From The Journal Of Screenwriting V1 Issue 2: Who Writes British Films: A Summary on the UKFC Report and a Call for Further Research by Susan Rogers

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne

Who Writes British Films: A Summary on the UKFC Report and a Call for Further Research by Susan Rogers

In 2007 I was commissioned by the UK Film Council to investigate the background and employment experience of screenwriters credited on a random selection of recent UK films. The resulting report, Writing British Films Who Writes British Films and How They are Recruited, confirmed some widely-held views and uncovered much new information. The UK Film Council’s first studies had revealed that many of the beliefs about screenwriting, expressed in interviews within the British film industry, to be anecdotal or based on unsubstantiated fact and to an extent, myth, confirming the scarcity of research in this field. The following is a summary and a reflection on the findings revealed in the report.

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

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