When Women Wrote Hollywood – 36 in a series – Joan Harrison

To highlight the wonderful yet largely forgotten work of a collection of female screenwriters from the early years of Hollywood (and as a companion to the book, When Women Wrote Hollywood) we will be posting quick bits about the many films they wrote along with links to further information and clips from their works which are still accessible online. Take a few moments once or twice a week to become familiar with their names and their stories. I think you’ll be surprised at how much bold material these writers tackled at the birth of this new medium. — Rosanne Welch

When Women Wrote Hollywood – 36 in a series – Joan Harrison

When Women Wrote Hollywood - 36 in a series - Joan Harrison

Born in Guildford, Surrey, Harrison studied at St Hugh’s College, Oxford and reviewed films for the student newspaper. She also studied at the Sorbonne. In 1933, she became Alfred Hitchcock’s secretary. Eventually she began reading books and scripts for him and became one of Hitchcock’s most trusted associates. Harrison appears in a scene in Hitchcock’s original version of The Man Who Knew Too Much (1934), eating dinner with Peter Lorre’s character. She was among the screenwriters for the film Jamaica Inn (1939) based on the novel by Daphne du Maurier.

When Hitchcock moved to Hollywood in March 1939 to begin his contract with David O. Selznick to direct films, Harrison went with him as an assistant and writer.[1] She continued contributing to the screenplays for Hitchcock’s films Rebecca (1940), also adapted from a du Maurier novel, Foreign Correspondent(1940), Suspicion (1941), and Saboteur (1942). She was also credited as one of the screenwriters for Dark Waters (1944). — Wikipedia 

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22 Identity Construction and Confusion from How The Monkees Changed Television [Video] (1:07)

What this entire presentation — How The Monkees Changed Television with Rosanne Welch, PhD (Complete Presentation and Q&A) [Video] (45:06)

22 Identity Construction and Confusion from How The Monkees Changed Television [Video] (1:07)

Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.

In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.

 

Transcript

This is probably the most critical studies interesting thing — their identity construction and of course by that we mean when we look at an actor many people assume they have the traits of their character, right? Tom Selleck is not, in fact, a Vietnam vet right? Magnum P.I. doesn’t exist but we assume they have these traits. This was very difficult for these guys because normally on a TV show you’d be given a character name right? The guys on the Big Bang Theory that’s not your– it’s Johnny Galecki it’s not Leonard, right? So we know that they’re acting they have a fake name on this show. For whatever reason, they chose to use their real names — not them personally but the producers chose to have them use their real names. So right away the audience is lost between who’s Michael Nesmith the man versus Michael Nesmith the actor on the show right? Versus all these other Michael’s that are going to be invented here. What’s really triply interesting is in the very first pilot they gave Micky Dolenz the name he’d used on Circus Boy. That’s his acting name because when he was a child his dad didn’t want people to think that he got the job because who his dad was, so on Circus Boy, it stars Micky Braddock.


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A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

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Researching Garibaldi for my next Mentoris Project book via Instagram

Researching Garibaldi for my next Mentoris Project book via Instagram

Researching Garibaldi for my next Mentoris Project book

Parco di Monza, Monza, Italia

What are your favorite historic sites? Share them in the comments!

I love visiting historic places of all types be they natural or manmade. I found this sculpture in Parco di Monza, near the Villa Reale. 

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The Doctor Is In! via Instagram

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The Doctor Is In!

San Diego WhoCon 2018 @sdwhocon with @douglaswelch 

Who’s Your Favorite Doctor? Do you watch Doctor Who? What other Science Fiction do you love? Share in the comments? 

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Quote from “America’s Forgotten Founding Father” by Dr. Rosanne Welch – 33 in a series – Patrick Henry’s Other Words

Learn more about the American Revolution through the eyes of an important, Italian Immigrant, Filippo Mazzei.
Read his story today!

Quote from

“For years later, even as he wrote his own history of the revolution, the words of Patrick Henry that struck Filippo deepest, the words that caught fire, were: ‘We have been spurned, with contempt, from the foot of the throne…we must fight! I repeat it, sir, we must fight! An appeal to arms and to the God of Hosts is all that is left us!'”

 From America’s Forgotten Founding Father — Get Your Copy Today!


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Roma Citta Aperta/Rome Open City – Italian-American Heritage Month – 23 in a series

Roma Citta Aperta/Rome Open City - Italian-American Heritage Month - 23 in a series

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During the Nazi occupation of Rome in 1944, the Resistance leader, Giorgio Manfredi, is chased by the Nazis as he seeks refuge and a way to escape.


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Is There A Doctor In The House??? Multiple cosplay Doctors at @whoconsandiego via Instagram

Is There A Doctor In The House??? Multiple cosplay Doctors at @whoconsandiego via Instagram

Is There A Doctor In The House??? Multiple cosplay Doctors at @whoconsandiego 

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Mediterraneo – Italian-American Heritage Month – 22 in a series

Mediterraneo - Italian-American Heritage Month - 22 in a series

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In WW2, an Italian Army unit of misfits occupies an isolated non-strategic Greek island for the duration of the war.


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Rosanne with K9 from Doctor Who built by Steve Roberts at San Diego WhoCon 2018 via Instagram

Rosanne with K9 from Doctor Who built by Steve Roberts at San Diego WhoCon 2018 via Instagram

Rosanne with K9 from Doctor Who built by Steve Roberts at San Diego WhoCon 2018

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33 Mickey and Martha from Gender Diversity in the Who-niverse [Video] (1:01)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

33 Mickey and Martha from Gender Diversity in the Who-niverse [Video] (1:01)

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

…and just a side note in the world of production which I think is so interesting. When they went to film this particular episode each of these two actors had other jobs. So it turned out by accident they were only available on the same morning to film their goodbye scene. So Russell Davies invented the fact that they were married. he actually had two different stories written for them to film on different days and suddenly he only had them for 3 hours one morning. So he married them off. Though it was cute. Put it up there. Controversy from people saying “You took the only people of African descent and forced them to be married to each other like you don’t believe in interracial marriage.” I had two actors who could only work on one day. I had to be creative and I personally think that that’s an excellent ending for both of them because they shared adventures with The Doctor. How do you get together with someone who doesn’t share your background? who can’t understand your emotions and what you’ve done in your life, right? So Mickey. Mickey is a cool sensitive guy. Of course, I’ve already talked about captain Jack so I’ll just fly through him. Nothing wrong with looking at a few pictures of Captain Jack for a few minutes. Doesn’t hurt anybody to go, “Wow!”

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Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.