Tag: Whittaker

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Right and even there’s a moment who’s discussing The Waters Of Mars” where but it’s not special enough. It’s just another episode but it’s one of these you know hour and a half ones. I got to do better. What would make it better? And then he writes, what if The Doctor knows all these people have to die and he can’t tell them? Now there are stakes. Now it means something. Now it’s a special and he literally – so it’s a really cool. It’s called “The Writer’s Tale.” Again it’s really thick but it’s great. You’re literally reading the on-time ideas coming through their head and then to the very end and some of the stuff when he’s doing “Torchwood Children of Earth” he’s talking about and then at the very end when he writes his last episode and they go to the table read and then he goes home and he’s like now what do I do? Like now what do I do?

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Now I think it’s really important to think about how then the writer/showrunner has to decide which of these episodes will be mine and what do I want to say with mine and even when it’s not mine, I’m going to do the final rewrite. I’m going to do the polish to make sure it sounds like all these episodes are coming from one voice, right, which is really why all of Russell’s stuff sounds like Russell. In fact, anyone here ever read “The Writer’s Tale” which is his book –– oh my gosh i should have brought a copy of it. It’s really thick. A journalist named Benjamin Cook asked him in the last season of the David Tennant era “Could I email you and ask you questions about where you’re at with your stories and then we’ll publish a book out of it” and Russell was like sure whatever. So what you get are things like, okay so what are you thinking about tonight and Russell will go “I don’t know. It just occurred to me what if water was like acid and could kill you? Can I play with that?” and a few pages later it’s like “You know what? I’m trying to do an episode on Mars. What if martian water is actually what could kill you before you know it you get to he’s writing “Waters of Mars.” So you literally watch from the idea through the execution of the story.

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Now this homage business reminds me when I teach film history, we do this in movies all the time. Forget just remaking a movie. All you do is you take a storyline and you flip the genders and you have a new movie, right? So if you know “It Happened One Night”, it’s one of the first movie ever to win all five of the major Oscars. A very big deal. Robert Riskin wrote it. It’s the story of a –– Clark Gable is a reporter who’s following an heiress who’s run away on the eve of her wedding and of course, they fall in love on their little journey and by the time they get home they’re going to get married. If you move to the 70s and “The Electric Horseman”, Robert Redford is a rodeo star who’s become a celebrity. Jane Fonda is the reporter. He’s run away with a major expensive horse because they’re gonna like put the horse down and do something and then she follows him to get a story but they fall in love. So it’s exactly the same story. Just flip the genders right? So movies are always ––  I mean writers always do this. We’re homaging something we loved by givingit a little flip. So I think that “Father’s Day” and “Demons the Punjab” fall into that.

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In the same way, we could do a whole episode on you know Star Trek and Lieutenant Uhura that’s why Mae Jemison is the first African-American astronaut because she saw Lieutenant Uhura when she was a kid. She’s like oh look a black woman could be involved in space and Tada she’s the first astronaut. So just amazing the power of Television even more than films because TV comes into your house. Really I think an important thing.

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So to think about what’s a piece that even in the UK they need to remember their own history and always not the good parts right and the choices that were made. So what a perfect way to use Yaz and what a cool thing you want to see your grandmother’s wedding and then Oh gee it’s a wedding. It’s a wedding for Rose and these are places you shouldn’t haven’t been. So I think that’s a lovely bit and of course, I’m tracing that all the way back to the Original “Star Trek” which is the ultimate sci-fi on tv right, and this beautiful episode – which if you don’t know what you need to know – but won several science fiction awards back in the day by Harlan Ellison “The City on the Edge of Forever” right. Which is where Kirk falls in love with a woman and when they before – Joan Collins, exactly, before “Dynasty” – and then learns – spoiler alert – that she is she’s pushing for peace before World War II and if she succeeds Hitler will have time to rise and he will, in fact, take over the world. So she has to die and you’re like No No No No No, he’s never fallen in love – yeah it’s great. Very funny. Very funny and just the other day right William Shatner is now going to go up to space at the age of 90. Like wow. Amazing how TV affects things. Really it’s William Shatner. He’s just an actor from Canada but he’s Captain Kirk right?