June Mathis, one of the most prolific screenwriters of the Silent Era, not only wrote cinema, she lived it. Mathis traumatically passed away at the young age of 40 in the same place she began her career as an entertainer, the stage. The New York Times reported her dramatic demise in a front-page headline: “June Mathis Heart Victim” after Mathis died suddenly of a heart attack while attending a play at a New York theatre. Mathis lived out what cinephile critics would later coin “cinema 360”.
Fearless and Fierce: June Mathis by Lauren E. Smith
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* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
Some people recognize or have heard if you know anything about aviation history, Harriet Quimby was the first pilot — female pilot — licensed in the United States. To pay for her flying lessons she wrote screenplays for the Biograph Company. So there was a new world. A new place to make money and women were jumping in that world if it was possible. So I always thought was pretty cool. Jeanie MacPherson is probably one of my favorite early film screenwriters and she is the perfect example of how women get left behind. Everybody who does film history has heard about Cecil B. DeMille over and over and over again. Brilliant. Brilliant. Brilliant. If you look at his films, all the films he made, that made a profit, were written by Jeanie MacPherson. When they stopped working together, he never made a profitable film again. So are they Cecil B. DeMille films or are they Jeanie MacPherson films or are they Macpherson/DeMille films?
Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars. Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.
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Glyn’s experiences as an English barrister and landowner’s (Mrs. Clayton Louis Glyn) wife, I believe, form the basis of much of her work. The nuances of high society and high language associated with a life of pleasure and wealth are a recurrent theme through her available works.
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She starts all of this and her theme was “Be natural.” That’s what she was teaching actors because they came to film with that theatricality that you can’t do on film. Be natural. Be a little more normal. That’s what we want to see. so, it’s really Alice that we credit now with getting fictional filmmaking started. She came to America and started the Solax Company and they were doing films here and started to distribute them. They were starting to make some good money. The problem is her husband became the President of the company and her husband had a gambling problem and the profits of the company started to go away and then they got a reputation for not finishing things on time because they ran out of money and that pretty much destroyed her career, but she is — in film histories now — being credited more and more. There’s a new documentary coming out about her shortly.
Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars. Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
During these formative years, women dominated the film industry. By studying Unsell’s career one can gain perspective of how women navigated a rapidly changing field due to evolving formats and distribution comparable to today’s demand for content due to multiple platform engagement by audiences.Only by direct confrontation and examination of the business of film armed with the knowledge of history can women take charge again.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
This lady is someone who’s just now getting more known in film histories. Alice Guy Blaché. She was the Secretary to the Lumiere brothers in France. So we’re moving away from America and moving back to France right? They were filming dudes walking out of a factory. They were filming guys standing on a train platform smoking. Whatever they felt like. Reality basically. They weren’t fictionalizing. They weren’t looking at film as a place to tell stories and she was their secretary and she said you know I’d like to do something else with the cameras and they said “Oh, on your lunch break you can do whatever you want. Just make sure you’re back at your desk on time to type the things we need typed” right? So she started making silent films obviously in 1896. Her first film, which you can find on YouTube, is called “The Cabbage Fairy.” It’s literally just her picking babies out of a field behind cabbages right in the fictionalization of how do we find children — how are children brought into the world. Very short but that’s what we were doing in that era.
Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars. Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
At first I was puzzled by the certificate-sized envelope that appeared in the mail the other day. It came from the alma mater of my first college degree – Bowling Green State University. I couldn’t imagine what they had to send me after all these years. Then my son opened it and said, “It’s an award for something.”
Turns out it is the certificate commemorating the previously announced fact that When Women Wrote Hollywood was this year’s runner up for the Susan Koppelman Award, “given to the best anthology, multi-authored, or edited book in feminist studies in popular and American culture” by The Popular Culture Association. And then I remembered that my alma mater is the home of The Popular Culture Association. 🙂 What a nice surprise on all counts.
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Marion Fairfax, while almost entirely unknown today, is an everywoman example of the plight of female screenwriters of the silent era. From the origins of her career through her mysterious disappearance from the Hollywood scene after the advent of talkies, there is little information available on her work as an actress, playwright and screenwriter and the information that is available is not consistently correct.
Silent Screenwriter, Producer and Director: Marion Fairfax by Sarah Phillips
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Frederica Sagor Maas was a screenwriter whose career spanned decades and was full of imagination, hard work and disillusionment. Taking a decade to write her memoir, which she finally published at the ripe age of 99, Maas expressed her feelings for the Hollywood industry and how her husband Ernest and she saw their ideas stolen and turned to trash before eventually being accused of communism and being blacklisted.
The Best Revenge Is Outliving Them All: The life and heartbreak of Frederica Sagor Maas by Mikayla Daniels
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
![14 Quimby and MacPherson from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (1 minute 2 seconds)](https://rosannewelch.com/wp-content/uploads/2019/08/csuf-rmw-w3h-14.jpeg)
![13 Alice Guy Blaché & Fictional Filmmaking from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (52 seconds)](https://rosannewelch.com/wp-content/uploads/2019/07/csuf-rmw-w3h-13.jpeg)
![12 Alice Guy Blaché from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (58 Seconds)](https://rosannewelch.com/wp-content/uploads/2019/07/csuf-rmw-w3h-12.jpeg)
