DTLA Film Festival panel discussion via Instagram

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DTLA Film Festival panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

DTLA Film Festival panel discussion via Instagram

Video of this panel coming soon.

 

 

Getting ready for my panel at DTLA Film Festival on Sunday via Instagram

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Getting ready for my panel at DTLA Film Festival on Sunday

Getting ready for my panel at DTLA Film Festival on Sunday via Instagram

Chatting with Maria Staroselets of the DTLA Film Festival before our panel discussion, Privileged Characters: How to recognize and avoid implicit bias in your screenwriting.

Video of this panel coming soon

 

Presenting my talk “How the chaos of collaboration in the writer’s room created the golden age of television” at the Screenwriting Research Conference in Porto, Portugal

Presenting my talk “How the chaos of collaboration in the writer’s room created the golden age of television” at the Screenwriting Research Conference in Porto, Portugal

Presenting my talk “How the chaos of collaboration in the writer’s room created the golden age of television” at the Screenwriting Research Conference in Porto, Portugal

** We have returned from Porto and I am streaming out our photos over the next few weeks.

Opening Reception, Screenwriting Research Network Conference, Porto, Portugal via Instagram

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Chatting with conference attendees before my talk at the Screenwriting Research Conference in Porto, Portugal

Chatting with conference attendees before my talk at the Screenwriting Research Conference in Porto, Portugal

Chatting with conference attendees before my talk at the Screenwriting Research Conference in Porto, Portugal

A great way to encounter these international friends I only see in person once a year at the 2019 Screenwriting Research Conference.

** We have returned from Porto and I am streaming out our photos over the next few weeks.

Opening Reception, Screenwriting Research Network Conference, Porto, Portugal via Instagram

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal via Instagram

Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal

Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal via Instagram

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

17 Tressie Souders from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (49 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

17 Tressie Souders from

 

Transcript:

The hardest thing to do now — we’re having trouble reviving some of these female names but it is far more worse reviving African-American female names because these folks have had no paperwork left about them and even the men they worked with haven’t been cataloged in a way that we can look to them for information. Tressi Souders, we only have through newspaper accounts of films of hers that were opening in African-American neighborhoods. So we can see advertisements that she had product but the product doesn’t exist. You can’t find it even on — most of the women I’m gonna mention, the Caucasian women — the European women — and you could find some of their movies on YouTube because stuff has been kept in the Library of Congress. Sadly some has been saved because of men it’s connected to but at least it’s been saved. These women, none of their work exists anymore and that’s one of the most depressing things.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


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† Available from the LA Public Library

At the ‘She Called Action’ 35 Pilot Table Read Contest

At the ‘She Called Action’ 35 Pilot Table Read Contest

At the 'She Called Action' 35 Pilot Table Read Contest

My Second-year MFA candidate Randi Barros and I spent the morning on set at the Manhattan Beach Studios watching a filmed table read of Barros’ script “Springtime in September.” A winner of this year’s ‘She Called Action’ 35 Pilot Table Read Contest, the script concerns a suddenly single mother dealing with dating in the new era.

This “She Called Action” event was created by Cheryl Rodes of the women-owned production company Rodes Unpaved, dedicated to putting women as the heroes of the story.

That’s something the Stephens College MFA in TV and Screenwriting can certainly support!

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Working on my next book! via Instagram

Working on my next book!

Working on my next book! via Instagram

Now that the heat wave has passed — for now — I took to my outdoors “desk” to work my on Fact Checking Hollywood book coming next year.

My schedule seems to include at least one book a year, along with several articles, so taking some sustained, dedicated time to write is always good — especially when it so nice outdoors!

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Stephens College at Denver Pop Culture Con via Instagram

Stephens College at Denver Pop Culture Con via Instagram

Stephens College at Denver Pop Culture Con

One of the fun-nest things about many fun things at the Denver PopCon was the chance to see Stephens College film professor (and MFA alum) Chase Thompson debut his film Tampsen Air. He shared fascinating stories about the concept and the production work in the film with the audience- and the various other Screenwriting MFA alums who came out to show their support.

Learn more about the Stephens College Master of Fine Arts in TV and Screenwriting 

Learn more about the Stephens College Master of Fine Arts in TV and Screenwriting 

First day of lecture/research trip to Oxford-Brookes! (Oxford, UK) via Instagram

First day of lecture/research trip to Oxford-Brookes! (Oxford, UK)

First day of lecture/research trip to Oxford-Brookes! (Oxford, UK)

I’m off to the UK once more to spend a week teaching Screenwriting to the students of Oxford Brookes University. This is part of an exchange program between Oxford Brookes University and the Stephens College MFA in TV and Screenwriting.

 

Paolo Russo, Senior Lecturer in Film Studies, has twice spent a week as a guest lecturer here in Los Angeles and now I get a chance to spend a week with his students. This Master Class is just one part of my activities there. I’ll be working closely with his screenwriting students individually and also get a chance to visit some important research locations like the Bodleian Library.