“Best known for writing ‘Gentlemen Prefer Blondes’, Anita Loos is a great American author, playwright, and screenwriter. In the silent era, Loos shaped the integral role that intertitles played, and is known for her title work for some of the most acclaimed of movies of the day. She was a master of satirizing sex and love, and was capable of writing rich, multi-faceted females who drove the action in their films.”
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
I was given the grand job of writing about HUSH for this collection – so I published my Buffy 4-act structure lecture, which they found unique and which I continue to use as an opening lecture to each of my one-hour drama classes every semester. — Rosanne
This item will be released on November 2, 2018.Celebrating over 25 years of Buffy the Vampire Slayer, OUTSIDE IN TAKES A STAB is a collection of 139 reviews, one for every story of the television series, plus the movie and a couple extras. Featuring contributions from Susanne Lambdin, Jill Sherwin, Rosanne Welch, Keith R.A. DeCandido, Robert Greenberger, Rich Handley, David A. McIntee, and over a hundred more!
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
Many thanks to Ken Mills and the whole Zilch team for choosing to air the new segment I’m co-hosting with Dr. Sarah Clark, “Monkees 101” on Global Monkees Day — what a way to celebrate!
Happy Global Monkees Day! Drs. Rosanne Welch and Sarah Clark debut their new series for Zilch! entitled Monkees 101. Join them for a fun, thoughtful romp through “Royal Flush,” the first episode of The Monkees to air 52 years ago today, September 12, 1966, and discover some of the deeper meanings of the TV show and music we all know and love to the cultural impact of the Monkees from 1966 all the way to the present. Aired on 9/12/18.
These 23 essays cover a range of female screenwriters from the early years of film through the 1940s, women whose work helped create the unforgettable stories and characters beloved generations of audiences but whose names have been left out of most film histories. Not this one. This collection is dedicated to those women and written by a group of women grateful to stand on the shoulders of those who came before – as a beacon to those who will come after.
Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
To highlight the wonderful yet largely forgotten work of a collection of female screenwriters from the early years of Hollywood (and as a companion to the book, When Women Wrote Hollywood) we will be posting quick bits about the many films they wrote along with links to further information and clips from their works which are still accessible online. Take a few moments once or twice a week to become familiar with their names and their stories. I think you’ll be surprised at how much bold material these writers tackled at the birth of this new medium. — Rosanne Welch
Clara Beranger (also Berenger, née Strouse, January 14, 1886 – September 10, 1956) was an American screenwriter of the silent film era and a member of the original faculty of the USC School of Cinematic Arts.
Using the pseudonym of Charles S. Beranger, her first screen employment was as a freelancer, writing for the Edison, Vitagraph and Kalem companies, to whom she furnished many originals as well as continuities. Her success attracted some attention and she was appointed as a staff writer for the Fox Corporation. She wrote several scripts for the popular child star Baby Marie Osborne as well as a much-praised adaptation of A Tale of Two Cities. Beranger also wrote The Interloper for Kitty Gordon, The Bluffer for June Elvidge and The Mirror for Marjorie Rambeau, though many of these films are considered lost.[3] With Forrest Halsey, Beranger wrote the stage play, His Chinese Wife, which received good reviews and became one of the successes of the 1919–1920 season.[3]
In 1921, Clara took Frances, then twelve, and migrated to Hollywood to write for motion pictures,[1] where she signed a long contract with Cecil B. DeMille’s Famous Players-Lasky; the outfit with whom she is most associated. She wrote or contributed to more than 24 DeMille productions, and produced both Come Out of the Kitchen and Girls for Marguerite Clark; Sadie Love and Wanted: A Husband for Billie Burke; Judy of Rogue’s Harbor for Mary Miles Minter; The Fear Market for Alice Brady; The Cost for Violet Heming; Half an Hour for Dorothy Dalton; Civilian Clothes for Thomas Meighan, Notoriety for Bebe Daniels and the long-lasting classic Dr. Jekyll and Mr. Hyde for John Barrymore.[3] — Wikipedia
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
These 23 essays cover a range of female screenwriters from the early years of film through the 1940s, women whose work helped create the unforgettable stories and characters beloved generations of audiences but whose names have been left out of most film histories. Not this one. This collection is dedicated to those women and written by a group of women grateful to stand on the shoulders of those who came before – as a beacon to those who will come after.
Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
These 23 essays cover a range of female screenwriters from the early years of film through the 1940s, women whose work helped create the unforgettable stories and characters beloved generations of audiences but whose names have been left out of most film histories. Not this one. This collection is dedicated to those women and written by a group of women grateful to stand on the shoulders of those who came before – as a beacon to those who will come after.
Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
These 23 essays cover a range of female screenwriters from the early years of film through the 1940s, women whose work helped create the unforgettable stories and characters beloved generations of audiences but whose names have been left out of most film histories. Not this one. This collection is dedicated to those women and written by a group of women grateful to stand on the shoulders of those who came before – as a beacon to those who will come after.
Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
![Lauren Elizabeth Smith, Author of “Fearless and Fierce: June Mathis” from “When Women Wrote Hollywood” [Video] (4:02)](https://rosannewelch.com/wp-content/uploads/2018/09/w3h-smith.jpeg)
![Khanisha Foster, Author of “The Nature and Genius of Alice Guy Blaché” from “When Women Wrote Hollywood” [Video] (2:56)](https://rosannewelch.com/wp-content/uploads/2018/09/w3h-khanisha-foster.jpeg)
![Julie Berkobien, Author of “Frances Goodrich and Albert Hackett: The Most Beloved Couple in Hollywood” from “When Women Wrote Hollywood” [Video] (2:40)](https://rosannewelch.com/wp-content/uploads/2018/09/w3h-berkobien.jpeg)
![Sarah Phillips, Author of “Screenwriter, Producer, and Director: Marion Fairfax” from “When Women Wrote Hollywood” [Video] (3:04)](https://rosannewelch.com/wp-content/uploads/2018/09/w3h-s.phillips.jpeg)