On Screenwriting and Media with Dr. Rosanne Welch
Writing, Film, Television and More!
On Saturday both Stephens College MFA in TV and Screenwriting cohorts had the chance to work in teams on the concept of rebooting a show from the 1970s that involved the Egyptian goddess.
As any writer does, we invited a technical consultant – Dr. Marissa Stevens – to give the teams some historical background in the culture of ancient Egypt before they broke into groups to brainstorm their new ideas.
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Producer/Screenwriter Cindy Chupack on the “How I Wrote That” Podcast from the Stephens MFA in TV and Screenwriting Program [Podcast]
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Cindy Chupack has won two Emmys and three Golden Globes as TV writer/producer whose credits include “Sex and the City,” “Better Things,” “Divorce,” “Modern Family,” “Everybody Loves Raymond,” and most recently Showtime’s darkly comic hour “I’m Dying Up Here.” She is the author of two comic memoirs: the New York Times bestseller The Between Boyfriends Book: A Collection of Cautiously Hopeful Essays, and The Longest Date: Life as a Wife. Last year she directed her first episode of television for “I’m Dying Up Here,” and her first feature, OTHERHOOD, starring Angela Bassett, Patricia Arquette, and Felicity Huffman. OTHERHOOD is a comedy Chupack co-wrote that premiered this week in select theaters and on Netflix.
It feels very paint by numbers so it seems so easy – but it’s not.
As soon as I get good and comfortable I want to take a risk. To challenge myself.-Cindy Chupack
On Friday, August 9th, I had the great pleasure of moderating a panel on working mom screenwriters for the Stephens College MFA in TV and Screenwriting and hosted by Writers Guild Foundation.
I thank them for being so honest and real about describing the way they balance the lives they love and the work they love. It’s never easy for any of us and sometimes that’s the best lesson of all. Though each of the writers talked about how the skills of being a mother are so perfectly attuned to the nurturing and multitasking required of showrunners in television.
We also learned about offices that have nurseries provided for their writing staff and the fact that, as with all things in life, moms have to make tough decisions between being on set when your pilot is filming or catching your 2nd grader’s talent show… But we also all admitted that it’s a privilege to make the stories that are watched by other people’s children – and to share stories with your own children all their lives. — Rosanne
From the Writers Guild Foundation…
Talking TV writing and motherhood with writers/producers and working moms Julia Brownell (THIS IS US), @jamiedenbo (AMERICAN PRINCESS), Valentina Garza @totalvaligirl (JANE THE VIRGIN), and moderator @RosanneWelch.
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A field trip to the writers room of The Simpsons served as yesterday’s highlight for the Stephens College MFA in TV and Screenwriting Class of 2021.
Thanks to producer/writer Rob Lazebnik for showing our students around and explaining what makes a good Simpsons script – a story that involves the whole family, which is hard to come by after being on the air so many wonderful years…
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Do you know about these women screenwriters? Many don’t. Learn more about them today!
Get “When Women Wrote Hollywood” Today!
June Mathis, one of the most prolific screenwriters of the Silent Era, not only wrote cinema, she lived it. Mathis traumatically passed away at the young age of 40 in the same place she began her career as an entertainer, the stage. The New York Times reported her dramatic demise in a front-page headline: “June Mathis Heart Victim” after Mathis died suddenly of a heart attack while attending a play at a New York theatre. Mathis lived out what cinephile critics would later coin “cinema 360”.
Fearless and Fierce: June Mathis
by Lauren E. Smith
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Last night the Class of 2021 shared a treat – a visit by alum Sahar Jahani (Class of 2018)
Since graduation she has written episodes for Ramy on Hulu and landed on the staff of season 4 of 13 Reasons Why, while also adapting a YA novel into a film.
She credited the spec script she wrote under the mentorship of Jon Vandergriff for helping open doors.
Thanks, Sahar, for sharing your journey with us!
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How much would you love to learn about the writing of an iconic episode of “Sex and the City”?
The Class of 2021 was treated to just that when guest Cindy Chupack, who has won two Emmys and three Golden Globes as a TV writer/producer, was interviewed in front of our students for the Stephens College MFA in TV and Screenwriting program’s “How I Wrote That” podcast, hosted by Khanisha Foster. (Episode coming soon!)
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Can you name the first woman to win two Oscars for her writing?
The students of the newest cohort of our Stephens College MFA know the answer – Frances Marion – because the highlight of Day 2 of the Stephens College MFA in TV and Screenwriting workshop August Workshop was a visit by Cari Beauchamp, who wrote Marion’s biography: “Without Lying Down” and graciously contributed the Forward to “When Women Wrote Hollywood”.
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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library
When you watch the credits of your favorite television shows go by, do you know the difference between a Staff Writer, a Story Editor, or a Supervising Producer?
If not, we wish you could’ve been with us on our first full day of the Stephens College MFA in TV and Screenwriting workshop with the Class of 2021. Valerie Woods, mentor and Co-Executive Producer of Queen Sugar, gave a talk explaining exactly that.
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Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.
Watch this entire presentation
Transcript:
Some people recognize or have heard if you know anything about aviation history, Harriet Quimby was the first pilot — female pilot — licensed in the United States. To pay for her flying lessons she wrote screenplays for the Biograph Company. So there was a new world. A new place to make money and women were jumping in that world if it was possible. So I always thought was pretty cool. Jeanie MacPherson is probably one of my favorite early film screenwriters and she is the perfect example of how women get left behind. Everybody who does film history has heard about Cecil B. DeMille over and over and over again. Brilliant. Brilliant. Brilliant. If you look at his films, all the films he made, that made a profit, were written by Jeanie MacPherson. When they stopped working together, he never made a profitable film again. So are they Cecil B. DeMille films or are they Jeanie MacPherson films or are they Macpherson/DeMille films?
Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars. Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.
Buy a signed copy of when Women Wrote Hollywood
Paperback Edition | Kindle Edition | Google Play Edition
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library
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