Category: LA/Los Angeles

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

Transcript:

…and I always say Beverly Hills 90210 is an excellent study for people in how who the showrunner is makes a difference because that show was created as a pilot by Darren Starr who’s still famously writing pilots and then he left and the show was run, managed on a daily basis by Chuck Rosen. If you look at the pilot of 90210, it’s really a bunch of rich kids and fancy clothes hanging out at the beach having bonfires. There’s not a whole lot of meat to it. Two Ohio kid’s dad moves to town because he’s an accountant and he’s going to work in Beverly Hills and so their midwest values meet Beverly hills values and that’s all you get. Chuck took over and he was the child of a surgeon at Cedars-Sinai. He grew up in Beverly Hills. So those children became real three-dimensional human beings because one of the issues is how do you — how do you connect to a character that’s uber-rich. Like they have no problems because they’re rich and that’s what most people would think because we’re not all rich but he knew kids who had drug problems. He knew kids whose parents had drug problems and therefore weren’t there for them. So he looked at the fact that it doesn’t matter how much money you have, if there’s a problem in your family, it still makes you vulnerable and that is going to make an audience interested in you.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

Podcast: Play in new window | Download

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Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

Transcript:

Host: Were you a writer? Were you a writer’s assistant in that?

Rosanne:I was a freelance writer on that. That was my very first script.

Host: Okay so wow yeah. How did you– how did you feel when you got like the um the chance?

Rosanne: That’s wonderful stuff. It’s wonderful stuff. It was because at the time I had a partner and she was the assistant to the executive producer of that show. So after reading four — count them — four spec scripts of ours, he finally agreed to let us pitch and so we came in and pitched and that was lovely. So she was much more comfortable in that room than I was because she knew everybody. She’d been there for two or three years at that point but you know I knew the gentleman in charge, Chuck Rosen was one of the quote-unquote good guys in town. A real — a sweetheart. He’d been on a show called Northern Exposure, which I adored. He’s an excellent writer — just and cared about the stories.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

Podcast: Play in new window | Download

Subscribe: RSS

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

Transcript:

…and you really need to understand how the business works not just the people management then but now move up to understanding how the network makes their decisions and how do you sell things to them. I mean I’ve had showrunning friends who will tell stories about how there were moments they wanted in a script and they knew the network wouldn’t like those moments. Maybe they’re pushing the envelope on something. So they put in a couple of worse moments knowing that when the network said oh you can’t do that or that or that they’d go I hear what you’re saying. I understand. I won’t do that or that but I’ve got to have this and they’d get the one thing they really wanted. So they were playing a little chess game as well right? So at every level, there’s an understanding of what do people need. How do I give them what I want and still what they need at the same time.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

Podcast: Play in new window | Download

Subscribe: RSS

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

Transcript:

Host: This might be a really sad thing to say, but do you think that, sometimes, it’s not always the best writers who get their pitches up but it’s the people who can work the room, by either maneuvering around, can get their stuff into the ears of the right people and then present that?

Rosanne: That is very true. I wouldn’t say — I mean you have to be a good writer to get in the room in the first place or they wouldn’t have hired you across all those stacks — you’ve seen all the things you’ve read for —

Host: Yeah. No. There’s a lot of crap to filter through. Absolutely.

Rosanne: Absolutely. So, generally speaking, you had to be a certain level to get in the room, but, yeah, it’s the people who can work — you have to work both things. A friend of mine is fond of saying, “It’s called show business. not show art.” So business is half of the job.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

Podcast: Play in new window | Download

Subscribe: RSS