13 More Than Just a Rom-Com from How The Monkees Changed Television [Video] (0:40)

What this entire presentation — How The Monkees Changed Television with Rosanne Welch, PhD (Complete Presentation and Q&A) [Video] (45:06)

13 More Than Just a Rom-Com from How The Monkees Changed Television [Video] (0:40)

Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.

In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.

 

Transcript

When I think about feminism, gender, and sexuality — again, I watched all the episodes again — and the impression, when I was a kid, was every episode was about Davy falling in love with someone. Turned out that wasn’t true. Turns out the other boys fell in love too, but even more so there were lots of different genres. If you think about TV. Sometimes they did a horror episode. Sometimes they did an entire music video for the whole half an hour — running through the streets of Paris. Sometimes they did a rom-com which was Davy or someone falling in love. Sometimes they did an old West show. So they introduced students and children to lots of different kinds of genres which I think was pretty fun too.


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

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About Rosanne Welch, PhD

Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.

24 Nyssa from Gender Diversity in the Who-niverse [Video] (0:42)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

24 Nyssa from Gender Diversity in the Who-nivers [Video] (0:42)

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

Then we had Nyssa who I really enjoyed. Nyssa came in with the Peter Davison era with Teegan — who’s alright. Teegan has her moments. But Nyssa is an alien, super intelligent from her alien race and at the end of her time with The Doctor — thy end up on a planet where there’s a leper colony and nobody is taking care of these people and rather than — again — continuing to travel with The Doctor she chooses to stay and be a caregiver to these people. She’s a doctor so she can take care of them and imagines that she will find a cure for this if she stays behind and he’s like “well maybe this will never be cured” and she’s like “it won’t ever be cured if no one tries.” So she’s willing to give it that time which I think is a beautiful strength being evidenced by a female character. Not that hard.

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelchhttp://instagram.com/drrosannewelch

 

Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

More on the Monkees: Dolenz, Jones, Boyce & Hart ~ 1976 TV Special (Part 1) [Video]

More on the Monkees: Dolenz, Jones, Boyce & Hart ~ 1976 TV Special (Part 1)

More on the Monkees: Dolenz, Jones, Boyce & Hart ~ 1976 TV Special (Part 1) [Video] 

 Wikipedia: “Dolenz, Jones, Boyce & Hart starred in their own 1976 TV special called The Great Golden Hits of the Monkees Show, which appeared in syndication. It featured a medley of other Boyce and Hart songs, as well as the songs they had produced for the Monkees. Strangely, it did not include any songs from their new album.”



 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

McFarland Company logo

12 Acceptance, Critics and The Monkees from How The Monkees Changed Television [Video] (0:48)

What this entire presentation — How The Monkees Changed Television with Rosanne Welch, PhD (Complete Presentation and Q&A) [Video] (45:06)

12 Acceptance, Critics and The Monkees from How The Monkees Changed Television [Video] (0:48)

Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.

In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.

 

Transcript

Peter Tork, who’s pretty brilliant, said they probably got a larger audience for this anti-war point of view than even The Beatles did because TV was free and young kids couldn’t always afford to buy an album and The Beatles weren’t on TV every week, The Monkees were, so their message got through to those kids on a more regular basis.

Who can guess who’s Peter Tork sitting with at the Monterey Pop Festival? Janis Joplin! There’s a whole lot of talk about how nobody took them seriously. People in the music business took them seriously because they were selling millions of records. They hung out together. They played music and jammed at each other’s houses over the weekend. They were all friends. It was the critics who didn’t take their music seriously and as I was discussing before we started their music has legs and is still around so the critics were wrong for once.


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

McFarland Company logo


About Rosanne Welch, PhD

Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.

23 Sarah Jane Smith from Gender Diversity in the Who-niverse [Video] (0:54)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

Sarah Jane Smith from Gender Diversity in the Who-niverse

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

Sarah Jane is one of my favorite companions. She’s come from the old Who to new Who and then she even had her own program The Sarah Jane Adventures. So what happened was she came into the Third Doctor’s life. She was an investigative reporter so she wasn’t some girl who did nothing and she wasn’t just reporting on fashion and/or celebrities. She was an investigative reporter. She looked for things that were wrong in her society and she highlighted that with being her newspaper writer. So that’s how she came to meet The Doctor. She traveled with him through Tom Baker obviously. Then she left and returned in an episode called School Reunion with David Tennant. So in the new Who era and at that time, of course, time had passed and she was invited to continue traveling and she had the strength and the intelligence to say No. I need to move on with my life. I’ve been thinking of you for too long. I need to have my own life.

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelchhttp://instagram.com/drrosannewelch

 

Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

11 The War and The Monkees from How The Monkees Changed Television [Video] (0:53)

What this entire presentation — How The Monkees Changed Television with Rosanne Welch, PhD (Complete Presentation and Q&A) [Video] (45:06)

11 The War and The Monkees from How The Monkees Changed Television [Video] (0:53)

Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.

In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.

 

Transcript

This is a great shot. I love from the Associated Press. All four of the men — three of the men — were drafted while they were on the show because they were all like 18, 19 and 20 years old. Michael Nesmith had already been in the Air Force so he was not but the other 3 guys were and they had to find a way around it. Even Davy Jones who was from England was drafted because he was living and making money in the United States. Thee girls took to the streets and said “If Davy goes, we go too!” The protests against losing them were very huge, but in general they were talking about how this is a bad war.. So if you look at this line I love from one of the episodes…

“They want to put the blame on teenagers. Take the war. Whose fault is it? We’re not fighting. it must be those crazy kids. They’re the ones doing all the fighting.”

Again, if that’s not an anti-war message wrapped up in a funny show. I have not idea how they got away with that, but they did.


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

McFarland Company logo


About Rosanne Welch, PhD

Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.

22 More Strong Female Companions In The Past from Gender Diversity in the Who-niverse [Video] (0:51)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

22 More Strong Female Companions In The Past from Gender Diversity in the Who-niverse [Video] (0:51)

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

…and I also just jokingly have to say, from a strength standpoint Jean Marsh, the actress who played that character (Sara Kingdom) ended up writing the miniseries “Upstairs, Downstairs” which was the “Downton Abbey” of your parent’s generation. Huge PBS show about the maids and the rich people living in a house. So literally it was a copy — or the predecessor I should say — of “Downton Abbey.” So she moved her career, using this acting career into a writing career where she could write the kind of representations she felt that the world needed. So that is pretty cool. Liz Shaw came up in the John Pertwee era, The third Doctor Who and she was a scientist so she was the equal to any of the men she worked with and sometimes she was smarter than they were, because she had a Ph.D. and she could do science and these guys sometimes weren’t — sometimes just military dudes. So Liz Shaw is a pretty good example of a strong woman we’ve met along the way.

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelchhttp://instagram.com/drrosannewelch

 
 

Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

Of Writing, Research, Verdi and Garibaldi – New Discoveries!

Here’s the fun of research – and poetic license.

I’m working on my novel on the life of Giuseppe Garibaldi (the General who united Italy in 1860) for The Mentoris Project and I discovered that Giuseppe Verdi was a supporter of the Risorgimento (Resurgence), the movement to unite Italy.  Moreover, in his 1842 opera, Nabucco (which follows the plight of the Jews as they are conquered and exiled by the Babylonian King Nebuchadnezzar II (Nabucco in Italian) he wrote a song — Va Pensiero (to think/to recall) — which was popular among the men of the movement in the 1840s through 1860.  

Giuseppe Garibaldi (1866).jpg
Public Domain, Link

Verdi-photo-Brogi.jpg
By Giacomo BrogiFile:Brogi,_Giacomo_(1822-1881)_-_Giuseppe_Verdi.jpg Scan by G.dallorto, Public Domain, Link

Poetic license comes in when I see it wasn’t performed in South America (where Garibaldi could have access to it) until a year after he’d left that country.  So, I created a scene where he hears it from a newly arrived Italian sailor on the local docks and then Garibaldi goes home to sing it as a lullaby with his wife, Anita, and their son.

Of course, I had to hear the song myself (being more a Dean Martin fan than an opera fan I had not seen Nabucco) so, naturally, I turned to YouTube where I found this beautiful rendition of it with Pavorotti singing in Italian and Italian singer Zucchero Fornaciari, known mostly as Zucchero (but brand new to me!).

All in all a delightful discovery.

Zucchero

Click to view the video on YouTube

Va, pensiero, sull’ali dorate;
va, ti posa sui clivi, sui colli,
ove olezzano tepide e molli
l’aure dolci del suolo natal!

Del Giordano le rive saluta,
di Sionne le torri atterrate…
O, mia patria, sì bella e perduta!
O, membranza, sì cara e fatal!

Arpa d’or dei fatidici vati,
perché muta dal salice pendi?
Le memorie nel petto raccendi,
ci favella del tempo che fu!

O simile di Sòlima ai fati
traggi un suono di crudo lamento,
t’ispiri il Signore un concento
che ne infonda al patire virtù.[11]

Go, thought, on wings of gold;
go settle upon the slopes and the hills,
where, soft and mild, the sweet airs
of our native land smell fragrant!

Greet the banks of the Jordan
and Zion’s toppled towers…
Oh, my country, so beautiful and lost!
Oh, remembrance, so dear and so fatal!

Golden harp of the prophetic seers,
why dost thou hang mute upon the willow?
Rekindle our bosom’s memories,
and speak to us of times gone by!

Either, akin to the fate of Jerusalem,
give forth a sound of crude lamentation,
or let the Lord inspire you a harmony of voices
which may instill virtue to suffering.

Buy the album

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My First Mentoris Project Book

Order an autographed copy of America’s Forgotten Founding Father

Print Edition | Kindle Edition | Apple iBooks Edition | Nook Edition

Also from the Mentoris Project

Want to use these books in your classroom? Contact the Mentoris Project!`

10 Randy Scouse Git and the War from How The Monkees Changed Television [Video] (0:53)

What this entire presentation — How The Monkees Changed Television with Rosanne Welch, PhD (Complete Presentation and Q&A) [Video] (45:06)

10 Randy Scouse Git and the War from How The Monkees Changed Television

Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.

In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.

 

Transcript

This is a song that Mickey’s famous for singing. He wrote it while he was in England. He heard this phrase — Randy Scouse Git — He didn’t know what it meant. He just thought they were funny words. It’s actually — it’s cussing in English. It was from a TV Show that is the TV show that, in America, we based All In The Family on, rights so it was older man yelling at his son-in-law calling him a randy scouse git. Randy means you have too much sex and scouse git are bad words. He just thought they were funny words so he came back and wrote this song, but think about the lyrics…

Why don’t you hate who I hate
Kill who I kill to be free

If that’s not a Vietnam protest war song I don’t know what is and they got away with singing that on broadcast television in their very trippy hippie clothes. So I couldn’t believe how much they got away with frankly in terms of messages.


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

McFarland Company logo


About Rosanne Welch, PhD

Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.

21 Strong Female Companions In The Past from Gender Diversity in the Who-niverse [Video] (0:51)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

21 Strong Female Companions In The Past from Gender Diversity in the Who-niverse

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

She really wants people, of course not, to be upset or worried about it. Which is important. Now, as far as I’m concerned when you think about gender, females have always been strong characters on Doctor Who. Going back to the early days and all these women have had really important jobs. From the very beginning, Susan, who was the first companion, his granddaughter, left because she wanted to rebuild the planet that she had seen destroyed. So she wanted to put her efforts into helping other people and using her talents for that. Right? She could have continued adventuring and having a party with her grandpa and all that meeting The Mayans, The Aztecs and what have you, but she wanted to do something more important and that’s a strength, right? I think that’s a woman who has active strength being shown. Then, as I mentioned, Agent Sara Kingdom. She switched sides. So she chose the good. So she’s a little bit like Darth Vader flipping at the end finally.

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelchhttp://instagram.com/drrosannewelch

 

Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.