From The Research Vault: Dolenz, Jones, Boyce & Hart on The Dinah Shore Show 1976

On this 1976 episode of The Dinah Shore Show Micky and Davy introduce their new group – Dolenz, Jones, Boyce and Hart. They begin by singing a medley of Monkees tunes with Dinah, then move to the couch and chat about Micky and Davy’s participation in a recent charity tennis tournament in Africa where they played tennis with Elizabeth Taylor and Richard Burton and Dean Paul (Dino) Martin Jr.  Finally the guests participate in an impromptu spelling bee in honor of the other young guest on the show who had won that year’s spelling bee. 

The conversation is vintage Hollywood celebrity of the 1970s. It wraps up with DJB&H admittedly lip synching to their new song – so that sound quality is low since the onstage microphones could not pick up the music that was piping in to the audience.  It’s interesting to see that the more impromptu singing of the earlier medley – with Micky playing guitar for Pleasant Valley Sunday – was live and the full song at the end was not. Micky makes several jokes about how Hollywood works, again representing the fact that he was a child of the town moreso than any of the others.

From The Research Vault: Dolenz, Jones, Boyce & Hart on The Dinah Shore Show 1976


Why The Monkees Matter: Teenagers, Television and American Pop Culture

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Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 41 in a series – Ethnic Studies

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It was not possible to look at The Monkees through the prism of Ethnic Studies during its initial run on television, but it is possible – and is also enlightening – to do so now. 

The Monkees run on NBC came at the tail end of the Civil Rights Movement that urged the expansion of Ethnic Studies and in the midst of the Red Power Movement that would culminate in the occupation of Alcatraz Island in 1969. 

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 Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

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Adapting The Prince of Tides from A History of the Art of Adaptation [Video] (1:03)

You Can Please Some of the People Some of the Time… None of the People All of the Time: A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More!

Dr. Rosanne Welch speaks on A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More! at the California State University, Fullerton Library

Part of the program series for Dune by Frank Herbert: A 50th Anniversary Celebration.

Watch this entire presentation

Adapting The Prince of Tides from A History of the Art of Adaptation

 

Transcript:

Here’s one of the most controversial adaptations over the last 15 years. Pat Conroy and The Prince of Tides which was purchased by Barbra Streisand’s company to be turned into a film. People who read Conroy’s stuff — and particularly this novel — they were so in love with this book and I must say, I read it after I saw the movie, so it was a very unique experience. Had I read it first, I might have been on their side and angry with how the movie came out, but I didn’t. So, I didn’t understand and the movies, I thought, was quite well done. It got many Oscar nominations and whatnot. The story here is about a southern family  — Tome Wingo is our lead character — the sister, Savannah, the brother Luke — who has committed suicide in the course of the novel and this therapist, Susan Lowenstein, who is played by Barbra Streisand who also directed the film. So, in the book, we have the family and the therapist and the therapist is working with the girl, Savannah, because she has tried to commit suicide and so we have to understand that it all traces back to this dark day in the family where this awful thing happened and the mother covered it up.    

About this talk

Dr. Rosanne Welch (RTVF) speaks on the craft of history of film adaptations from the controversy of the silent film Birth of a Nation (protested by the National Association for the Advancement of Colored People in 1915) to Breakfast at Tiffany’s (to which author Truman Capote famously said, “The only thing left from the book is the title”) to The Godfather . Naturally, the behemoth in adaptation – Harry Potter (which depended on the relationship created by adapter Steve Kloves and author J.K. Rowling) will be discussed, as will the subject of this month’s celebration: Dune.

Date: Wednesday, October 14, 2015 Time: 1:00pm – 2:00pm

About Dr. Rosanne Welch

Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona.  In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University.  She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.

Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”

Her upcoming book, “Why The Monkees Matter: Teenagers, Television and American Pop Culture” will be published in Fall 2016

Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space are two books she has written. Los Angeles Times and the Journal of Screenwriting hold some of her published articles.

Dr. Rosanne Welch Web Site and Blog

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Dr. Rosanne Welch on YouTube

From the Index… The T’s & U’s – “Why The Monkees Matter”

Wonder what and who I mentioned in “Why The Monkees Matter”? Check out these index entries!

Tayback, Vic  21, 70, 73

Taylor, Rip  92

Teen Wolf  114

Television Parts  155

Temple, Shirley  13

Ten Little Indians  113

That Girl  13, 55

That Was The Week That Was  46, 113

30 Rock  109

Thriller  117

Tick, The  155

Tiger Beat  124

Tinker, Grant  96

Tolkien, J.R.R.  31

“Too Many Girls”  77, 88, 98, 116, 132

Tootsie  111

Top of the Pops  66

Tork, Peter  2, 3, 6-7, 10, 14, 21-22, 24-27, 29-37, 39-41, 45, 47, 50, 52, 55, 59-63, 65, 69-70, 72-76, 78, 80-81, 87-93, 95-100, 103-104, 107-109, 111-112, 115, 118, 120-121, 123-129, 132, 134-138, 140, 142-145, 148-149, 151-152, 154-156

Transcendental Meditation  32

Treasure of the Sierra Madre, The  91

Trillin, Calvin  113

Truffaut, Francois  43

Tubor, Morton  96

Tucker, Larry  27, 44, 46, 57, 84

Tuesdays with Morrie  133

Turteltaub, Saul  113

Turtles, The  152

TV Guide  17, 83, 89, 144

Twain, Mark  112

26th Amendment  156

Twilight Zone, The  84

Two and a Half Men  53


Ullrich, Lars  152


 
 

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

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Fans and The Monkees and Conclusion from An Interview with Dr. Rosanne Welch, Author of “Why The Monkees Matter” on the Zilch Podcast [Audio]

A clip of an interview with Dr. Rosanne Welch, author of “Why The Monkees Matter” from Zilch: A Monkee’s Podcast: Episode 48.

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Listen to the complete Zilch Podcast: Episode 48


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 Why The Monkees Matter: Teenagers, Television and American Pop Culture

 

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Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 40 in a series – Gender Bending

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Quotes from

The overall feminist discourse nurtured by the creative team on the show continued in the second season. “Wild Monkees” offers a look at both feminism and masculinity with a side order of gender-bending when a pack of female bikers arrives at a broken down old hotel where the band is playing, while also working as bell hops and waiters to earn the right to play. Upon their arrival, swathed in sunglasses, helmets and scarves, the female bikers are assumed to be men until one of them kisses Davy, revealing herself to be a female to the audience and to Davy. 

from Why The Monkees Mattered by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

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The overall feminist discourse nurtured by the creative team on the show continued in the second season. “Wild Monkees” offers a look at both feminism and masculinity with a side order of gender-bending when a pack of female bikers arrives at a broken down old hotel where the band is playing, while also working as bell hops and waiters to earn the right to play. Upon their arrival, swathed in sunglasses, helmets and scarves, the female bikers are assumed to be men until one of them kisses Davy, revealing herself to be a female to the audience and to Davy.

From the Index… The S’s – “Why The Monkees Matter”

Wonder what and who I mentioned in “Why The Monkees Matter”? Check out these index entries!

Sager, Carole Bayer  53

“Salesman”  30

Sandoval, Andrew  7, 40

Sammy Davis Jr. Show, The  68

Sanford and Son  53, 117

Sanford, Lee  115

Sargent, Herbert  113

Saturday Night Live  113

“Saturday’s Child”  79

Sawyer, Diane  130-131

Schlitt, Robert (Bob)  20, 29, 50, 58, 63, 65, 86-87, 89, 126

Schisgal, Murray  112

Schneider, Bert  24, 44-47, 84, 94, 97, 104, 115, 127, 146

Schultz, Charles  69

Scooby Doo  49

Secret Life of the American Teenager, The  22

Seeger, Pete  34, 40

Seinfeld, Jerry  121, 145

Selleck, Tom  119

Seneca Falls Convention  56

Sergeant Bilko  72

Seventh Heaven  155

77 Sunset Strip  15-16, 105

Sex and the City  65

Sgt. Pepper’s Lonely Hearts Club Band  7, 19, 24, 135

Shaw, Reta  77-78

“She Hangs Out”  148

Shepherd, Gerald  97-98

Sherman, Bobby  130-132, 151

Shindell, Richard  149

Shindig  19, 122, 132

Silverman, Treva  40, 50-52, 56, 70, 78-80, 91, 101-102, 113, 126, 135, 137

Simpsons, The  154

Sinatra, Frank  8, 49

Singer, Alex  98

16Magazine  136

Smalls, Charlie  69

Smith, Will  8

Smothers Brothers Comedy Hour, The  6, 20, 34

“So You Want To Be A Rock ‘n’ Roll Star”  148, 151

Solid Gold Cadillac  105

Some Like It Hot  87, 111

“Some Like It Lukewarm”  63, 65, 66, 69, 110-112,

“Sometime in the Morning”  21, 39, 63

“The Son of a Gypsy”  78, 132, 136

Sonny and Cher Comedy Hour, The  20

Soprano’s The  72

Sotomayor, Sonya  6

Spencer, Alfred E.  105

Spitting Image  154

Splendor in the Grass  17

Spongebob Squarepants  155

“The Spy Who Came In From The Cool”  38, 78, 86, 90, 114, 126

Smith, Roger  15

Star Trek  68, 79, 114, 131, 139, 152-153

Star Trek: The Next Generation  107

Starr, Ringo  125, 154

Steinbeck, John  115

Steinem, Gloria  113

Stevens, Connie  15

Stills, Stephen  36, 123, 148

Stipe, Michael  149

Stone Poneys  89

Stonewall Riots  26

Streets of San Francisco, The  105

“Success Story”  20, 35, 54, 98, 109, 117, 137

Summer Stock  105

Sunset Boulevard Riots  13, 36, 39, 69

Swan Lake  91

Switch  119

Sylvester, Ward  47, 51, 91, 118, 124, 135, 139

 
 

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

  

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Timeless Themes and The Monkees from An Interview with Dr. Rosanne Welch, Author of “Why The Monkees Matter” on the Zilch Podcast [Audio]

A clip of an interview with Dr. Rosanne Welch, author of “Why The Monkees Matter” from Zilch: A Monkee’s Podcast: Episode 48.

Listen to this clip

Zilch48

Listen to the complete Zilch Podcast: Episode 48


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 Why The Monkees Matter: Teenagers, Television and American Pop Culture

 

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Timothy Leary & The Monkees from 1960’s TV Censorship and The Monkees with Dr. Rosanne Welch [Video] (1:04)

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Timothy Leary & The Monkees from 1960's TV Censorship and The Monkees with Dr. Rosanne Welch

 

“1960s TV Censorship and The Monkees” gives a brief overview of where censorship standards were in the era – and how The Monkees pushed the envelope with its mentions of the Vietnam War – and Sunset Strip riots – and even with the outrageous storytelling behind “Frodis Caper”, the episode that celebrated the saving of an alien plant that very closely resembled a marijuana plant…  

Writer Treva Silverman said the staff got away with such jokes because the network executives were just old enough not to understand any of the references.
Presented at Stephens College MFA in Screenwriting classes on Friday, August 5, 2016

Transcript:

Timothy Leary back in the day actually wrote about them in one of his books and he wrote — I think this is very funny — “An early Christian electronic satire” or “a jolly Buddha laugh at hypocrisy.” so he saw right through what they were doing while other people were missing it. it’s in “The Politics of Ecstasy” and I like the particular phrase down here, they “use the new energies to sing the new songs and pass on a new message” and the message is really important because this show was being aired and was being watched by 13, 14 and 15 year olds. Their older brothers and sisters were already into The Beatles, right, but these younger kids move into the 70’s — these are the kids that are protesting the Vietnam War. So they got this message early on in their life. Micky Dolenz, this is line he gave in one of the episodes after he ranted about something and then he looked at the screen and said that. One of the things I love about the show is its metatextuality and that is something that I wrote about in the book, which not all shows do, but when you break the 4th wall and you address the audience, they did that all the time. Which is a very older style thing. Of course, it’s a Shakespearean thing. George Burns and Gracie Allen did it all the time. They did it all the time which I think is very funny. 


Buy “Why The Monkees Matter” Today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

 

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About Dr. Rosanne Welch

Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona.  In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University.  She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.

Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”

Three Ring Circus: How Real Couples Balance Marriage, Work and Kids and The Encyclopedia of Women in Aviation and Space are two books she has written. Los Angeles Times and the Journal of Screenwriting hold some of her published articles.

Dr. Rosanne Welch Web Site and Blog

Follow Dr. Welch on Twitter

Dr. Rosanne Welch on YouTube

A History of Screenwriting – 1 in a series – The Cabbage Fairy (La Fée aux Choux)

I teach several classes for the Stephens College Low-Residency MFA in Screenwriting, including History of Screenwriting. In fact, I created the curriculum for that course from scratch and customized it to this particular MFA in that it covers ‘Screenwriting’ (not directors) and even more specifically, the class has a female-centric focus.  As part History of Screenwriting I, the first course in the four-class series, we focus on the early women screenwriters of the silent film era  who male historians have, for the most part, quietly forgotten in their books. In this series, I share with you some of the screenwriters and films that should be part of any screenwriters education. I believe that in order  to become a great screenwriter, you need to understand the deep history of screenwriting and the amazing people who created the career. — Dr. Rosanne Welch


The Cabbage Dairy (La Fée aux Choux) – Alice Guy Blaché

Cabbage fairy

Alice Guy Blaché on Wikipedia

Alice Guy’s first film, and arguably the world’s first narrative film, was called La Fée aux Choux (The Cabbage Fairy) in 1896. It is a humorous story of a woman growing children in a cabbage patch. There is speculation surrounding the actual date of the film and different historians have argued about the dating and the labeling of it as ‘the first narrative film’ because of its extremely close release to another catalogued Gaumont film and other narrative-esque films from Méliès.[8]Wikipedia

The Cabbage Fairy (La Fée aux Choux)

Books on Alice Guy Blaché

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