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- 34 More on Get Out from When Women Write Horror with Dr. Rosanne Welch [Video] (1 minute)
- The Promise | by Dawn Comer Jefferson and Rosanne Welch
- From The Research Vault: The Invention of Teenagers: LIFE and the Triumph of Youth Culture
- Quotes from When Women Wrote Hollywood – 33 in a series – Alice Guy Blaché and Gaumont
- From The Research Vault: Phyllis (Nesmith) Gibson. Obituary. (2010, February 25). Los Angeles Times. | Rosanne Welch, Ph.D
- Reel Sisters Virtual Film Festival and Lecture Series 2020 – Dr. Rosanne Welch and Dawn Comer Jefferson Analyze The Script, Joe & The Shawl [Video] (1 hour 42 minutes)
- From The Journal Of Screenwriting V2 Issue 2: Some attitudes and trajectories in screenwriting research by Steven Maras
- Womens History Month 1: Catharine Littlefield Greene
- Alumni Screenwriter Sahar Jahani returns to share her screenwriting journey with Stephens College MFA in TV and Screenwriting Workshop | Rosanne Welch, Ph.D
- Show art: Classic Films Based on Novels by Women Authors via LiteraryLadiesGuide
- Quotes from When Women Wrote Hollywood – 33 in a series – Alice Guy Blaché and Gaumont
- From The Research Vault: Phyllis (Nesmith) Gibson. Obituary. (2010, February 25). Los Angeles Times.
- 32 Characters: Uhura, Guinan, Star Trek from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (1 minute 16 seconds)
- A Photographic February for Stephens MFA in TV and Screenwriting
- Alumni Screenwriter Sahar Jahani returns to share her screenwriting journey with Stephens College MFA in TV and Screenwriting Workshop
- 36 Star Wars, Alien, and Women Characters from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (1 minute)
- A History of Screenwriting – 5 in a series – The Sprinkler Sprinkled (1895) – 1st Comedy Movie – LOUIS LUMIERE – L’Arroseur Arrose
- Education
- Quotes from “Why The Monkees Matter” by Dr. Rosanne Welch – 13 in a series
- The Civil War On Film – 3 in a series – “…films doomed to be mediocre at best and ideologically horrifying at worst.”
- 34 Coco and Exposure To Different Cultures from Why Researching Screenwriters Has Always Mattered [Video] (2 mins)
- 38 Elaine May from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (53 seconds)
- A History of Screenwriting – 27 in a series – The Mermaid , Georges Méliès (1904)
- From The Research Vault: Review: Monkees’ Appeal Spans Generations. Florence Reminder & Blade Tribune | Rosanne Welch, Ph.D
- More On The Monkees: Bigger Than The Beatles: BTS follows The Beatles with 3 Billboard No 1 albums in a year via South China Morning Post
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- Journal of Screenwriting 10.3 is now available (Historiographic Research in Screenwriting Special Issue)
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- From The Research Vault: Review: Monkees’ Appeal Spans Generations. Florence Reminder & Blade Tribune
- Gay, but not gay, in Breakfast at Tiffany’s from A History of the Art of Adaptation [Video] (1 min) | Rosanne Welch, Ph.D
- Screenwriters have always been important….” via Instagram
- Who wrote The Monkees? – “Success Story” by Bernie Orenstein
- 01 Introduction from There And Back Again: Writing and Developing for American Television]: from Freelancing to Writers Rooms [Video] (1 minute)
- A History of Screenwriting – 1 in a series – The Cabbage Fairy (La Fée aux Choux)
- My Latest Book Now Available for Pre-Order: A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi – 99¢ Kindle Pre-Order Sale
- Staged review – Michael Sheen and David Tennant get meta via The Guardian
- When Women Wrote Hollywood
- Why Researching Screenwriters (has Always) Mattered – 10th Screenwriters´ (hi)Stories Seminar – Dr. Rosanne Welch
- Women’s History Month: Fascinating Females You Should Know by Dr. Rosanne Welch and Dr. Peg Lamphier – Polycentric | Rosanne Welch, Ph.D
- 33 The First Six Years from Why Researching Screenwriters Has Always Mattered [Video] (49 seconds)
- Italian Stories Day Los Angeles 2019 | Rosanne Welch, Ph.D
- Mentoris Project Podcast: A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi with Author, Dr. Rosanne Welch [Audio]
- Mentoris Project Podcast: Humble Servant of Truth: A Novel Based on the Life of Thomas Aquinas with Author, Margaret O’Reilly
- More On The Monkees: Bigger Than The Beatles: BTS follows The Beatles with 3 Billboard No 1 albums in a year via South China Morning Post
- Our New Book: Women Making History: Ruth Bader Ginsburg by Nancy Hendriks – Part of new series from ABC-Clio Edited by Dr. Rosanne Welch and Dr. Peg Lamphier
- Quotes from When Women Wrote Hollywood – 33 in a series – Alice Guy Blaché and Gaumont | Rosanne Welch, Ph.D
- Screenwriting Research Network Conference 2019, Porto, Portugal, All Sessions
- Stephens College MFA in TV and Screenwriting [Video]
- Women’s History Month 11: Myra Bradwell
- “A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi” – 12 in a series
- 34 Princess Leia – Part 2 from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (1 minute 9 seconds)
- 35 Princess Leia – Part 3 from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (58 seconds)
- 37 Sarah Connor and Dana Scully from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (52 seconds)
- Announcing the Journal of Screenwriting Special Issue: Women in Screenwriting with Editors, Dr. Rosanne Welch and Dr. Rose Ferrell
- Between the Sheets: Writing About Sex on Television Panel via Instagram | Rosanne Welch, Ph.D
- Quotes from When Women Wrote Hollywood – 33 in a series – Alice Guy Blaché and Gaumont | Rosanne Welch, Ph.D
- Recent Excellent Review of “When Women Wrote Hollywood” in The Journal of American Culture
- Stephens College MFA in TV and Screenwriting [Video] | Rosanne Welch, Ph.D
- women
- Womens History Month 6: Dolores Huerta
- Zor and Zam and The Monkees from 1960’s TV Censorship and The Monkees [Video] (1:00) | Rosanne Welch, Ph.D
- “A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi” – 11 in a series
- #MeetTheGraduatesMonday: Emma Jeszke – Stephens College MFA in TV and Screenwriting
- 26 Jamie Lee Curtis from When Women Write Horror with Dr. Rosanne Welch [Video] (47 seconds)
- 39 Buffy The Vampire Slayer from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (48 seconds)
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- From The Research Vault: The Invention of Teenagers: LIFE and the Triumph of Youth Culture
- Now Available: The Civil War on Film (Hollywood History) by Dr. Rosanne Welch and Dr. Peg Lamphier
Tag: newspaper
“Name Screenwriters” says Dr. Rosanne Welch in Letter to Los Angeles Times
Because I believe that you can’t change things unless you challenge them, whenever I see a newspaper article about a film where the writer uses the director’s possessive (as in “Spielberg’s Lincoln) and never mention the writer (which in that case was Pulitzer Prize-winning Tony Kushner – Spielberg has never won a Pulitzer Prize), I try to write a letter to the editor explaining the mistake.
Often they print them. Once my letter appeared alongside a letter with a similar point, written by the author of one of our History of Screenwriting textbooks (who has come to speak to our students during Workshop – Tom Stempel).
This morning the LA Times published this letter. — Rosanne
To the editor: Your editorial elevated “compelling storytelling” as a quality that makes a movie great, but when listing examples of noteworthy films — “Lawrence of Arabia,” “The Shining” and “Vertigo” — you used the director’s possessive to identify the films, not once mentioning the writers (both novelists and screenwriters).
“Lawrence of Arabia” came to screens thanks to the book by T.E. Lawrence, which was adapted by screenwriters Robert Bolt and the blacklisted Michael Wilson. “The Shining” came from the mind of prolific novelist Stephen King, whose book was adapted by Stanley Kubrick and Diane Johnson, with Kubric directing. “Vertigo” is based on the novel “D’entre les morts” by Pierre Boileau and Thomas Narcejac, which was adapted by Alec Coppel and Samuel A. Taylor.
I’ve never understood why newspaper writers forget to name screenwriters when discussing movies. It seems an absurd example of internalized artistic oppression.
How can I be able to teach up-and-coming screenwriters their own value if journalists keep naming films as the property of the directors?
Rosanne Welch, Van Nuys