The Monkees I will discuss how the writers and actors used the show as a platform for their own emerging counter culture/anti-war messages.
Worth studying for its craft and place in television history (the show won an Emmy as Best Comedy Of 1967) the program’s true importance may come from its impact on the politics and culture of the era. Considered innocuous by the network, thepress and the parents of the era, the storylines and jokes created by the writers and the actor’s ad-libs brought the emerging counter-culture to the attention of young teens whose parents might not have appreciated the message. Cultural icons such as Timothy Leary recognized the subversive nature of the program, seen through the writing and in choices made about costuming, hair length, musical guests (Frank Zappa, Tim Buckley, Charlie Smalls) and songs performed by the band brought issues of Vietnam, voting and civil rights to the ‘young generation’ for whom the show clearly had ‘somethin’to say.
The 2014 Provost’s Symposium is a forum to learn about each other’s scholarly work, make new friends, renew old acquaintances, and enhance our appreciation of the rich and diverse array of professional endeavors pursued by the faculty at Cal Poly Pomona.
Mindful(l) Media is a new show and podcast from Dr. Rosanne Welch helping the audience to be more Mindfull about the Media we both create and consume as it relates to the portrayal of Gender, Diversity, and Equality.
How the Writers Failed the Character of Amy Farrah Fowler on Big Bang Theory Is this focus on the f-ability of women a good thing…. or a bad thing… or just an old unsolvable thing?
Today’s show is brought to you by Audible.com. While I watched hours and hours of television in my childhood, I also read tons of books – and as a professor I have found that you can easily tell the readers from the non-readers by their spelling and their level of vocabulary so I always tell students to find time to read. It’s also deeply peaceful to get lost in a story. If you love audio books you can support us here at 3rdPass Media by starting your free 30-day trial with Audible today. Choose from over 100, 000 books.
The very first woman that we met was the Princess of the Duchy of Harmonica. So, we’re being funny, but she was a princess who had the opportunity to marry Davy Jones — every girl’s dream in that period. She turned it down because she had a duty to her country to go home and be its ruler. If that’s not an empowered young woman — what a cool thing, right? And then just very imply Julie Newmar who you know as the Catwoman from Batman she guests on an episode where they all wanted her to fall in love with them and the line was, “The fastest way to a woman’s heart is through her mind.” Through her mind! And so each boy tries to do the things she claims to enjoy. Poetry, classical music, ballet, all these high end things, not some silly nonsense.
View photos from this presentation
Description:
Based on a chapter in my upcoming book The Metatextual Menagerie that was The Monkees, which includes a series of interviews conducted with surviving writers and performers of the 1960s television program, The Monkees I will discuss how the writers and actors used the show as a platform for their own emerging counter culture/anti-war messages.
Worth studying for its craft and place in television history (the show won an Emmy as Best Comedy Of 1967) the program’s true importance may come from its impact on the politics and culture of the era. Considered innocuous by the network, thepress and the parents of the era, the storylines and jokes created by the writers and the actor’s ad-libs brought the emerging counter-culture to the attention of young teens whose parents might not have appreciated the message. Cultural icons such as Timothy Leary recognized the subversive nature of the program, seen through the writing and in choices made about costuming, hair length, musical guests (Frank Zappa, Tim Buckley, Charlie Smalls) and songs performed by the band brought issues of Vietnam, voting and civil rights to the ‘young generation’ for whom the show clearly had ‘somethin’to say.
The 2014 Provost’s Symposium is a forum to learn about each other’s scholarly work, make new friends, renew old acquaintances, and enhance our appreciation of the rich and diverse array of professional endeavors pursued by the faculty at Cal Poly Pomona.
