Checking Amazon.com just now, I see that “Why The Monkees Matter” is available for purchase in Kindle format.
You can read the book immediately on your Kindle device OR on your smartphone, tablet or personal computer using the free Kindle App or web site.
(The print edition is still marked “Pre-Order” on Amazon, but I expect that to change after the July 4th holiday).
You can buy your copy of “Why The Monkees Matter” and start reading in seconds — perhaps while you enjoy some holiday hammock time on your own “Pleasant Valley Sunday”!
Dr. Rosanne Welch will be hosting this WGA panel discussion sponsored by Stephens College MFA in Television and Screenwriting, where she teaches The History of Screenwriting and Writing the One-Hour Drama.
On this special Saturday event, a panel of female showrunners discusses their experiences of running a room and the impact of increasing female voices in television.
Panelists:
Alexa Junge – GRACE AND FRANKIE, UNITED STATES OF TARA, FRIENDS
Check back for more panelist announcements.
One of my favorite parts of researching and writing the book was the fact that I met such interesting and wonderful writers from television’s golden age of sitcoms, the shows I watched as a kid and rewatched in reruns across most of my life.
While we often become enamored of the actors and actresses we see in our favorite shows, I never forgot that the things they were doing and saying came from the imaginations of those other, elusive creatures known as writers. The chance to meet so many of them and hear their stories was precious.
Writer Treva Silverman – known for classics like Room 222 and the Mary Tyler Moore Show – broke into televsion when lady scribes were virtually nonexistent. Enjoy this excerpt from her Archive of American Television interview.
“The Monkees as a television program allowed this new counter-culture ideology to sneak into the homes of middle-class teens around the country by slipping jokes about President Johnson’s War on Poverty and the Domino Theory of Communist Containment between their silly, vaudeville-styled adventures.”
You Can Please Some of the People Some of the Time… None of the People All of the Time: A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More!
Dr. Rosanne Welch speaks on A History of the Art of Adaptation in Movies like Dune, The Godfather, Harry Potter and More! at the California State University, Fullerton Library
Part of the program series for Dune by Frank Herbert: A 50th Anniversary Celebration.
These are the many things you can think about that weren’t shown. Miscegenation is interracial romance. That was disallowed for all this time. Notice, you’ll remember from the early days of watching the I Love Lucy show — married couples, twin beds. That went all the way through television. The Brady Bunch — the two, Carol and — what’s his name — I can’t remember Mr. Brady’s first name. Mr Brady! They were the first couple on television to sleep in the same bed — to be seen to be having a double bed in their (living) bedroom. That’s hilarious. So all of these things are rules that now we have to apply to the novels we buy, whether or not we can show those things and I’m particularly going to look at #4 Sex Perversion, which is just their code for homosexuality, which they weren’t going to allow on screen. So this is going to force changes in a couple of very, very important pieces of business.
About this talk
Dr. Rosanne Welch (RTVF) speaks on the craft of history of film adaptations from the controversy of the silent film Birth of a Nation (protested by the National Association for the Advancement of Colored People in 1915) to Breakfast at Tiffany’s (to which author Truman Capote famously said, “The only thing left from the book is the title”) to The Godfather . Naturally, the behemoth in adaptation – Harry Potter (which depended on the relationship created by adapter Steve Kloves and author J.K. Rowling) will be discussed, as will the subject of this month’s celebration: Dune.
Date: Wednesday, October 14, 2015 Time: 1:00pm – 2:00pm
About Dr. Rosanne Welch
Dr. Rosanne Welch is a professor in the Low Residency MFA in Screenwriting Program from Stephens College, California State University, Fullerton, Mount San Antonio Community College and Cal Poly Pomona. In 2007, she graduated with her Ph.D. in 20th Century U.S./Film History from Claremont Graduate University. She graduated with her M.A. in 20th Century United States History from California State University, Northridge in 2004.
Welch is also a television writer/producer with credits for Beverly Hills 90210 , CBS’s Emmy winning Picket Fences and Touched By An Angel . She also writes and hosts her own podcasts on 3rdPass.media, her first one titled “Mindful(I) Media with Dr. Rosanne Welch.”
In this episode Bobo falls in love with guest supermodel Cindy Crawford and goes into a “60s Retro Montage Fantasy”. He begins singing “I’m a Believer” and is soon joined by Micky Dolenz who helps him finish the song.
This aired as episode 5 of Season One in 1996 – ten years after the massive success of the 20th anniversary reunion concert tour and five years before Donkey sand the song on Shrek. Solid proof of the place The Monkees have held in popular culture across the decades.
Here’s a fun new podcast I’ve discovered called This American Wife (all pun intended toward This American Life).
I found it because this episode contains an interview with my friend and colleague (at both Touched by an Angel and now in the Stephens College MFA in Screenwriting program) Ken Lazebnik.
Ken talks about the MFA program he conceived and built from scratch as well as his deeply delightful book of essays: Hollywood Digs: An Archaelogy of Shadows — about the oddities of living and working in modern Hollywood. His interview starts at 19:42.
This American Wife is a “public radio” podcast from producer Eric Martin.Every other week, the show presents a compelling mix of stories and interviews with fascinating and frequently famous folks, in a frankly familiar format. Also, our sister program All Things Ill-Considered presents hard-hitting and award-deserving journalism. Stay with us.
Increasing the Power of Women’s Voices in Hollywood Moderated by Dr. Rosanne Welch with Kate Powers, Minoti Vaishnav, Allison Schroeder, Elizabeth Martin, and Niceole Levy.
For the discussion titled “Increasing the Power of Women’s Voices in Hollywood”, I was joined by five up and coming writers in Hollywood with projects ranging from the live-action Mulan to The Mysteries of Laura.
These women tell stories of how they trained to be writers, how they obtained managers and agents and the joy of their first script sales, while constantly considering one of my major themes: How important it is to have a female voice in the room.