From The Research Vault: Teen Television: Essays on Programming and Fandom by Sharon Marie Ross,‎ Louisa Stein

From The Research Vault: Teen Television: Essays on Programming and Fandom by Sharon Marie Ross, Louisa Stein

This essay collection explores the phenomenon of “teen TV” in the United States, analyzing the meanings and manifestations of this category of programming from a variety of perspectives. Part One views teen television through an industrial perspective, examining how networks such as WB, UPN, The CW, and The N have created a unique economic framework based on demographic niches and teen-focused narrowcasting. Part Two focuses on popular teen programs from a cultural context, evaluating how such programs reflect and at times stretch the envelope of the cultural contexts in which they are created. Finally, Part Three explores the cultures of reception (including the realms of teen consumerism, fan discourse, and unofficial production) through which teens and consumers of teen media have become authors of the teenage experience in their own right. — Amazon.com


 

Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

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Quote from “America’s Forgotten Founding Father” by Dr Rosanne Welch – 4 in a series – To Medical School

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“Ten years later Filippo, serious and lean at seventeen, stood on Piazza Santa Maria Nuova in Florence, at the gates of Santa Maria Nuova Hospital, unsure of if he could even enter a place with such an imposing history. Founded in 1288 by Folco Portinari, the father of the beloved Beatrice of Dante’s Divine Comedy, Santa Maria Nuova was also the place where Da Vinci had once been a medical intern, as Filippo was about to be.”

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Quote from “America’s Forgotten Founding Father” by Dr Rosanne Welch – 3 in a series – Dreaming of travel…and America

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“Filippo had a restless spirit. He questioned everything and wanted always to know why unfairness and injustice seemed to thrive in the world. Often, the young boy’s mind wandered off on such questions. Other days he dreamed of the far off places he would someday see. Florence, which was more than ten whole miles away. Or England. India with its spices and the Taj Mahal he had seen drawings of in Professor Rosati’s books. Or that fantasy land across the ocean, discovered by an Italian over a hundred and forty years before.”

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A History of Screenwriting 57 – New York Nights starring Norma Talmadge, Written by Hugh Stanislaus Stange and Jules Furthman – 1929

A History of Screenwriting 57 – New York Nights starring Norma Talmadge, Written by Hugh Stanislaus Stange and Jules Furthman – 1929

A History of Screenwriting 57 - New York Nights starring Norma Talmadge, Written by Hugh Stanislaus Stange and Jules Furthman - 1929

Poster - New York Nights (1929) 01.jpg
By Employee(s) of United Artists – http://doctormacro.com/Movie%20Summaries/N/New%20York%20Nights%20%281929%29.htm, Public Domain, Link

New York Nights is a 1929 American pre-Code crime film, directed by Lewis Milestone, and based on 1928 play Tin Pan Alley by Hugh Stanislaus Stange.[2] The film is known for being leading actress Norma Talmadge’s first sound film.

Jill Deverne is a chorus girl married to alcoholic composer Fred. She wants to show Fred’s latest song, A Year From Today, to racketeer Joe Prividi. Prividi is the producer of the musical show in which she is working, and agrees to use his song. Fred, however, refuses any favors and rejects Prividi’s offer. When Prividi uses the song anyway, Fred and his friend Johnny Dolan become drunk and show up at a nightclub.

In a raid, the police discover Fred with chorus girl Ruthie. Jill is disgusted with his behavior and dumps him. She is soon courted by Prividi, who is very overprotective. At a private party, a gambler forces himself on her and is shot by Prividi. Prividi is arrested and sent to jail. Jill does not want to be left behind, and plans a future with Fred. Prividi becomes jealous and sends gunmen to shoot and kill Fred. He is eventually stopped and put in jail, while Jill and Fred ride off in a train to start a new life. – Wikipedia


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Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 94 in a series – Corporate Control

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Nesmith reacted to the corporate control of their music in an interview after the cancellation of the program when he expressed the idea that the music establishment might have been jealous of their immediate success and denied them recognition as musicians. “People think we’re tools of the establishment,” he says, “but we’re not. We’re really the truest expression of the iconoclastic youth of today.”

from Why The Monkees Matter by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

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From The Research Vault: Review: Deep cuts from Tom Petty & the Heartbreakers at the Fonda by Randall Roberts, Los Angeles Times

From The Research Vault: Review: Deep cuts from Tom Petty & the Heartbreakers at the Fonda by Randall Roberts, Los Angeles Times

From The Research Vault: Review: Deep cuts from Tom Petty & the Heartbreakers at the Fonda by Randall Robert, Los Angeles Times

On Monday night in Hollywood, Tom Petty had Los Angeles ghosts on his mind as he and his longtime band the Heartbreakers opened the first of six shows at the Fonda. They introduced themselves through the Byrds’ 1967 classic “So You Want to Be a Rock ‘n’ Roll Star” and paid homage to that song’s inspiration, the Monkees, with a rebuttal via “(I’m Not Your) Stepping Stone.” 

Read the the entire article – Review: Deep cuts from Tom Petty & the Heartbreakers at the Fonda by Randall Roberts, Los Angeles Times


 

Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

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Quote from “America’s Forgotten Founding Father” by Dr Rosanne Welch – 2 in a series – Mazzei is born on Christmas Day

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Elisabetta felt one last labor pain and lost consciousness. When she awoke Caterina was placing her new child in her husband Domenico’s arms as he, their two other boys, and his parents, all entered the small bedroom together. It was December 25, 1730.

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His loyalty lasted a lifetime… Surgeon, merchant, vintner, and writer Filippo Mazzei influenced American business, politics, and philosophy. Befriending Benjamin Franklin and Thomas Jefferson, Mazzei was a strong liaison for others in Europe. Mazzei was Jefferson’s inspiration for the most famous line in the Declaration of Independence: “All men are created equal.” Clearly, Mazzei had a gift of language and often used his words to share his ideas about religious freedom. Mazzei encouraged other Italians still living overseas to join him in a country rich with opportunity and promise. Often, when returning from Italy, he booked passages on ships for people who desired to travel to America and employed them on his estate—just to ensure a better, more fruitful life for everyone. During those travels, Mazzei found himself at the center of many fights for freedom. He was truly a friend to freedom around the world.

From The Research Vault: KDWB Radio Tapes from Radio Tapes, August 8, 1967

From The Research Vault: KDWB Radio Tapes from Radio Tapes, August 8, 1967

From The Research Vault: KDWB Radio Tapes from Radio Tapes, August 8, 1967

THE MONKEES ON KDWB-AM IN 1967

The Monkees were in the Twin Cities for a concert and broadcast from KDWB’s “Secret City” with a remote from the hotel where the band was staying. Featuring Michael Nesmith, Peter Tork, Micky Dolenz and Davy Jones.

The recordings feature candid, silly and serious moments from The Monkees – a wonderful collection of recordings during the two days The Monkees took over the radio station.

August 3, 1967 to 4 am on August 4, 1967: Starting with coverage of the Monkees’ airplane arrival at Minneapolis-St. Paul International Airport followed by Michael, Peter, Micky and Davy broadcasting from “Secret City” playing records, performing a skit, and some candid comments by Micky about criticism concerning the group not playing all instruments in their songs, thoughts about The Beatles, and more. Includes KDWB personalities Charlie Brown, Earl Trout, Tac Hammer, Bobby Davis and newscast by Robert Davis. #1 30 MB – #2 21 MB(provided by Curt Lundgren)

August 4, 1967 (3:00-6:00 pm): Mostly featuring Michael Nesmith and Peter Tork spinning records with Michael having fun insulting KDWB advertisers including Dayton’s and J A Gerber Jewelers and Peter playing the banjo. Includes newscast by Don Miller.    #1 16 MB – #2 23 MB – #3 19 MB – #4 8 MB    (provided by Phil Kitchen and Jeanne Anderson)

Includes commercials for J A Gerber Jewelers, Durkee Seasoned Spices, Ray Conniff “This is My Song” album, Pedwin Shoes, Baskin-Robbins, Preparation H, Heileman Old Style Beer, Minnesota Dragways, NCC Drive-In Theaters, “The Big Mouth” with Jerry Lewis (movie), Dad’s Root Beer, Mobile, Wrigley’s Spearmint Gum, Schlitz Beer, Coca Cola (sung by Ray Charles), STP, Summer Blonde Hair Spray, Honda and Hamm’s Beer. 

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Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

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Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 93 in a series – Reviled by their Peers?

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To refute the cultural myth that all their peers reviled them in their first incarnation, it appears the opposite was the more true from the very beginning. As a television program, The Monkees won two Emmy Awards in their first season, for Outstanding Comedy Series and for Outstanding Directorial Achievement for a Comedy. 

from Why The Monkees Matter by Dr. Rosanne Welch —  Buy your Copy today!

 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

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A History of Screenwriting 56 – Male and Female starring Gloria Swanson – Written by Jeanie Macpherson – 1919

A History of Screenwriting 56 – Male and Female starring Gloria Swanson – Written by Jeanie Macpherson – 1919

A History of Screenwriting 56 - Male and Female starring Gloria Swanson - Written by Jeanie Macpherson - 1919

A History of Screenwriting 56 - Male and Female starring Gloria Swanson - Written by Jeanie Macpherson - 1919

 

Male and Female is a 1919 American silent adventure/drama film directed by Cecil B. DeMille and starring Gloria Swanson and Thomas Meighan.[2] Its main themes are gender relations and social class. The film is based on the J. M. Barrie play The Admirable Crichton.[1]

A previous version was filmed the year before in England as The Admirable Crichton

The film centers on the relationship between Lady Mary Loam (Swanson), a British aristocrat, and her butler, Crichton (Meighan). Crichton fancies a romance with Mary, but she disdains him because of his lower social class. When the two and some others are shipwrecked on a deserted island, they are left to fend for themselves in a state of nature.

The aristocrats’ abilities to survive are far worse than those of Crichton, and a role reversal ensues, with the butler becoming a king among the stranded group. Crichton and Mary are about to wed on the island when the group is rescued. Upon returning to Britain, Crichton chooses not to marry Mary; instead, he asks a maid, Tweeny (who was attracted to Crichton throughout the film), to marry him, and the two move to the United States– Wikipedia

 


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