SRN Conference Signs all over campus! via Instagram

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On a bright and shiny day

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A taste of Sicily in Milan Granita at Ammu via Instagram

Granita at Ammu #food #travel #ammu #granita #summer #estate via Instagram

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Prima Colazione (Breakfast) in Milano via Instagram

I would make a great digital vagabond. I can work almost anywhere via Instagram

This is Zurich airport as we wait for our short flight hop to Milan.

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Waiting our hopper flight to Milan

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Power and WiFi make Jill (Rosanne) a productive girl. #travel #lax #swissair via Instagram

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Of to Milan via Zurich tonight via Instagram

Feeling quite cosmopolitan heading off to Europe again. The SRN (Screenwriting Research Network) Conference gives us a reason — and college support — to go so many interesting places — like last year’s trip to New Zealand. #swissair #swiss #switzerland #italy #milan #milano #travel #srnconference2018 #srnconference via Instagram

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16 Princess Rescuing The Princes from How The Monkees Changed Television [Video] (0:54)

What this entire presentation — How The Monkees Changed Television with Rosanne Welch, PhD (Complete Presentation and Q&A) [Video] (45:06)

Princess Rescuing The Princes from How The Monkees Changed Television [Video] (0:54)

Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.

In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.

 

Transcript

She turns down the cute boy to do her job. Her job and her responsibility is being queen. Right? That’s what she’s become/ It’s not about can I get the cute boy? And I’m like Wow! Every girl in America would have said yes to the cute boy. So that was an interesting, to me, feminist thought that you should think about your position and what you’re there to do in the world. It’s not just to make some boy happy. Right? And then she invites him to come and it’s kind of cute because he says “No. What I have to do is here with the guys and our music. We have to spread our message through the world in music.” So even he is led by his purpose in the world not by “Who am I going to have sex with this week.” So I think that’s really kind of a big statement for a TV show that I was watching as a kid. My thesis at the end of the book is, if you were a girl watching in 1966, you learned that to get a Monkee you didn’t want to be a cheerleader. You wanted to be a woman of value.


 Why The Monkees Matter: Teenagers, Television and American Pop Culture

    

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About Rosanne Welch, PhD

Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.

Lauren Elizabeth Smith, Author of “Fearless and Fierce: June Mathis” from “When Women Wrote Hollywood” [Video] (4:02)

Watch the complete When Women Wrote Hollywood Book Launch Event

Lauren Elizabeth Smith, Author of

Lauren Elizabeth Smith, Author of “Fearless and Fierce: June Mathis” from “When Women Wrote Hollywood”

When Women Wrote Hollywood Book Launch Event
August 11, 2018 at the Jim Henson Studios, where the Stephens College MFA in TV and Screenwriting program resides.

These 23 essays cover a range of female screenwriters from the early years of film through the 1940s, women whose work helped create the unforgettable stories and characters beloved generations of audiences but whose names have been left out of most film histories. Not this one. This collection is dedicated to those women and written by a group of women grateful to stand on the shoulders of those who came before – as a beacon to those who will come after.

Many thanks to the essay contributors who joined us and spoke so eloquently about the women writers they had researched: Toni Anita Hull, Laura Kirk, Amelia Phillips, Sarah Phillips, Julie Berkobien, Khanisha Foster, Lauren Smith, and to Cari Beauchamp, who wrote the Forward to the collection.


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