24 Octavia Butler’s Kindred from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (1 minute 25 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

24 Octavia Butler's Kindred from The Sisterhood of Science Fiction - Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

The other thing that’s cool about her — well she’s written many books — but Kindred is my favorite. A little chat about that from last week. She wanted to talk about race and she wanted to figure out a way to do that. So she chose the time-travel story and she took a modern-day African-American woman who without explanation — sort of like Narnia where they stumble into a wardrobe and bam they’re in a kingdom — we don’t need to know the machinations of how the time travel works. We don’t need to put dials in a car and drive the DeLorean down the street. We just walk into a room and oh my god now we’re in pre Civil War south and she’s a woman of African descent and she’s got to deal with now I’m in a place where they’re slaves and now she ends up being on the plantation where her ancestors were held in slavery and she comes up with you know drama. You want the big choice, the big question. She discovers that the way she could get back to her own future is she has to save the life of the plantation owner who owns her family on time for him to rape her great-great grandmother or she won’t exist yeah. There’s there’s a moral decision you gotta make in your lives right? But that’s a really fascinating and of course it allows her to have a discussion about what we don’t talk about in classrooms about the reality of slavery right? So this is a really fascinating book. It’s a one-off book. That’s good. She’s got a lot of you know series books so you can get involved in her writing and be busy for a while. That’s a great book to start with though. So I think Octavia Butler is of good attention for us.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 

26 Dorothy Parker and A Star Is Born from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (55 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

26 Dorothy Parker and A Star Is Born from

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript:

Dorothy and her husband Alan Campbell wrote A Star Is Born which if you know obviously the story is about a marriage where the woman is far more famous than the man. His career is going while hers is rising. That’s Dorothy Parker and her husband’s story. That’s exactly the emotion she was experiencing. She just put it on an actor and actress. It became such a classic it was remade in the 50s with Julia my brain just went dead. Thank you. Judy Garland. I was saying Julianne and that was wrong. Judy Garland. Thank you and it was written this was adapted by Moss Hart who’s a famous name from Broadway. He wrote it himself however he credited several scenes from the original movie he’d just cut and pasted them out of the first script and put them in his and admitted that when he was doing it. So whenever he got notes from the studio that they wanted to change something he would say “No no no. That’s how Parker had it the first time. It’s good enough. We’re not fixing it.” So essentially it’s Moss Hart and Dorothy Parker together right?

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

After the DTLA Film Festival Panel via Instagram

Follow Rosanne on Instagram!

After the DTLA Film Festival Panel

After the DTLA Film Festival Panel via Instagram

Moderating panels at local film festivals is a good way to highlight the great work of mentors like Maria Escobedo and to meet new possible mentors for MFA program like Peruvian filmmaker Donna Bonilla Wheeler. Here we are chatting after a panel on how Writers Can avoid implicit bias in their work at the DTLA film Festival in Los Angeles.

 

Ran into a student (Elaina Redmond) from our first “Podcasting For Writers” class at the DTLA Film Festival via Instagram

Follow Rosanne on Instagram!

Ran into a student (Elaina Redmond) from our first “Podcasting For Writers” class at the DTLA Film Festival

Ran into a student (Elaina Redmond) from our first “Podcasting For Writers” class at the DTLA Film Festival via Instagram

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting. via Instagram

Follow Rosanne on Instagram!

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

Video of this panel coming soon

Presenting “When Women Wrote Horror” at the Cal Poly Pomona University Library as a Halloween event

Follow Rosanne on Instagram!

Presenting “When Women Wrote Horror” at the Cal Poly Pomona University Library as a Halloween event

Presenting “When Women Wrote Horror” at the Cal Poly Pomona University Library as a Halloween event

Video of this talk is coming soon!



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting via Instagram

Follow Rosanne on Instagram!

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting via Instagram

Video of this panel coming soon!

 

23 More On Octavia Butler from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (33 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

23 More On Octavia Butler from The Sisterhood of Science Fiction - Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

I think particularly this quote is an important one to think about — “what science fiction can do for us…”, right, “What we don’t see , we assume we can’t be.” So it’s very important to her to put African Americans into the future to see that they exist in the future. That meant something to her. Just like the other female writers were putting women in powerful positions in the future because they wanted girls to see role models like that. So that’s the quote I think that should stick with us because it’s an important thought and a lot of the media that we consume — what are we giving our money – what are we supporting what do we want to see more of right?



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 

25 Dorothy Parker from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (1 minute 6 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

25 Dorothy Parker from

 

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript:

This lady I wish people knew more. They know her in literature and poetry classes but they don’t know her as a screenwriter. Guesses? Dorothy Parker. Dorothy Parker right who happily said , “You can lead a whore of culture but you can’t make her think.” Yeah Exactly. Dorothy was nominated for two Oscars. She was from New York. She was of that world the Algonquin Round Table. She came out here because there was lots of money to be made. She was married to an actor who was about 12 years her junior and everyone thought that was a crazy marriage. There were a few women doing that back in the day. He wanted to write in Hollywood because there was more money out here. So they came out here. They wrote several movies. These movies she did — they ended up divorcing — so she got the Oscars when she wasn’t working with him. She had the nominations. What she did with him is “A Star Is Born”, the original “A Star Is Born” which I must tell you, in my class one day I was having people name their favorite movies and of course some would name “A Star is Born” and I said “Which version?” and she said “There’s more than one?” Yeah that was really sad.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Getting ready for my panel at DTLA Film Festival on Sunday via Instagram

Follow Rosanne on Instagram!

Getting ready for my panel at DTLA Film Festival on Sunday

Getting ready for my panel at DTLA Film Festival on Sunday via Instagram

Chatting with Maria Staroselets of the DTLA Film Festival before our panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

Video of this panel coming soon