Adapting Argo for the Sake of Action from A History of the Art of Adaptation [Video] (1:14)

You Can Please Some of the People Some of the Time… None of the People All of the Time: A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More!

Dr. Rosanne Welch speaks on A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More! at the California State University, Fullerton Library

Part of the program series for Dune by Frank Herbert: A 50th Anniversary Celebration.

Watch this entire presentation

Adapting Argo for the Sake of Action from A History of the Art of Adaptation

 

Transcript:

Another change, having to do with the script, if you’ve seen the movie, of course, it’s about saving these American embassy officials who are hiding out in the Canadian Embassy during the Iranian hostage crisis. He creates this lovely — and it’s all true. He made them up to be a film crew from Canada. They were going to walk right to the airport, get on a plane and go home. In the real world, the tension that happened at the very end of the story happened inside the airport and it was because all of these embassy officials were made up to be stereotypical Hollywood people. So, the man who was one of the leading officials — who is a very straight-laced guy — who would always show up in a suit and a tie and all that, he was doing the Hollywood director bling thing with the chest hair and the gold necklace and he’s sitting at this airport. A women from another embassy, who recognized him, because she’d worked with him previously begins to approach him at the airport to say “hi” and of course she’s got this look on her face like “Why is he dressed up like this strange man? What is this Halloween or what?” And he’s sitting across [whispering] because they were afraid people would see who he was. So the women didn’t approach him. They all got on the plane and they all were safe. That moment of tension is what the screenwriter and what Affleck wanted to capture, but that is not very engaging — walking across an airport looking at a guy in an outfit. That’s not going to work.

About this talk

Dr. Rosanne Welch (RTVF) speaks on the craft of history of film adaptations from the controversy of the silent film Birth of a Nation (protested by the National Association for the Advancement of Colored People in 1915) to Breakfast at Tiffany’s (to which author Truman Capote famously said, “The only thing left from the book is the title”) to The Godfather . Naturally, the behemoth in adaptation – Harry Potter (which depended on the relationship created by adapter Steve Kloves and author J.K. Rowling) will be discussed, as will the subject of this month’s celebration: Dune.

Date: Wednesday, October 14, 2015 Time: 1:00pm – 2:00pm

About Dr. Rosanne Welch

Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona.  In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University.  She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.

Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”

Her upcoming book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture” will be published in Fall 2016

Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space are two books she has written. Los Angeles Times and the Journal of Screenwriting hold some of her published articles.

Dr. Rosanne Welch Web Site and Blog

Follow Dr. Welch on Twitter

Dr. Rosanne Welch on YouTube

Rosanne quoted in Titan: The Magazine of California State University, Fullerton, Winter/Spring 2017

Rmw csuf titan 1

“FOR SCREENWRITER Rosanne Welch, the ripple effect of being the woman in the room begins like this: “The doctor walks in …” All I have to do is write She says… and they have to hire a female. That’s how power-ful it is to have a female voice in a room,” says the lecturer of cinema and television arts. Female leaders are trending — on TV. And, much like in real life, it’s taken decades to rewrite the script, says Welch. We need more women writers in the room and more female role models at the helm, at the corporate table, in the judge’s chair, in political office — and not just on TV, she says. “We do know that it’s highly influential,” she says of TV. “We need to kind of know something’s real and then we highlight those  existences in TV, and the public sees it more often, and then it becomes more real.”

Read the entire article

A History of Screenwriting – 7 in a series – Arrival of a Train at La Ciotat (The Lumière Brothers, 1895)

I teach several classes for the Stephens College Low-Residency MFA in Screenwriting, including History of Screenwriting. In fact, I created the curriculum for that course from scratch and customized it to this particular MFA in that it covers ‘Screenwriting’ (not directors) and even more specifically, the class has a female-centric focus.  As part History of Screenwriting I, the first course in the four-class series, we focus on the early women screenwriters of the silent film era  who male historians have, for the most part, quietly forgotten in their books. In this series, I share with you some of the screenwriters and films that should be part of any screenwriters education. I believe that in order  to become a great screenwriter, you need to understand the deep history of screenwriting and the amazing people who created the career. — Dr. Rosanne Welch


Arrival of a Train at La Ciotat (The Lumière Brothers, 1895)

Arrival of a Train at La Ciotat (The Lumière Brothers, 1895)

‘Arrival of a Train at La Ciotat’ is considered to be the first motion picture in modern history (altough more an experiment from the Lumière-brothers to use their ‘invention’ of film, it shows a train arriving at a passenger station). Popular legend has it that, when this film was shown, the first-night audience fled the cafe in terror, fearing being run over by the “approaching” train.

Learn more about the Lumiere Brothers with these books

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 

The Devil, Peter Tork and The Monkees from 1960’s TV Censorship and The Monkees [Video] (0:53)

Watch this entire presentation

The Devil, Peter Tork and The Monkees from 1960's TV Censorship and The Monkees

 

“1960s TV Censorship and The Monkees” gives a brief overview of where censorship standards were in the era – and how The Monkees pushed the envelope with its mentions of the Vietnam War – and Sunset Strip riots – and even with the outrageous storytelling behind “Frodis Caper”, the episode that celebrated the saving of an alien plant that very closely resembled a marijuana plant…  

Writer Treva Silverman said the staff got away with such jokes because the network executives were just old enough not to understand any of the references.
Presented at Stephens College MFA in Screenwriting classes on Friday, August 5, 2016

Transcript:

Another episode that they have, that I like a lot is called “The Devil and Peter Tork.” It’s written by Gardener, Caruso and Kaufman. This is the Devil and Dr. Faustus and all those other versions of that story. Peter Tork wants the talent of playing the harp, because he is in love with the harp and so he sells his soul to the Devil to get that talent, but he doesn’t even understand who the devil is because he loves everybody and he’s all about peace. But eventually, the Devil shows up to take that soul and the boys won’t let him. They have a little dance sequence where they imagine what Hell might be like and theirs a lot of girls who look like Playboy bunnies. I’m not sure how we get away with that. And the whole point of it is, there’s a lovely little scene I’ll show you a clip of — they start talking about “Maybe Hell won’t be that bad.” but they bleep them every time they say the word “Hell” and eventually — well, I’ll show you that in a minute, Micky Dolenz looks at the audience and says something very funny – “You know what’s even more scary? You can’t say <cuckoo> on television.”


Buy “Why The Monkees Matter” Today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

 

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition


About Dr. Rosanne Welch

Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona.  In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University.  She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.

Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”

Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space are two books she has written. Los Angeles Times and the Journal of Screenwriting hold some of her published articles.

Dr. Rosanne Welch Web Site and Blog

Follow Dr. Welch on Twitter

Dr. Rosanne Welch on YouTube

More on Adapting Argo from A History of the Art of Adaptation [Video] (0:37)

You Can Please Some of the People Some of the Time… None of the People All of the Time: A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More!

Dr. Rosanne Welch speaks on A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More! at the California State University, Fullerton Library

Part of the program series for Dune by Frank Herbert: A 50th Anniversary Celebration.

Watch this entire presentation

More on Adapting Argo from A History of the Art of Adaptation [Video] (0:37)

 

Transcript:

So that was one change and that change happens all the time in movies and that’s regrettable because people need to be represented. We need to understand that we’re in a multi-cultural, diverse, country and every time we take a character that has some ethnic background — I mean imagine Vito Corelone — actually, when they went to make The Godfather, one of the people up for playing Michael Corelone was Robert Redford. As an Italian? How was that going to work? Right? But he was a big name. He was young. Whatever. So. that was one change that Affleck was forced to make or the movie wouldn’t have been made at all, which I think is interesting. He thought the story was worth getting out there.

About this talk

Dr. Rosanne Welch (RTVF) speaks on the craft of history of film adaptations from the controversy of the silent film Birth of a Nation (protested by the National Association for the Advancement of Colored People in 1915) to Breakfast at Tiffany’s (to which author Truman Capote famously said, “The only thing left from the book is the title”) to The Godfather . Naturally, the behemoth in adaptation – Harry Potter (which depended on the relationship created by adapter Steve Kloves and author J.K. Rowling) will be discussed, as will the subject of this month’s celebration: Dune.

Date: Wednesday, October 14, 2015 Time: 1:00pm – 2:00pm

About Dr. Rosanne Welch

Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona.  In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University.  She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.

Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”

Her upcoming book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture” will be published in Fall 2016

Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space are two books she has written. Los Angeles Times and the Journal of Screenwriting hold some of her published articles.

Dr. Rosanne Welch Web Site and Blog

Follow Dr. Welch on Twitter

Dr. Rosanne Welch on YouTube

Adapting Argo from A History of the Art of Adaptation [Video] (1:06)

You Can Please Some of the People Some of the Time… None of the People All of the Time: A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More!

Dr. Rosanne Welch speaks on A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More! at the California State University, Fullerton Library

Part of the program series for Dune by Frank Herbert: A 50th Anniversary Celebration.

Watch this entire presentation

Adapting Argo from A History of the Art of Adaptation

 

Transcript:

Argo which, of course, won the Oscar just a couple of years ago is an example of some changes that were made that are regrettable and yet the movie holds up and it’s not Ben Affleck’s fault. When Ben Affleck went to make the movie, which won an Oscar for him, he knew that in the story, which is a true story, the actual CIA gentleman is named Tony Mendez. Tony Mendez and Affleck doesn’t look like a Tony Mendez. He wanted a Latino actor to be the lead in the film. he looked for someone that the studio would approve. The only Latino actor one considers to open a movie is Antonio Banderas and he’s booked, booked, booked. Because he’s the only Latino actor who can open a movie. So, the studio said to Affleck, “Look, why don’t you play the part?”

“But I’m not Latino. It’s going to erase the ethnic feeling of this movie.”

And they said, Ok, then we just won’t make the movie.”

He said, “Ok, as long as we keep the guy’s name. Maybe people will realize” and of course, if they look at the book they will understand that we’re talking about a Hispanic actor.

About this talk

Dr. Rosanne Welch (RTVF) speaks on the craft of history of film adaptations from the controversy of the silent film Birth of a Nation (protested by the National Association for the Advancement of Colored People in 1915) to Breakfast at Tiffany’s (to which author Truman Capote famously said, “The only thing left from the book is the title”) to The Godfather . Naturally, the behemoth in adaptation – Harry Potter (which depended on the relationship created by adapter Steve Kloves and author J.K. Rowling) will be discussed, as will the subject of this month’s celebration: Dune.

Date: Wednesday, October 14, 2015 Time: 1:00pm – 2:00pm

About Dr. Rosanne Welch

Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona.  In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University.  She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.

Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”

Her upcoming book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture” will be published in Fall 2016

Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space are two books she has written. Los Angeles Times and the Journal of Screenwriting hold some of her published articles.

Dr. Rosanne Welch Web Site and Blog

Follow Dr. Welch on Twitter

Dr. Rosanne Welch on YouTube

Zor and Zam and The Monkees from 1960’s TV Censorship and The Monkees [Video] (1:00)

Watch this entire presentation

Zor and Zam and The Monkees from 1960's TV Censorship and The Monkees

 

“1960s TV Censorship and The Monkees” gives a brief overview of where censorship standards were in the era – and how The Monkees pushed the envelope with its mentions of the Vietnam War – and Sunset Strip riots – and even with the outrageous storytelling behind “Frodis Caper”, the episode that celebrated the saving of an alien plant that very closely resembled a marijuana plant…  

Writer Treva Silverman said the staff got away with such jokes because the network executives were just old enough not to understand any of the references.
Presented at Stephens College MFA in Screenwriting classes on Friday, August 5, 2016

Transcript:

In the course of this episode they do this song, which is hugely anti-war, if you look at it. Zoor and Zam.

“The king of Zor, he called for war
And the king of Zam, he answered.

Two little kings playing a game.
They gave a war and nobody came.”

That’s a hugely anti-war song to be in the middle of the still, fussing around kind of program. They got away with it. They got away with it. I’m not — I just find that fascinating. At the very end of the episode, they get to the bad plant. They’re going to kill it unti the plant says, “No, no, it’s not my fault. The other guy used me. I want to help the world. If I reenergize my Frodis power, more people will be happier. It will be a lovely thing.” This is the bad Wizard Glick and once he gets near the plant this is how he starts to feel. It’s an entire episode dedicated the love of marijuana. In 1967 in American television. I just love that.

 


Buy “Why The Monkees Matter” Today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

 

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition


About Dr. Rosanne Welch

Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona.  In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University.  She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.

Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”

Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space are two books she has written. Los Angeles Times and the Journal of Screenwriting hold some of her published articles.

Dr. Rosanne Welch Web Site and Blog

Follow Dr. Welch on Twitter

Dr. Rosanne Welch on YouTube

Adapting Sense and Sensibility from A History of the Art of Adaptation [Video] (1:10)

You Can Please Some of the People Some of the Time… None of the People All of the Time: A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More!

Dr. Rosanne Welch speaks on A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More! at the California State University, Fullerton Library

Part of the program series for Dune by Frank Herbert: A 50th Anniversary Celebration.

Watch this entire presentation

Adapting Sense and Sensibility from A History of the Art of Adaptation

 

Transcript:

We all know that recently there’s been a whole run of Jane Austen. Suddenly the whole world loves Jane Austen again, which is fun. Recently — well not that recently — Sense and Sensibility ws turned into a movies. Hugely Successful. The best of this particular story ever. It was written by Emma Thompson, who some people forget is also a writer, not just an actress. She was hired because they wanted a writer who would retain the humor on Jane Austen. Many people don’t think she has humor. And in fact she does. So, Emma Thompson was a famous comedian at the time. It was long before she did any work in America with Kenneth Branaugh, so she was just know as a comedian in England. She took on the job — it took them about 5-6 years to get it made. What’s really interesting is that she kept a diary of the process of adapting it and the process of filming the adaptation, wherein continued changes were made on a daily basis on the set. So she documents changes — why they were made — who asked for them — whether she agreed of not — how that discussion took place. It’s a really excellent look at the full process of adapting something and it became quite a financial success. So, it was a pretty big adaption to note.    

About this talk

Dr. Rosanne Welch (RTVF) speaks on the craft of history of film adaptations from the controversy of the silent film Birth of a Nation (protested by the National Association for the Advancement of Colored People in 1915) to Breakfast at Tiffany’s (to which author Truman Capote famously said, “The only thing left from the book is the title”) to The Godfather . Naturally, the behemoth in adaptation – Harry Potter (which depended on the relationship created by adapter Steve Kloves and author J.K. Rowling) will be discussed, as will the subject of this month’s celebration: Dune.

Date: Wednesday, October 14, 2015 Time: 1:00pm – 2:00pm

About Dr. Rosanne Welch

Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona.  In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University.  She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.

Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”

Her upcoming book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture” will be published in Fall 2016

Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space are two books she has written. Los Angeles Times and the Journal of Screenwriting hold some of her published articles.

Dr. Rosanne Welch Web Site and Blog

Follow Dr. Welch on Twitter

Dr. Rosanne Welch on YouTube

The Frodis Caper from 1960’s TV Censorship and The Monkees [Video] (0:56)

Watch this entire presentation

The Frodis Caper from 1960's TV Censorship and The Monkees

 

“1960s TV Censorship and The Monkees” gives a brief overview of where censorship standards were in the era – and how The Monkees pushed the envelope with its mentions of the Vietnam War – and Sunset Strip riots – and even with the outrageous storytelling behind “Frodis Caper”, the episode that celebrated the saving of an alien plant that very closely resembled a marijuana plant…  

Writer Treva Silverman said the staff got away with such jokes because the network executives were just old enough not to understand any of the references.
Presented at Stephens College MFA in Screenwriting classes on Friday, August 5, 2016

Transcript:

This particular episode is very famous. It’s call “Frodis Caper.” Frodis is a code word for marijuana. Right? And so this whole episode is built around this alien plant. What does it look like? What does it look like to you? Nobody caught that. The entire episode is built around one bad American who ties in with the alien, uses his power to zombie out everybody in town and we have to stop this guy. They do it — they use the aliens power through the TV which is the bad thing. TV will destroy your brian if you watch too much of it. So you notice this — that’s the CBS logo kind of messed around with. Their on NBC. So they’re riffing on the other network right now being the bad thing you shouldn’t focus on. 


Buy “Why The Monkees Matter” Today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

 

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition


About Dr. Rosanne Welch

Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona.  In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University.  She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.

Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”

Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space are two books she has written. Los Angeles Times and the Journal of Screenwriting hold some of her published articles.

Dr. Rosanne Welch Web Site and Blog

Follow Dr. Welch on Twitter

Dr. Rosanne Welch on YouTube

Final Thoughts On Adapting The Prince of Tides from A History of the Art of Adaptation [Video] (0:40)

You Can Please Some of the People Some of the Time… None of the People All of the Time: A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More!

Dr. Rosanne Welch speaks on A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More! at the California State University, Fullerton Library

Part of the program series for Dune by Frank Herbert: A 50th Anniversary Celebration.

Watch this entire presentation

Final Thoughts On Adapting The Prince of Tides from A History of the Art of Adaptation

 

Transcript:

I think it’s a really good movie — I mean it got an Oscar nomination. I just don’t think in this case you want to know about the book. Now, I read the book afterwards and because I was so interested in the Tom Wingo character, I was bored with the Luke character. That didn’t work for me and I thought, Oh, I wish I had read it first so I could have made that comparison, but an interesting look at how big a change you can make and still, essentially, create a successful storyline having to do with major characters who were invented. So that was a huge controversy.    

About this talk

Dr. Rosanne Welch (RTVF) speaks on the craft of history of film adaptations from the controversy of the silent film Birth of a Nation (protested by the National Association for the Advancement of Colored People in 1915) to Breakfast at Tiffany’s (to which author Truman Capote famously said, “The only thing left from the book is the title”) to The Godfather . Naturally, the behemoth in adaptation – Harry Potter (which depended on the relationship created by adapter Steve Kloves and author J.K. Rowling) will be discussed, as will the subject of this month’s celebration: Dune.

Date: Wednesday, October 14, 2015 Time: 1:00pm – 2:00pm

About Dr. Rosanne Welch

Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona.  In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University.  She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.

Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”

Her upcoming book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture” will be published in Fall 2016

Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space are two books she has written. Los Angeles Times and the Journal of Screenwriting hold some of her published articles.

Dr. Rosanne Welch Web Site and Blog

Follow Dr. Welch on Twitter

Dr. Rosanne Welch on YouTube