On Screenwriting and Media with Dr. Rosanne Welch
Writing, Film, Television and More!
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A recording of my presentation at this year’s University Film and Video Association (UFVA) 2017 conference.
Transcript:
You got to the next question which is my first exercise in class — Name the writer. Lucky if they can. If it’s a writer/director, they can. Otherwise, they can’t and they suddenly are embarrassed because they adore the words of a person whose name they can’t tell you. If they have a favorite book they can tell you who wrote it, but they don’t know who wrote their favorite film. So it’s my goal to make them know that. I can’t stand the Auteur Theory because I think it’s bullshit. Directors aren’t the authors of their film. I don’t want to insult any directors in the class but you can’t direct something that doesn’t exist on the page first. It’s a collaborative thing and directors have lovely, but they’ve been given all the credit for far too long because, as we know, it goes back to all the book reviews in Cahiers and they came up with that theory. It’s nonsense.
Books Mentioned In This Presentation
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Peg Lamphier (@peglamphier) and I working on our next talk, “The Last Lecture”
Talk Is open to the public:
Cal Poly Pomona
3801 W Temple Ave, Pomona, CA 91768
Bronco Student Center (BSC)
Ursa Minor Conference Room
November 30, 2017 3pm-5pm
I, and my co-editor, Peg Lamphier, were happy to receive notice this morning that our 4-volume encyclopedia set, Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection was awarded Best Women’s Issues Book for 2017 at the American Book Fest.
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THE 14TH ANNUAL BEST BOOK AWARDS Mainstream & Independent Titles Score Top Honors Wiley, McGraw-Hill, Houghton Mifflin Harcourt, St. Martin’s Press, Penguin Random House, Hachette Book Group, Rowman & Littlefield, New American Library, Forge/Tor Books, John Hopkins University Press, MIT Press and hundreds of Independent Houses contribute to this year’s Outstanding Competition! |
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LOS ANGELES – American Book Fest has announced the winners and finalists of The 2017 Best Book Awards on November 9, 2017. Over 400 winners and finalists were announced in over 90 categories. Awards were presented for titles published in 2015-2017. Jeffrey Keen, President and CEO of American Book Fest said this year’s contest yielded over 2,000 entries from mainstream and independent publishers, which were then narrowed down to over 400 winners and finalists. Keen says of the awards, now in their fifteenth year, “The 2017 results represent a phenomenal mix of books from a wide array of publishers throughout the United States. With a full publicity and marketing campaign promoting the results of the Best Book Awards, this year’s winners and finalists will gain additional media coverage for the upcoming holiday retail season.” Winners and finalists traversed the publishing landscape: Wiley, McGraw-Hill, Houghton Mifflin Harcourt, St. Martin’s Press, Penguin Random House, Hachette Book Group, Rowman & Littlefield, New American Library, Forge/Tor Books, John Hopkins University Press, MIT Press and hundreds of independent houses contributed to this year’s outstanding competition! Keen adds, “Our success begins with the enthusiastic participation of authors and publishers and continues with our distinguished panel of industry judges who bring to the table their extensive editorial, PR, marketing, and design expertise.” American Book Fest is an online publication providing coverage for books from mainstream and independent publishers to the world online community. American Book Fest has an active social media presence with over 96,000 current Facebook fans. A complete list of the winners and finalists of The 2017 Best Book Awards are available online at American Book Fest. |
See a complete list of nominees and award winners here
Watch this entire presentation
A recording of my presentation at this year’s University Film and Video Association (UFVA) 2017 conference.
Transcript:
This is about strategies in teaching film and television history and current events — which is what David will do when I am done — and so, gee, I’m all about the chicks so we have Dorothy Parker and we have Tina Fey. There is a direct line between those women and if you love Tina Fey then you had better study a little bit of Dorothy Parker or you don’t understand why Tina Fey works today. So, why study screenwriting history? That’s actually the first screen of a lecture that I give on this very topic to my students on opening day because when you mention movies nobody says, “You know I love that shot in… ” They say, “My name is Inigo Montoya.You killed my father. Prepare to Die.” They remember the words in the movies. They remember the screenwriting, but when we look at the history of tv and film, we’re not doing that. We’re teaching directors. Everyone can name their favorite films and they can normally name the director of those films.
Books Mentioned In This Presentation
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Watch this entire presentation
A recording of my presentation at this year’s University Film and Video Association (UFVA) 2017 conference.
Transcript:
I am also on the editorial board for Written By Magazine and the book review editor of the Journal of Screenwriting so if anyone’s interested in writing book reviews for the Journal of Screenwriting which publishes out of the UK, please let me know because I am always looking for book reviewers and you get the book for free, but also I have — the schools that I teach at have subscription to the journal. I have students read journal articles because I want them — it is a Masters Program — I want them to have a comfort level with that, but I have my undergrads at least do one journal article reading as well to have an accessibility to that. And then I get the schools and/or the kids to read Written By Magazine every month. We do a different screenwriter or television writer on the front cover. It’s a wonderful inside look at how the process of writing is done. The subscription is not that expensive, rather than a textbook for undergrads, but we also publish most of that online for free at the Written By web site, so they can read these articles on their own as assignments and learn about these writers. So I think all that stuff is valid for the class.
Books Mentioned In This Presentation
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