DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting via Instagram

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DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting via Instagram

The importance of having material on the internet that helps tell people what you do and how well you do it came to my attention again last month.

I received an email invitation to moderate a panel at the Downtown LA Film Festival (DTLA) (https://www.dtlaff.com/) on the subject of “Implicit Bias” and how screenwriters can keep their scripts clear of their own and society’s implicit bias. Happily, I was able to invite one of our favorite Stephens mentors – Maria Escobeda – to be a panelist so we gave them a double-dose of Stephens College MFA in TV and Screenwriting magic.

 

Paperback LA Reading at Stories Books and Cafe, Echo Park via Instagram

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Paperback LA Reading at Stories Books and Cafe, Echo Park

Paperback LA Reading at Stories Books and Cafe, Echo Park via Instagram

I was among 5 writers highlighted in the Paperpback LA 3 Issue Trilogy and did a reading from my article “Hey, Hey, They Wrote The Monkees!” which was reprinted in Paperback LA #3

It was a great night, with great writing and reading and with a full house of people.


Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

McFarland Company logo

Presenting “When Women Write Horror” Talk

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Presenting “When Women Write Horror” Talk

Presenting “When Women Write Horror” Talk

Cal Poly Pomona University Library

Watch the complete presentation



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Paperback LA Reading at Stories Books and Cafe, Echo Park via Instagram

Follow Rosanne on Instagram!

Paperback LA Reading at Stories Books and Cafe, Echo Park

Paperback LA Reading at Stories Books and Cafe, Echo Park via Instagram

I was among 5 writers highlighted in the Paperpback LA 3 Issue Trilogy and did a reading from my article “Hey, Hey, They Wrote The Monkees!” which was reprinted in Paperback LA #3

It was a great night, with great writing and reading and with a full house of people.

Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

 

McFarland Company logo

DTLA Film Festival after our panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting. via Instagram

Follow Rosanne on Instagram!

DTLA Film Festival after our panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting. via Instagram

DTLA Film Festival after our panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

Video of this panel coming soon

After our DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting. via Instagram

Follow Rosanne on Instagram!

After our DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting. via Instagram

After our DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

Video of this panel coming soon

After the DTLA Film Festival Panel via Instagram

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After the DTLA Film Festival Panel

After the DTLA Film Festival Panel via Instagram

Moderating panels at local film festivals is a good way to highlight the great work of mentors like Maria Escobedo and to meet new possible mentors for MFA program like Peruvian filmmaker Donna Bonilla Wheeler. Here we are chatting after a panel on how Writers Can avoid implicit bias in their work at the DTLA film Festival in Los Angeles.

 

Ran into a student (Elaina Redmond) from our first “Podcasting For Writers” class at the DTLA Film Festival via Instagram

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Ran into a student (Elaina Redmond) from our first “Podcasting For Writers” class at the DTLA Film Festival

Ran into a student (Elaina Redmond) from our first “Podcasting For Writers” class at the DTLA Film Festival via Instagram

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting. via Instagram

Follow Rosanne on Instagram!

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

Video of this panel coming soon

Presenting “When Women Wrote Horror” at the Cal Poly Pomona University Library as a Halloween event

Follow Rosanne on Instagram!

Presenting “When Women Wrote Horror” at the Cal Poly Pomona University Library as a Halloween event

Presenting “When Women Wrote Horror” at the Cal Poly Pomona University Library as a Halloween event

Video of this talk is coming soon!



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!