Quote from “America’s Forgotten Founding Father” by Dr. Rosanne Welch – 10 in a series – Government and Religion

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At his cousin’s apothecary and during dinners with newfound friends from all over the world, Filippo learned much about the workings of government and how it handled religion differently in different places. He found himself more and more fascinated by the idea that so many different ideas took precedence all over the world, even to the point of deciding what day it was. 

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Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 99 in a series – The End

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Clearly, The Monkees made contributions across culture, both nationally and internationally, in their 50 years of existence. Their continued clout comes from their having had feet in both the television and music industries at key changing points in each. 

from Why The Monkees Matter by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

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From The Research Vault: Film Genre for the Screenwriter by June Selbo

From The Research Vault: Film Genre for the Screenwriter by June Selbo

Film Genre for the Screenwriter is a practical study of how classic film genre components can be used in the construction of a screenplay. Based on Jule Selbo’s popular course, this accessible guide includes an examination of the historical origins of specific film genres, how and why these genres are received and appreciated by film-going audiences, and how the student and professional screenwriter alike can use the knowledge of film genre components in the ideation and execution of a screenplay.

Explaining the defining elements, characteristics and tropes of genres from romantic comedy to slasher horror, and using examples from classic films like Casablanca alongside recent blockbuster franchises like Harry Potter, Selbo offers a compelling and readable analysis of film genre in its written form. The book also offers case studies, talking points and exercises to make its content approachable and applicable to readers and writers across the creative field. — Amazon.com


 

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Quote from “America’s Forgotten Founding Father” by Dr. Rosanne Welch – 9 in a series – Livorno, The British and Learning English

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Filippo enjoyed watching the unloading of products from distant lands onto his shores, wondering often about the people and places where the products originated.  As the major port city on the coast, Livorno boasted visitors from all over the world. The British had reestablished trade in the last fifty years, though they called the town Leghorn. In order to work and socialize with the British philosophers and writers who formed the expatriate community, Filippo learned English and found he had a facility with language, which would prove valuable later in life. 

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Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 98 in a series – Boyce, Hart and Let Us Vote (LUV)

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Monkees quote 98

On a side branch of Monkee influence, songwriters Tommy Boyce and Bobby Hart lead a protest called LUV = Let Us Vote. The protest urged the United States Congress to pass a 26th amendment to the U.S. Constitution moving the legal age for voting from 21 to 18. 

from Why The Monkees Matter by Dr. Rosanne Welch —  Buy your Copy today!

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A History of Screenwriting 60 – The General Starring Buster Keaton

A History of Screenwriting 60 – The General Starring Buster Keaton

A History of Screenwriting 60 - The General Starring Buster Keaton

Screenplay by Al Boasberg, Clyde Bruckman, Buster Keaton, Charles Henry Smith, Paul Girard Smith
Based on The Great Locomotive Chase by William Pittenger

The General is a 1926 American silent comedy film released by United Artists. It was inspired by the Great Locomotive Chase, a true story of an event that occurred during the American Civil War. The story was adapted from the memoir The Great Locomotive Chase by William Pittenger. The film stars Buster Keaton who co-directed it with Clyde Bruckman.

At the time of its initial release, The General, an action-adventure-comedy made toward the end of the silent era, was not well received by critics and audiences, resulting in mediocre box office returns (about half a million dollars domestically, and approximately one million worldwide). Because of its then-huge budget ($750,000 supplied by Metro chief Joseph Schenck) and failure to turn a significant profit, Keaton lost his independence as a filmmaker and was forced into a restrictive deal with MGM. In 1954 the film entered the public domain (in the USA), owing to the claimant’s failure to renew its copyright registration in the 28th year after publication.[2]

The General has since been reevaluated, and is now often ranked among the greatest American films ever made.[3] — Wikipedia


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From The Research Vault: Yes, Peter Tork of the Monkees can play by Mary Schmich, June 12, 2013

From The Research Vault: Yes, Peter Tork of the Monkees can play by Mary Schmich, June 12, 2013

From The Research Vault: Yes, Peter Tork of the Monkees can play by Mary Schmich, June 12, 2013

 Back when I was still young enough to be entertained by unrequited love, I routinely kissed Peter Tork good night.

It was the summer just before I entered high school, and I kept photos of all four Monkees — Peter, Davy, Micky, Mike — taped to my bedroom wall. Later, as I matured, I would transfer my yearning to Mike, the manliest Monkee, but during that summer, it was Peter who revved my heart.

Peter, with his floppy blond hair. Peter, with the brooding intelligence that I, alone among teeny-boppers, discerned beneath the goofy persona he displayed on TV. Peter, who waited nightly for my tender kiss.

Sweet dreams, my darling!

I would press my lips against the wall.

Until fate brings us together!

That memory blazed in my mind, brighter than yesterday, when my friend Gail asked recently if I wanted to go see Peter Tork at the Old Town School of Folk Music in Chicago.

Read Yes, Peter Tork of the Monkees can play by Mary Schmich


 

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Quote from “America’s Forgotten Founding Father” by Dr. Rosanne Welch – 8 in a series – To The Coast…and, maybe, America!

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Livorno? The coast? Could he go that far? Filippo remembered all the days of sitting with his tutor dreaming of going even farther, even to the American colonies. How odd that they suddenly popped into his head again. How better to begin a life’s journey across the ocean than by living near one for a while?

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Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 97 in a series – Tork and Nesmith and Acting

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Neither Tork nor Nesmith cared much for acting once the show was over, appearing in only a handful of television programs. Tork shunned acting for years, so his appearances were nil until the nineties with Boy Meets World and Seventh Heaven. Nesmith stayed behind the cameras except for hosting the shows he produced, Elephant Parts and Television Parts (directed by Dolenz) in the early 80s.

from Why The Monkees Matter by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

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From The Research Vault: Teenage: The Creation of Youth Culture by Jon Savage

From The Research Vault: Teenage: The Creation of Youth Culture by Jon Savage

Teenage

A history of teen culture documents how its twentieth-century foundations were established in the urban youth cultures of America and Europe during the 1890s, in a social analysis that draws on a large body of written work and considers such influences as Peter Pan, Oscar Wilde, and Anne Frank.


 

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