Teaching Character and Structure from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch [Video]

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Teaching Character and Structure from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch

Teaching Character and Structure from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch [Video]

 

A recording of my presentation at this year’s University Film and Video Association (UFVA) 2017 conference.

Transcript:

I think when you teach slient films and early films of course your teaching character because that is where all these archetypes came from. Yes, we can go back to France and we can go back to Aristophanes. They came from way back then, but on the film they came from this time period and we find all these characters in these early films.Sometimes in more simplistic ways which helps students understand how to back to the simple part of their story — who wants what and what’s getting in their way and you see that in this sort of film. You can teach structure in teaching silent films because we all know the purpose of having 3 acts is because you had reels and you had 1 reel and then 2 reels and then 3 reels and began to write in terms of that. It was also Paul Gulino’s sequence approach which is just about each reel. You have 8 reels, 8 sequences. They visualize, ‘Oh, this is why they do it this way because they had to to — oh, I get it!” It helps students understand the history of this profession. I love that Warren calls it a profession because that is what it is.

Books Mentioned In This Presentation

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Silent Films and Diversity from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch [Video]

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Silent Films and Diversity from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch

Silent Films and Diversity from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch [Video]

 

A recording of my presentation at this year’s University Film and Video Association (UFVA) 2017 conference.

Transcript:

Teaching Silent Films allows you to teach diversity again because there were filmmakers of all colors and ethnic backgrounds. Much of that work has been lost. Some of it is findable. Oscar Micheaux was one of the people I found for my students. He was a hugely successful African-American writer/director and he also wrote novels and he translated his novels into films. One of them is called Within Our Gates and it’s free on YouTube as well and he looked at middle class African-Americans talking in the 1910’s and presented them to the audience in ways that other movies were not and I thin kit’s important for them to know his work in line with Cecil B. DeMille and D. W. Griffith and all those other guys because they’re not the only men – they’re not the only people who are around but if you look at film history classes that’s all they’ve learned and that really bothers me.

Books Mentioned In This Presentation

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Silent Films Are Important from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch

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Silent Films Are Important from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch

Silent Films Are Important from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch

 

A recording of my presentation at this year’s University Film and Video Association (UFVA) 2017 conference.

Transcript:

So, I think it’s really important to teach silent films because we’re teaching the screenwriters that the visual is important. Much as I love the words more, you do have to think about how they’re shown and, of course, these are visuals that show is the emotion of the moment and I think that they are really beautiful. So, it’s fun for the students — I totally agree with Warren — to have this heritage in their life, to understand that this all came before them. That’s very, very important.

Books Mentioned In This Presentation

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A History of Screenwriting 48 – The Engagement Ring – Mabel Normand – 1912

A History of Screenwriting 48 – The Engagement Ring – Mabel Normand – 1912

Alice has two persistent suitors, one rich, one poor. Each buys her an engagement ring; the rich man pays cash, but the poor man must pay on installments. He has trouble making the payments, but then he’s injured in an auto accident and the settlement allows him to pay off the ring and propose to Alice.


Learn More About Mabel Normand with these books

* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available at the LA Public Library

More On Women in Early Filmmaking from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch

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Women in Early Filmmaking from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch

More On Women in Early Filmmaking from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch

 

A recording of my presentation at this year’s University Film and Video Association (UFVA) 2017 conference.

Transcript:

 In Beauchamp’s book, you’ll see all these famous women. My great joy is that one of my students, who teaches directing, found Lois Weber in my class who wrote and directed her films back in the day and now incorporates her into the set of directors that he teaches as examples because she had that kind of career back in the day. Eve Unsell ran her own production company for Universal for 10 years. Made a ton of movies that are very very successful in the day. She also allows us to go into the place where we discuss the problems with films whether it is back them or today because she was involved in what, back then, were yellow race films which were anti-Asian-American films and so that’s something students should understand about. So, again that goes back to to the title of what we are talking about and I talk fast because I’m Sicilian. I also don’t want to eat up all the time.

Books Mentioned In This Presentation

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Writers in Hollywood, 1915-1951 Hardcover by Ian Hamilton | Gifts for the Screenwriter #7

Writers in Hollywood, 1915-1951 Hardcover by Ian Hamilton | Gifts for the Screenwriter #7

Writers in Hollywood, 1915-1951 Hardcover by Ian Hamilton | Gifts for the Screenwriter #7

I found Ian Hamilton’s book long before I had any inkling that I would ever be involved in creating a course on The History of Screenwriting (as opposed to History of Film, which always means History of Directors).  I enjoyed his look into the personalities that made up the earlier eras of the screenwriting colony here in Los Angeles, many of them transplanted New Yorkers from the journalism or playwright world drawn to the other coast for the fast money – and sometimes faster lifestyles – Hollywood was known for back then. Hamilton’s coverage of the era from 1915-1951 is both entertaining and educational. – Rosanne

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 

Writing the Pilot by William Rabkin | Gifts for the Screenwriter #6

Writing the Pilot by William Rabkin | Gifts for the Screenwriter #6

Writing the Pilot by William Rabkin | Gifts for the Screenwriter #6

Bill Rabkin understands what makes writing a pilots different from writing  regular episodes of a continuing series and explains that all in this clear, concise book. Having worked in television for a solid couple of decades on many fan favorites, Rabkin should know. – Rosanne

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Screenplay: Building Story Through Character | Gifts for the Screenwriter #5

Screenplay: Building Story Through Character | Gifts for the Screenwriter #5

Screenplay: Building Story Through Character | Gifts for the Screenwriter #5

Screenwriter Jule Selbo created  Building Story Through Character after years of writing on successful television shows and films and then creating the MFA in Screenwriting at California State University, Fullerton where she teaches those skills to up and coming writers. Her focus on character and her 11 Steps of Story Structure streamlines ideas from other screenwriting gurus whose lists are longer and (to my mind) more contrived. You can take Selbo’s 11 Steps and apply them to stories as old as Gilgamesh and as modern as  Wonder Woman – as she does in the book so that the reader can see the pattern repeat itself over and over again.- Rosanne

Doctor Who: The Writer’s Tale by Russell T. Davies | Gifts for the Screenwriter #4

Doctor Who: The Writer’s Tale by Russell T. Davies | Gifts for the Screenwriter #4 It is nearly impossible to ‘teach’ a student how to become an executive producer/head writer but this collection of emails between Russell T. Davies and reporter, Benjamin Cook encapsulates a year in the life of Davies as he wrapped out the Doctor Who tenure of David Tennant . One watches a story idea go from a simple sentence about ‘water being dangerous’ to a full-fledged script called “Waters of Mars” in a matter of weeks while also reading the difficulty in planning characters for guest stars who end up changing their schedules and dropping out of a project. Those kinds of real moments make this book a must-read for aspiring television writers on either side of the pond. – Rosanne

Women in Early Filmmaking from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch

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Women in Early Filmmaking from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch

Women in Early Filmmaking from Giving Voice to Silent Films and the Far From Silent Women Who Wrote Them with Dr. Rosanne Welch

 

A recording of my presentation at this year’s University Film and Video Association (UFVA) 2017 conference.

Transcript:

So I teach history and I start in the silent film world, so I disagree with Warren. I go chronologically. This is a period they have never heard of and all the movies are free on YouTube. Nothing like telling them they can watch whatever they have to watch for free. That works, right? And so here they meet Anita Loos, Gene Gauntier — the first women — the first person to do filming on location. She went to Jerusalem to film the story of Jesus Christ — the first time it was put on film and it’s a really beautiful film you can see, for free, on YouTube. Then Jeanie MacPherson who wrote all of Cecil B. DeMille’s early movies that were successes. When she stopped working for him all his stuff failed. Nobody knows her name and she’s quite brilliant. So I thinks it’s important for women students today to know that women once ran Hollywood so all this discussion about “I don’t know if women should direct a movie” is not worth having, because they did and they were. They were the highest paid people in this town, so I think that’s important an important think for them to remember. 

Books Mentioned In This Presentation

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