“There were also humorous monologues throughout. One, “The Woman Who Loved to Make Vaginas Happy,” featured two women discussing one woman’s realization that she loved to make women moan. This led to uncontrollable laughter amongst the crowd as the women presented different types of moans such as the Obama and even the Cal Poly Student moan.”
You can see us standing in the back of the cast photo (Peg is wearing her pink pussy hat to my right).
Poet Phillis Wheatley was born in West Africa, sold into slavery, and eventually freed. She wrote poems at a time when many people argued that people of African descent were so inferior to Euro-Americans as to be fit only for slavery. She is remembered as a preeminent poet of the American Revolutionary period. Unlike most slaves, Wheatley had an opportunity to demonstrate an intellectual talent that her masters were willing to develop. As a result, she received a rather extensive education for the time— something rather rare for any woman, let alone a slave.
Puritan nonconformist Anne Hutchinson was a wife, mother, and midwife who lived in the Massachusetts Bay Colony and gained fame by challenging the colony’s leadership with her own interpretation of Puritan theology. She also threatened the social hierarchy by demonstrating her willingness and ability to operate outside traditional female cultural boundaries. Hutchinson’s actions not only gained her notoriety in her own lifetime but also helped to transform the “Puritan Way” in the American colonies. – Volume 1
Disney has honored Pocahontas in film, and she is a staple of the public school curriculum and is a symbol of a good Native American. We think we know her, but the events of her life have grown beyond the bounds of history. She has become a myth, one useful in telling a particular version of the American past. Even historians cannot always be sure what is true and what is not when it comes to Pocahontas. In many ways, she is the American version of Eve, the progenitor of a new race of humans and a new destiny for her people and for Euro-Americans. – Volume 1
“FOR SCREENWRITER Rosanne Welch, the ripple effect of being the woman in the room begins like this: “The doctor walks in …” All I have to do is write She says… and they have to hire a female. That’s how power-ful it is to have a female voice in a room,” says the lecturer of cinema and television arts. Female leaders are trending — on TV. And, much like in real life, it’s taken decades to rewrite the script, says Welch. We need more women writers in the room and more female role models at the helm, at the corporate table, in the judge’s chair, in political office — and not just on TV, she says. “We do know that it’s highly influential,” she says of TV. “We need to kind of know something’s real and then we highlight those existences in TV, and the public sees it more often, and then it becomes more real.”
I am so proud and excited to post this link to the presentations 5 of my Stephens College MFA in Screenwriting students made at this year’s Citizen Jane Film Festival. The event was titled: When Women Ran Hollywood: Meet 5 Female Screenwriters Who Helped Invent Hollywood. My students gave tight, ten minute presentations on female screenwriters who we should all know – women like Anita Loos and Adela Rogers St. Johns – whose biographies I had read as a child in Cleveland – and women like Frances Goodrich Hackett, who I hadn’t heard of until I began my own PhD dissertation – and finally Eve Unsell and Jeanie MacPherson.
Rather than be new names to most all of you we ought to recognize these women’s names – and accomplishments – much as we instantly recognize the names of the male directors of early Hollywood. Sadly, historians frequently left the women’s names out of the books so this course and this assignment are an exercise in bringing Anita, Adela, Frances, Eve and Jeanie back into the mainstream conversation about the art – and history – of screenwriting.
The students I have to thank for researching, writing and presenting on these women – and then trekking out to Columbia, Missouri (home of Stephens College) to share their findings with the larger community of scholars – are Toni Anita Hull, Amelia Phillips, Laura Kirk, Sarah Whorton and Julie Berkobien. Watch and learn – and fall in love with all 10 of these women all over again – or for the first time.
The Stephens College MFA in Screenwriting is proud to present five of our fabulous MFA students who will in turn introduce the audience to five female screenwriters whose work we know, but whose names have been left out of the textbooks. Help us write them back in and remind us all that Women Ran Hollywood once and are on their way to doing it again!
Rosanne Welch, Master of Fine Arts in TV and Screenwriting Professor
Toni Anita Hull, Master of Fine Arts in TV and Screenwriting Candidate
Amelia Phillips, Master of Fine Arts in TV and Screenwriting Candidate
Laura Kirk, Master of Fine Arts in TV and Screenwriting Candidate
Sarah Whorton, Master of Fine Arts in TV and Screenwriting Candidate
Julie Berkobien, Master of Fine Arts in TV and Screenwriting Candidate
Here is a photo of the complete panel from this event.
The WOMEN WRITE NOW: BREAKING BARRIERS IN FILM, TV AND THE WEB — In order left to right: Kirsten Smith (10 THINGS I HATE ABOUT YOU, LEGALLY BLONDE), Gina Prince-Bythewood (Different World, Love and Basketball, Secret Life of Bees), Jessica Mecklenburg (STRANGER THINGS, BEING MARY JANE), Deborah Schoeneman (HAND OF GOD, GIRLS, THE NEWSROOM), Lauren Schuker Blum (ORANGE IS THE NEW BLACK), Rebecca Angelo (Control Alt Delete), Dr. Rosanne Welch
As the landscape of storytelling on film, television and the web evolves and changes, more women are leading the charge in breaking down gender walls in the industry. Each has her own story and a perspective about the challenges that women face as writers and creators in the field.
The Writers Guild Foundation and Stage 32 are partnering on this special event, which invites writers to discuss their careers and their experiences working as a woman in the industry, from where they started and how they got their material noticed to what the future for women in media looks like and what inspires them to write every day.
As the landscape of storytelling on film, television and the web evolves and changes, more women are leading the charge in breaking down gender walls in the industry. Each has her own story and a perspective about the challenges that women face as writers and creators in the field.
The Writers Guild Foundation and Stage 32 are partnering on this special event, which invites writers to discuss their careers and their experiences working as a woman in the industry, from where they started and how they got their material noticed to what the future for women in media looks like and what inspires them to write every day.
Panelists:
Lauren Schuker Blum (ORANGE IS THE NEW BLACK)
Jessica Mecklenburg (STRANGER THINGS, BEING MARY JANE)
Deborah Schoeneman (HAND OF GOD, GIRLS, THE NEWSROOM)
Kirsten Smith (10 THINGS I HATE ABOUT YOU, LEGALLY BLONDE)
More panelists to be announced. Stay tuned!
Doors open at 7pm. Event starts at 7:30pm. A networking reception will follow directly after the panel from 9pm to 10pm.
Stage 32 is dedicated to educating and empowering creatives from all walks of life, and as a continued commitment, we will provide every attendee with a free Stage 32 Next Level webinar (a $49 value), to help sharpen your skills and pave your trail in the industry.
About Stage 32:
“Stage 32 is LinkedIn meets Lynda for film and TV creatives” – Forbes Magazine
Stage 32 is the online platform connecting and educating film and TV creatives worldwide. Stage 32 provides over 1,000 hours of online education taught by some of the industry’s most prominent development, executives, managers, agents and producers.
All events advertised on our “Events” page are open to anyone who wants to buy a ticket – not just WGA members!
Proceeds benefit the Foundation’s library and archive and other outreach programs
You Can Please Some of the People Some of the Time… None of the People All of the Time: A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More!
Dr. Rosanne Welch speaks on A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More! at the California State University, Fullerton Library
Part of the program series for Dune by Frank Herbert: A 50th Anniversary Celebration.
…and it was worse when it went to television, which is another level of adaptation. I’m going to take a movie and I’m going to put it on TV where you can do even less, because we’re not in the movies. In this case, just look at how once we bring in Sally Field into the picture it gets even younger and there’s not a surfboard in sight. This entire book is about a girl who masters a sport. On TV it’s about a girl who talks on the phone and hangs out with cute boys. That’s an entire destruction of the point of that story and it was written by the father of the girl who had achieved that. So he was looking to make his daughter a respectable, interesting person. So, I think that’s an interesting example of something being ruined. Only in the book do you get the true story of what it was like. So, again, I’ll just go back, you have to read the book.
Dr. Rosanne Welch (RTVF) speaks on the craft of history of film adaptations from the controversy of the silent film Birth of a Nation (protested by the National Association for the Advancement of Colored People in 1915) to Breakfast at Tiffany’s (to which author Truman Capote famously said, “The only thing left from the book is the title”) to The Godfather . Naturally, the behemoth in adaptation – Harry Potter (which depended on the relationship created by adapter Steve Kloves and author J.K. Rowling) will be discussed, as will the subject of this month’s celebration: Dune.
Date: Wednesday, October 14, 2015 Time: 1:00pm – 2:00pm
About Dr. Rosanne Welch
Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona. In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University. She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.
Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”
You Can Please Some of the People Some of the Time… None of the People All of the Time: A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More!
Dr. Rosanne Welch speaks on A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More! at the California State University, Fullerton Library
Part of the program series for Dune by Frank Herbert: A 50th Anniversary Celebration.
…and that’s the story that people remember if they saw the movies. When this book came out, it was compared to “The Catcher in the Rye.” It was considered that kind of novel for girls. It was a “coming of the age.” She decides whether or not to have sex with a couple of the guys. it’s entirely up to her. There’s really nothing wrong with it. It’s a fascinating story that has been totally destroyed by the way it was turned into a film and it became a bubble gum film about a cute girl on the beach with cute boys. Totally, totally, cut the knees off of that book. Right? And she wen’t Hawaiian. She went to Rome. I mean it just became this cutesy-pie girl trying to find a boyfriend. Not the point of the novel at all. So the movies completely destroyed it to the point that we don’t teach Gidget in school. But you all probably had to read “The Catcher in the Rye.” Everybody. Right? we read the boy’s coming of age story. We don’t read the girl’s coming of age story. And I think that’s a huge mistake. I didn’t read Gidget until I was in my 40’s. And I went “Oh, it’s a cool book. I don’t know why anyone didn’t give this to me.”
Dr. Rosanne Welch (RTVF) speaks on the craft of history of film adaptations from the controversy of the silent film Birth of a Nation (protested by the National Association for the Advancement of Colored People in 1915) to Breakfast at Tiffany’s (to which author Truman Capote famously said, “The only thing left from the book is the title”) to The Godfather . Naturally, the behemoth in adaptation – Harry Potter (which depended on the relationship created by adapter Steve Kloves and author J.K. Rowling) will be discussed, as will the subject of this month’s celebration: Dune.
Date: Wednesday, October 14, 2015 Time: 1:00pm – 2:00pm
About Dr. Rosanne Welch
Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona. In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University. She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.
Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”
![When Women Ran Hollywood: Citizen Jane Film School 2016 [Video] (1 hour)](https://rosannewelch.com/wp-content/uploads/2017/01/citizen-jane-panel-2016.png)
![Last Thoughts on Adapting Gidget from A History of the Art of Adaptation [Video] (0:43)](https://rosannewelch.com/wp-content/uploads/2016/10/adapt-20-gidget-3.jpeg)
![More on Adapting Gidget from A History of the Art of Adaptation [Video] (1:03)](https://rosannewelch.com/wp-content/uploads/2016/10/adapt-19-gidget-2.jpeg)