“Studying The Monkees illustrates the history and evolution of the medium of television and provides a time capsule of American society at the burgeoning of the focus on youth culture that continued into the millennium generation”
“If mentioned in television histories at all, The Monkees were seen as the bastard child when discussing counter-culture humor in 1960s television, behind Laugh-In and The Smothers Brothers Comedy Hour, yet they prefigured and influenced both of those programs.”
Why The Monkees Matter is now scheduled for publication for Fall 2016, just in time to gift it to your favorite Monkee’s Fans among your friends and family…and, of course, a copy for yourself, too!
I’ll send out more information about the book as it happens. You can also join the Monkees discussion on my Facebook Page, Why The Monkees Matter.
It is always fun to work with student journalists – this is a story written by one from CalPoly Pomona about the 4 volume encyclopedia my colleague Peg Lamphier and I co-edited for ABC-CLIO over the last three years – it is now available for pre-order by high school and college libraries (and any individuals who like to college encyclopedias or books about cool women!)
There’s a proverb that says “women hold up half the sky,” a centuries-old homage to the vital role women play.
Cal Poly Pomona Professors Rosanne Welch and Peg Lamphier have compiled those historic feats in a new encyclopedia titled “Women in American History.”
The four-volume set covers pre-colonial history to modern-day feminism.
“It’s women in American history and culture, so we thought about what kind of women don’t normally get into encyclopedias to ensure there was a great diversity expressed,” says Welch, who holds a doctorate in American social history of the 21st century.
Some women who are included in the compilation are ones people may not expect to see in an encyclopedia.
“Lady Gaga hasn’t made many encyclopedias, but her philanthropy and influence on media earned her a place in the book,” Welch says.
“Television forced families to see things they might not have chosen to see, but needed to see, such as independent women, people of color and new political perspectives. All these things appeared on The Monkees long before the rise of social commentary comedies such as All in the Family.”
Who Wrote The Monkees? – “Monkees At The Circus” by David Panich – Part 6 of an on-going series
David Panich wrote Monkees at the Circus as one of only a few freelancers contracted for the series and was also on the staff 1967 of writers who won the Emmy Award for Outstanding Writing Achievement in a Music or Variety show for his work on Laugh-In, a show that took a page from The Monkees by bringing the counter-culture into more and more homes in that era.
Likewise, Panich had been nominated for the same Writing award but for a different show and with a different future Monkees writer – Gerald Gardner – when they both worked on That Was the Week That Was. This is likely where Gardner knew of Panich and why Panish was invited to pitch ideas for The Monkees. He would be nominated for Laugh-in three more years in a row, and then receive a writing nomination in 1975 for his work on Cher, the show she headlined after her divorce from Sonny. A seasoned variety show sketch writer Panich had also written for The Dean Martin Show, and would later work for the Hudson Brothers and Dom DeLuise. Sadly, Panish died in 1983.
“This book allows academics to critically study The Monkees as a program that challenged the nascent rules of a new medium and paved the way for future innovation.”
As I try to keep the posts on these pages focused on the television show (since that is the focus of my book) I thought I’d post this link to a 1994 interview of Mike on the Later with Greg Kinnear.
As everyone ponders why Mike hasn’t formally joined this 50th anniversary tour, this interview shows he enjoyed his time on The Monkees, is proud of their work together on Justus, and even claims to have a favorite…