From The Journal Of Screenwriting V5 Issue 2: Written to be read: A personal reflection on screenwriting research, then and now by Claudia Sternberg

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


Written to be read: A personal reflection on screenwriting research, then and now by Claudia Sternberg
 
Having been identified as an early contributor to the intensifying academic study of the (American) screenplay and screenwriting, the author presents a personal account of the circumstances which led to her own research in the 1990s and the publication of Written for the Screen: The American Motion-Picture Screenplay as Text in 1997. Additionally, she offers some reflections on the consolidation and institutionalization of screenwriting research and sketches a number of possibilities for future work in the field.

Having been identified as an early contributor to the intensifying academic study of the (American) screenplay and screenwriting, the author presents a personal account of the circumstances which led to her own research in the 1990s and the publication of Written for the Screen: The American Motion-Picture Screenplay as Text in 1997. Additionally, she offers some reflections on the consolidation and institutionalization of screenwriting research and sketches a number of possibilities for future work in the field.


Journal of Screenwriting Cover

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

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