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When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.
Transcript
So for me what’s interesting and important about a writer’s room is what you have to do. In this case, this show called Fresh Off The Boat. It’s based on the memories of an Asian-American man and his immigrant family and for their room they wanted to make sure all the people they hired had an outsider perspective. People who understood what it was like to go to a new place and be different and how do you manage that balance of I’m an American-Korean but my parents are truly Korean and in moving to another country the parents have given away part of the knowledge of their children because they won’t share the same kind of childhood. So that was an important aspect that Nahnatchka Khan wanted to bring to her show and really interesting that she’s not a Korean American and she’s running the show. So it’s about an experience she shares emotionally not the same ethnic experience and so I think that’s an interesting movement forward — which is pretty good.
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