Tag: abstract

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…and there were some older books they argue about. So I won’t say that. I don’t want to put anybody down but we notice in some later texts they’re still not mentioning women enough and so that’s a big deal. That’s something – there’s no one who’s written that history of screenwriting that has the balance that without having to bring in two other books to teach you everything and then there is a great book called Anita Loos Rediscovered where they found a bunch of her written screenplays which were more or less short stories right back in the silent era but you can see the germs of who she was and how her voice came through those stories and much of her stuff has been preserved. So you can then go watch the silent film on youtube because it does still exist. So that’s a lovely way to see the growth of a writer. I like those kinds of books that – so, of course, any biography of a writer. There’s a new one on Salka Viertel that just came out and she wrote for Greta Garbo and then she also hosted salons that had most of the German refugees that moved to Hollywood. So she was sort of giving them a place to be together while they sort of found their legs in this new city.

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Host: What are these books that they couldn’t teach without? The people you know were interested in screenwriting or studying screenwriting maybe go check out or it could be film theory in general.

Rosanne: Right. Well, I definitely like Carrie Beauchamp’s book “Without Lying Down” which is the story of Francis Marion and all the other women who worked at the same time. She was a sort of a salon kind of person, lots of female friends and they helped each other. So that’s a great book. I used Tom Stemple’s “Framework” which is older now. It’s one of the first textbooks of screenwriters, not directors. He was a student at UCLA and he wrote that he was assigned to cover the –– to create the oral history for Nunnally Johnson and in getting to know the man I think he did 11 hours of tapes and so then he wrote the first biography of Nunnally Johnson. One of the earliest biographies of a writer and then we’re going to get the biographies of Dalton Trumbo coming from other people. So he sort of started this niche –– what is the history of screenwriting? Then Horton and Hockster have a really good book on screenwriting which is more modern which is good but it’s been out for about eight or nine years now and my students tend to like that.

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I started a column called the classic I couldn’t teach without because there are a lot of older books that people don’t know about and I thought well let’s highlight those right? Even though they’re not brand new and you know maybe the publishing company isn’t that excited about it. If it can stay in the canon and be reused by class after class I think that’s really useful. So like I could put in Carrie’s book on Francis Marion and other people. So yeah that was kind of a fun thing to be able to invent and then I have my students read those books in class. So then I could pick out the best of those and maybe use that in the journal. So it gave them a stepping you know stepping stone into their academic publishing.

Host: Two birds with one stone there. That’s a really good tactic and I just think that’s something that I hope people are paying attention to – this idea of you know the forgotten classics again.

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Host: When I’m trying to give people some tips on how they can maybe get their first article published and I often say to people that they should approach the book review editor and see if there’s anything that needs reviewing or of course go to the books review editor with like some really cool exhibition or something very recently seen and write book reviews because it’s a fast track way of getting yourself published and then, of course, people like you know that the person can be trusted to follow guidance and to submit to a deadline but do you have as a books review editor or just as an editor, in general, do you have any top tips for people looking to publish their first articles or…

Rosanne: Well you just gave the best one which is exactly how I got involved in the journal. I was invited to do a book review. A friend had written a book and she was like will you write a review of it. I was like oh, of course, that sounds fun. So yes then the editors got to know my name. I did a few more of those. I then published an article which was in fact about Dorothy Parker and then the book review editor was stepping down. He was changing universities and was going to get busy and so they invited me to do that and I was interested. So I started doing that and of course, then I’ve been able to help my MFA students by giving them assignments to write book reviews.

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Because I’m in the States I made sure we had an article on a show in Canada because in the States everyone kind of erases Canada just like you know northern states but obviously not right? They have beautiful tv productions and the shows they put out are very multicultural in fact and that’s part of their mandate from the government. Basically, you need to make sure that we’re seeing the whole of Canada. So it was really interesting. It was like okay we got all this – we got probably 120 abstracts – people were very anxious to be in this issue and we could only use eight or nine of them. So I’m really proud of that fact and I think that that’s something that you know if I was well I do teach classes but other people who do I would hope that they would find articles in there that they could use in their class to highlight these female screenwriters from all over. So that’s the goal and then on a regular basis, I edit the book reviews. So I’m always like someone wants to write a book review or they have a new book they want to tell me about I would gladly – I need more information. So that’s our process.