Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.
The Progressive Silent Film List is a growing online collection of information on more than 23,400 silent and sound films produced from 1888 through the end of 1929. Selected silent films produced in other countries after 1929 are also listed.
The Progressive Silent Film List listings are accessed through the filmographies and indexes provided below, or you may use Google to SEARCH the entire Silent Era website, including the PSFL listings.
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In honor of Halloween – and in service to my teaching philosophy —
“Words Matter. Writers Matter. Women Writers Matter.”
I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!
Transcript:
It’s very difficult studying LGBTQ people from the past because we don’t have a definitive “here’s a piece of paper that promises you that I am gay” because it was against the law, right? So nobody did that. So scholars have had to find ways to say ‘Here are some pieces of evidence we can use to generally guess this was probably the story and being buried side by side is kind of one of them. Another is wills. Often people would grant their land to someone who had been their companion for many years rather than inheriting it to a cousin or some far-flung relative if they didn’t have children. So scholars have had to work hard to figure that out but I think it’s really interesting. There’s a thing in the UK called Places Of Pride and it’s a tour you can take of LGBTQ locations and her gravesite is one of them. So I think, she’s a really interesting woman. To read her supernatural stories and see what underlying theme — what was she trying to say about how we’re afraid of different things. People tell you what they really want as a message in their writing and I think that’s somebody we should know.
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Transcript:
My teaching philosophy — I will apologize if the translations aren’t perfect. I used Google Translate — but I think it’s important that words matter, that writers matter, and that women writers matter in this world and we must pay attention to them. I think it’s important to consider writers because writer comes before director when you describe a filmmaker who can do two things. They are writer/ directors. They are not director/writers. That tells me something, right? To me that’s a very important point. I also think that we have to realize that the vision of a movie cannot exist without the screenplay. A director cannot direct nothing. There must be an idea. There must be a philosophy. There must be a theme right? There must be a story. So the writer is of equal importance. Sometimes my students who come from directing think that I am saying we should push the directors down to pull the writers up. I don’t think that’s true. I think they have to be equal partners in this right? I think that’s what we should remember.
A Note About This Presentation
A clip from my keynote speech at the 10th Screenwriters´(hi)Stories Seminar for the interdisciplinary Graduation Program in “Education, Art, and History of Culture”, in Mackenzie Presbyterian University, at São Paulo, SP, Brazil, focused on the topic “Why Researching Screenwriters (has Always) Mattered.” I was especially pleased with the passion these young scholars have toward screenwriting and it’s importance in transmitting culture across the man-made borders of our world.
To understand the world we have to understand its stories and to understand the world’s stories we must understand the world’s storytellers. A century ago and longer those people would have been the novelists of any particular country but since the invention of film, the storytellers who reach the most people with their ideas and their lessons have been the screenwriters. My teaching philosophy is that: Words matter, Writers matter, and Women writers matte, r so women writers are my focus because they have been the far less researched and yet they are over half the population. We cannot tell the stories of the people until we know what stories the mothers have passed down to their children. Those are the stories that last. Now is the time to research screenwriters of all cultures and the stories they tell because people are finally recognizing the work of writers and appreciating how their favorite stories took shape on the page long before they were cast, or filmed, or edited. But also because streaming services make the stories of many cultures now available to a much wider world than ever before.
Many thanks to Glaucia Davino for the invitation.
* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.
Challenging conventional scholarship placing the origins of film noir in postwar Hollywood, Sheri Chinen Biesen finds the genre’s roots firmly planted in the political, social, and material conditions of Hollywood during the war. After Pearl Harbor, America and Hollywood experienced a sharp cultural transformation that made horror, shock, and violence not only palatable but preferable. Hard times necessitated cheaper sets, fewer lights, and fresh talent; censors as well as the movie-going public showed a new tolerance for sex and violence; and female producers experienced newfound prominence in the industry.
Biesen brings prodigious archival research, accessible prose, and imaginative insights to both well-known films noir of the wartime period―The Maltese Falcon, The Big Sleep, and Double Indemnity―and others often overlooked or underrated―Scarlet Street, Ministry of Fear, Phantom Lady, and Stranger on the Third Floor.
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library
Subscribe to Rosanne’s Channel and receive notice of each new video!
In honor of Halloween – and in service to my teaching philosophy —
“Words Matter. Writers Matter. Women Writers Matter.”
I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!
Transcript:
Now this woman really fascinated me. Amelia Edwards. She is known again for travel writing. She traveled the world and that was very fascinating. It’s what she published and got more fame for but in fact, she published ghost stories and there’s a whole collection of her supernatural and weird stories that was just put out again in 2009. So we’re having a Renaissance of looking at women as writers and thinking about the material they put out so many years ago. So I think that’s fascinating. What’s double fascinating. Women have been hidden in history as we know. Women have been hidden in the history of literature. Also, LGBTQ people have been hidden in the history of our actual public life and our literature. Turns out Emilia traveled the world with a widowed friend who never bothered to get married a second time and the two women were companions and did not ask for a male escort which was proper in the day for women to travel with a man to protect them and when they died they were buried side by side in this graveyard.
A surgeon for the Union during the American Civil War and the only woman to receive the Congressional Medal of Honor, Mary Edwards Walker was born on November 26, 1832, in Oswego Town, New York. Her parents, Vesta Whitcomb and Alvah Walker, held 25 acres of land on which they grew fruits and vegetables for market. The family also kept a library for all five of their daughters to use. As a youth, Walker was interested in Spiritualism and supported abolition, temperance, and women’s rights, including suffrage.
Learn about more Women In History with these encyclopedia from Dr. Rosanne Welch and Dr. Peg Lamphier
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* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
Ellen Craft was a fugitive slave made famous by the daring escape she and her husband William Craft (1824–1900) made in December 1848. Ellen, disguised as an infirm and sickly slaveholding gentleman, and her husband William, posing as a slave servant, traveled from the slaveholding state of Georgia to freedom in Philadelphia. So widely publicized was their escape that the Crafts became world- renowned spokespersons for abolitionism.
Learn about more Women In History with these encyclopedia from Dr. Rosanne Welch and Dr. Peg Lamphier
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* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
Margaretta Forten was instrumental in founding the Philadelphia Female Anti-Slavery Society, an influential local chapter of abolitionist and journalist William Lloyd Garrison’s American Anti-Slavery Society, and served as an active member and frequent officer of the society during its entire 37-year history.
Forten was the daughter of free blacks James and Charlotte Vandine Forten. The Fortens were staunch abolitionists, and their children spent much of their time attending abolitionist meetings while they were growing up. The family also entertained prominent abolitionists and moral reformers in their home. After one such visit, poet John Greenleaf Whittier was so taken with the family that he wrote a poem titled “To the Daughters of James Forten.”
Learn about more Women In History with these encyclopedia from Dr. Rosanne Welch and Dr. Peg Lamphier
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* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
Singer, songwriter, and the first woman inducted into the Rock and Roll Hall of Fame, Aretha Louise Franklin was born on March 25, 1942, in Memphis, Tennessee. The fourth of five children, Aretha Franklin was raised in Detroit, Michigan, where her father was the head of the congregation of the New Bethel Baptist Church. Often in the presence of popular singers, both gospel and secular, she was influenced by performers such as Sam Cooke, Jackie Wilson, and Dinah Washington. Gospel great Mahalia Jackson was also a visitor to the Franklin household. Franklin was first recorded as a gospel artist at age 14.
Learn about more Women In History with these encyclopedia from Dr. Rosanne Welch and Dr. Peg Lamphier
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* A portion of each sale from Amazon.com directly supports our blogs ** Many of these books may be available from your local library. Check it out! † Available from the LA Public Library
Months of research went into the creation of the essays in “When Women Wrote Hollywood.” Here are some of the resources used to enlighten today’s film lovers to the female pioneers who helped create it.
This site is an extension of the research for The Algonquin Round Table New York: A Historical Guide by Kevin C. Fitzpatrick, foreword by Anthony Melchiorri. Published by Lyons Press, Hardcover, Dec. 2014, ISBN: 978-1-4930-0757-8.
“That is the thing about New York,” wrote Dorothy Parker in 1928. “It is always a little more than you had hoped for. Each day, there, is so definitely a new day.”
Now you can journey back there, in time, to a grand city teeming with hidden bars, luxurious theaters, and dazzling skyscrapers.
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library