In honor of Micky’s performances last weekend at Club 54 here’s a fun blast from the past clip of him being interviewed on Lifestyles of the Rich and Famous back before the 1986 reunion tour – when he was working as a director and living in the lovely English home profiled in the show and playing polo.
Margaretta Forten was instrumental in founding the Philadelphia Female Anti-Slavery Society, an influential local chapter of abolitionist and journalist William Lloyd Garrison’s American Anti-Slavery Society, and served as an active member and frequent officer of the society during its entire 37-year history.
Forten was the daughter of free blacks James and Charlotte Vandine Forten. The Fortens were staunch abolitionists, and their children spent much of their time attending abolitionist meetings while they were growing up. The family also entertained prominent abolitionists and moral reformers in their home. After one such visit, poet John Greenleaf Whittier was so taken with the family that he wrote a poem titled “To the Daughters of James Forten.”
I teach several classes for the Stephens College Low-Residency MFA in Screenwriting, including History of Screenwriting. In fact, I created the curriculum for that course from scratch and customized it to this particular MFA in that it covers ‘Screenwriting’ (not directors) and even more specifically, the class has a female-centric focus. As part History of Screenwriting I, the first course in the four-class series, we focus on the early women screenwriters of the silent film era who male historians have, for the most part, quietly forgotten in their books. In this series, I share with you some of the screenwriters and films that should be part of any screenwriters education. I believe that in order to become a great screenwriter, you need to understand the deep history of screenwriting and the amazing people who created the career. — Dr. Rosanne Welch
According to Edison film historian C. Musser, this film and others shot on the same day (see also Sioux ghost dance) featured Native American Indian dancers from Buffalo Bill’s Wild West show, and constitutes the American Indian’s first appearance before a motion picture camera.
CREATED/PUBLISHED United States : Edison Manufacturing Co., [1894]
NOTES Copyright: no reg. Performers: Last Horse, Parts His Hair, Hair Coat. Camera, William Heise. Filmed September 24, 1894, in Edison’s Black Maria studio. Sources used: Copyright catalog, motion pictures, 1894-1912; Musser, C. Edison motion pictures 1890-1900, 1997, p. 126. Received: 5-13-1994; viewing print; preservation; Hendricks (Gordon) Collection.
SUBJECTS Buffalo dance. Indian dance–North America. Dancers–United States. Wild west shows–United States. Dance
RELATED NAMES Dickson, W. K.-L. (William Kennedy-Laurie), 1860-1935, production. Heise, William, camera. Last Horse, performer. Parts His Hair, performer. Hair Coat, performer. Thomas A. Edison, Inc. Hendricks (Gordon) Collection (Library of Congress)
Toypurina, a Kumi-Vit (or Tongva) woman from the village of Javachit in today’s San Gabriel Valley, California, was born nine years before the Spanish began colonizing southern California. The Spanish would have identified her as a Gabrielino, a term that identified all native people who were relocated to San Gabriel Mission (est. 1771) and baptized. A leader of an insurrection against the San Gabriel Mission in 1785, she continues to be a symbol of resistance to Spanish colonization.
This book signing at Book Soup was wonderful – good people, good conversation (before and after the signing). Just another example of the kind of quality positive people who have been drawn to The Monkees across generations – I even met a former head of publicity for ScreenGems who had some fun stories to tell. — Rosanne
What I’m not sure that I should admit — in such an august work of academia — is that I concocted the entire pitch for the original piece in Written By magazine partly for an excuse to interview Micky Dolenz. I’m sorry, but he was the teen idol of my childhood. So, I guess I won’t admit that to anybody. But I can tell you, the mere fact that I, a 50-year-old professional writer and academic, squealed when I hung up the phone that day after the interview and immediately called 3 or 4 of my oldest and best chick friends to say that I had just hung up on Micky Dolenz tells you something about the cultural touchstone that this group was for my generation and interestingly enough, for the next generation and the next generation, thanks to reruns on MTV and today the reruns on Antenna television, which I think is really something special.
Rachel Maddow stated during an interview with Peter Tork that “the teenagers of the 80’s learned what it was like to be a teenager in the 60’s from watching The Monkees reruns on MTV.” And that tells you something important about the show and how it’s resonated across time.
Henrietta de Beaulieu Dering Johnston was the first American artist of either sex to work in pastel and the first recorded professional American women artist. Though she did her work in colonial South Carolina, Johnston was born in Rennes, France, to Francis and Suzanna de Beaulieu. Her parents were French Huguenots who migrated to London in 1687 because of religious persecution.
Actress and singer Audra Ann McDonald became the first performer to win six competitive Tony Awards in 2014 and the only performer to have won a Tony in all four acting categories. A graduate of the Julliard School, a performing conservatory in New York City, McDonald began acting as a child when her parents enrolled her in a theater group to manage a diagnosis of attention deficit hyperactive disorder (ADHD).
A woman of mixed racial heritage, Betty Charbonnet Reid Soskin is a living repository of African American history, a social reformer, and a voice for marginalized people. In her late 80s, she became a special consultant to the Rosie the Riveter/World War II Home Front National Historic Park, and at age 94 she became the country’s oldest full-time National Park Service ranger.
I had a blast as a guest talking head in this Zilch round table discussion of the Top Ten guest acting spots made by the lead’ actors before and after their time on The Monkees. Producers Melanie Mitchell and Sarah Clark invited me, Cindy Large and Richard Woloski to vote on and then discuss (ala Casey Kasem’s American Top 40) a variety of shows such as Micky’s early work on Peyton Place, Peter’s stop off on California Dreamin’ and the all-famous, iconic Davy taking Marcia to the prom on The Brady Bunch.
It’s a double-header! First, The Gang (including Rosanne Welch) rates their favorite Monkees TV Guest Appearances from Ed Sullivan to Portlandia—and beyond. Then, Melanie and Sarah talk with Boy Meets World Writer and Producer Jeffrey Sherman about the Monkees’ guest appearance, his musical heritage, and his amazing Hollywood memories.PS–Stay tuned all the way to the end for an update from Casey Kasem!
I had a blast as a guest talking head in this Zilch round table discussion of the Top Ten guest acting spots made by the lead’ actors before and after their time on The Monkees. Producers Melanie Mitchell and Sarah Clark invited me, Cindy Large and Richard Woloski to vote on and then discuss (ala Casey Kasem’s American Top 40) a variety of shows such as Micky’s early work on Peyton Place, Peter’s stop off on California Dreamin’ and the all-famous, iconic Davy taking Marcia to the prom on The Brady Bunch.
You Can Please Some of the People Some of the Time… None of the People All of the Time: A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More!
Dr. Rosanne Welch speaks on A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More! at the California State University, Fullerton Library
Part of the program series for Dune by Frank Herbert: A 50th Anniversary Celebration.
So, when we come around to Harry Potter coming of age, that’s the same book that has all the elf stuff going on with Hermoine and she’s going to unionize the elves and all that stuff. That doesn’t appear in the movie at all. That has nothing to do with Harry Potter and his growing. So that storyline disappears. So, it’s and interesting choice. it’s a difficult choice. it’s why they then chose to split the last book in two, not just to make a lot more money, but because they did, but because they didn’t want to throw too much away and they had gained enough power and enough cache at that point that they could do that. It’s one of the more successful adaptations really of all time and in contrast little tiny things change like, for instance, you have to remember — you have to read the books again — when it’s time to get the gilly weed in the movie it gets given to him by Neville because we have to keep the Neville character alive. In the book, Dobby gives it to him, but Dobby is — we can’t waste time on him. Also, he costs money to put on-screen because he’s all fake, right? Little things like that along the way and generally fans weren’t too upset because they understood the reasons for it.
About this talk
Dr. Rosanne Welch (RTVF) speaks on the craft of history of film adaptations from the controversy of the silent film Birth of a Nation (protested by the National Association for the Advancement of Colored People in 1915) to Breakfast at Tiffany’s (to which author Truman Capote famously said, “The only thing left from the book is the title”) to The Godfather . Naturally, the behemoth in adaptation – Harry Potter (which depended on the relationship created by adapter Steve Kloves and author J.K. Rowling) will be discussed, as will the subject of this month’s celebration: Dune.
Date: Wednesday, October 14, 2015 Time: 1:00pm – 2:00pm
About Dr. Rosanne Welch
Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona. In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University. She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.
Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”