Category: LA/Los Angeles

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

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Transcript:

In fact, John Steinbeck who was writing about how his movie was adapted, wrote that not only Johnson the man who did it did better than his own novel. So the man who wrote Grapes of Wrath was crediting the man who adapted it and yet our own way of doing news and writing about films always privileges the director. Which makes me crazy I don’t believe in that. It’s also sad and easy for men to dismiss women in their memoirs. We all know the picture of this guy. He is very famous for being a director. People think about his films. He admits in his memoirs that he learned everything he knows from some middle-aged American woman whose name was Eve Unsell she was a producer for Universal Studios the first woman to have her own production company they sent her to England to fix their production company in England and she trained him. Could he at least mention her name in the memoir? Right? And people researching her might find her mentioned and be able to do more work on her. So it’s very easy to dismiss people.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.

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** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

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Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

Transcript:

It’s important to recognize what Lin-Manuel Miranda did so well in his show — who tells your story, tells people whether or not you will be remembered and we’re gonna find that sadly in a lot of film history, the women are who got left behind by the men writing the history right? I don’t want to rag on men. I like men. I’m married to one. I have a son. They’re very cool people but sometimes they forget to mention the ladies right? So we’re gonna think about that. Some examples, quickly, on how easily writers and this isn’t a female writer it’s a male writer. This is the obituary for Doris Bowden. She was an actress who was in The Grapes of Wrath. It says in her obituary “she married the film’s screenwriter”. We name the movie John Ford’s The Grapes of Wrath. The man who she married isn’t mentioned in her own obituary because he’s just the writer. How ridiculous is that? I don’t care about John Ford. He never knew her after she’s finished the film, but he gets a name out – a name call on that right?

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.

---

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Podcast: Play in new window | Download

Subscribe: RSS

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

 

Transcript:

This is my philosophy. Writers matter, Women matter and women writers matter. That should be kind of obvious and these are all women you may or may not recognize but by the time I’m done today you will recognize them and hopefully be interested in going to see some of their work — much of which is available online or in Netflix somewhere. I think it’s really important to think about the messages of women writers put out in the world. I love this Twitter that came across just after Rey became the famous new Jedi. But it’s quite true, right? It makes a difference. There was a great story once where the last Shuttle pilot had been a female and the next one was going to be a female and it’s always the last pilot who speaks on Comm to the person taking off and it was two women talking to each other for the first time in NASA history and a woman who worked at NASA had asked her son who was about seven , ” Do you want to be an astronaut you grow up?” and he said, Oh no Mom. That’s a girl’s job.” Because that’s what he saw right? So it’s important what we see. Representation matters. So I think that’s really cool.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.

---

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

 

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Podcast: Play in new window | Download

Subscribe: RSS

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

Transcript:

We’re gonna talk a little bit about why women get lost behind in history and see if we can think about fixing that in our own work — our own writing — our own conversations. I’m also the book editor for The Journal of Screenwriting. So I do book reviews — I hire book review people for that. So that’s always something I’m interested in getting folks who want to do and I’m on the editorial staff of Written By magazine which is the magazine the Writers Guild so we decide who gets interviewed and every month it’s either a famous TV writer or a film writer and I think it’s a wonderful way to stay involved because if you have those people come into your class and the guest speaker so that’s all the stuff I do.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.

---

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Podcast: Play in new window | Download

Subscribe: RSS

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

 
 

Transcript:

If you ever watched 90210 because he was the son of a surgeon at Cedars-Sinai, so he grew up in Beverly Hills and he treated those characters like real people, not like stick figures and I think that’s what really came out. It doesn’t matter how rich you are if your mother’s on drugs. That’s a problem that many other kids could have a universal connection to so writing is all about that it’s about making universal connections. It’s about pulling out some raw emotions and I think that’s what real writers do. So that’s where I came from into a lot of writing as John said now. These are a bunch of books I have chapters in. I’m very into Doctor Who. I’ve gone to some conventions and some some conferences on that. I’ve got a piece in the American Civil War on film and TV on how women were portrayed in films taking place during the Civil War and then I have the books I have with me today. The Monkees, who I talked about last year. Again, sadly, the passing of Peter Tork last week makes a whole new interest in that subject and the book that I’m talking about today “When Women Wrote Hollywood” — which is a series of chapters on famous women from the silence into about the 40’s who wrote movies that we all kind of know and we should know their names.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.

---

Buy a signed copy of when Women Wrote Hollywood

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Podcast: Play in new window | Download

Subscribe: RSS